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Replies to post #104918 on Mike The Pike Productions Inc (fka MIKP)
The rights were optioned by Mike the Pike Productions’ Mark B. Newbauer, who will executive produce the Cinemax version.
According to a complaint filed on Thursday in Los Angeles Superior Court, Martin granted a film option in 2009 to Mike the Pike Productions, which later assigned it to Blackstone Manor LLC. Under the agreement, the producers had five years to commence principal photography. If no motion picture was made during this time, then Skin Trade rights would revert back to Martin.
The option was executed on Sept. 2, 2014, just in time, but Martin contends “Blackstone contrived the artifice” of production by hastily assembling a bare bones cast and crew for a handful of scenes merely to undercut Martin’s rights.
“Blackstone’s token Production was insufficient to prevent reversion of the Rights to Martin,” states the complaint filed by attorney Neville Johnson. “Rather, it was the equivalent of a contractor agreeing to build a skyscraper and, on the last day to begin construction — without a foreman, crew, or approved blueprints — having a handful of day laborers take a month to build a gazebo on the construction site instead.”
The suit seeks a declaration sorting rights as well as damages on the claim of breach of the implied covenant of good faith and fair dealing.
By Dominic Patten
Senior Editor, Legal & TV Critic
July 11, 2023 7:12pm
With the scribes’ strike now finishing its 71st day and the actors’ union just 30 hours from a possible labor action of its own, the Alliance of Motion Picture and Television Producers are planning to dig in hard this fall before even entertaining the idea of more talks with the WGA, I’ve learned. “Not Halloween precisely, but late October, for sure, is the intention,” says a top-tier producer close to the Carol Lombardini-run AMPTP.
While some dismiss this as just “cynical strike talk,” studio and streamer sources around town confirm the strategy. They also confirm that the plan to grind down the guild has long been in the works for a labor cycle that all sides agree is a game-changer one way or another for Hollywood.
“It’s been agreed to for months, even before the WGA went out,” one executive said. “Nobody wanted a strike, but everybody knew this was make or break.”
Receiving positive feedback from Wall Street since the WGA went on strike May 2, Warner Bros Discovery, Apple, Netflix, Amazon, Disney, Paramount and others have become determined to “break the WGA,” as one studio exec blatantly put it.
To do so, the studios and the AMPTP believe that by October most writers will be running out of money after five months on the picket lines and no work.
“The endgame is to allow things to drag on until union members start losing their apartments and losing their houses.,” a studio executive told Deadline. Acknowledging the cold-as-ice approach, several other sources reiterated the statement. One insider called it “a cruel but necessary evil.”
The studios and streamers’ next think financially strapped writers would go to WGA leadership and demand they restart talks before what could be a very cold Christmas. In that context, the studios and streamers feel they would be in a position to dictate most of the terms of any possible deal.
The severe method comes out of the guild’s successful battle with the agencies in 2021 over dismantling the lucrative practice of packaging. The WGA picked off one agency after another until final holdout WME backed down, a tactic seen as a warning sign by many in the studio and streamer C-suites.
Convinced that “giving in,” as another insider put it, to the writers will result in every contract cycle from the WGA, IATSE, the Teamsters and more ending in a strike, the AMPTP is aiming for the bottom line.
Publicly, the AMPTP are refuting the so-called October surprise.
“These anonymous people are not speaking on behalf of the AMPTP or member companies, who are committed to reaching a deal and getting our industry back to work,” a spokesperson for the organization says.
Still, since the WGA called its first strike in 15 years in early May, there have been no discussions between the AMPTP and the guild despite persistent public guild offers to meet. Sources close to the AMPTP insist there has been no direct offer from the WGA leadership to resume talks.
Still, as pickets went up and productions shut down in the strike’s early weeks, studio bosses almost uniformly offered banal praise to the writers but no public proposals to get the them back to work. In the meantime, as network schedules shift to unscripted shows and streamers buy up foreign content, the studios and streamers have been saving money on shuttered productions and cost-cutting.
The WGA did not respond to request for comment today from Deadline. If or when they do we will update this post.
AI
