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| Alias Born | 10/24/2016 |
Friday, March 17, 2017 10:32:16 AM
no, stop being an idiot. the movie is supposed to go in theaters, you have no information to back up that they will never release the movie. if you look at the SS, a big news drop or a movie would explode the price because of how little shares are available. the demand would exceed the supply. gmoney, you've seen those 12M volume days man, you know it can happen. but don't expect everyday to be green man it just can't happen. it's a stock it fluctuates. Look I have one post a day, so I will use it damn well. ---THIS PART IS IMPORTANT--- I'm assuming none of you are directors or have even looked into filmmaking even once. but making a movie is a very delicate process. If hollywall didn't give a shit, they would have released the movie the first time the said they were going to. Let Matt Burwood, a Filmmaker explain it to you. This is his response to "how long does it take to make a good movie?". He has no association with Hollywall whatsoever.
" To make a good movie? As long as it takes.
The length of time is completely arbitrary - you could make a good film in a matter of days or it could take a few years. In either case, it will take as long as it takes for that movie.
What I mean is say you have predicted for the entire film production to take a year, you get to nearing the end of that year and the film has some issues - maybe the script wasn’t perfect before production, or whatever (this is very common).
If you don’t proceed to take the time to resolve those issues, either by doing some reshoots or continuing editing until the film is better, then the film won’t be as good as it could be.
This may take an additional few months, or even sometimes a few more years past what was originally planned for. A famous example being Apocalypse Now (1979) which took multiple editors a few years to edit.
With filmmaking, there is really no ‘good enough’, the film is either perfect (within reason) or it’s not.
For a writer, it’s a word; for a composer or a musician, it’s a note; for an editor or a filmmaker, it’s the frames. One frame off or two frames added or two frames less is the difference between a sour note and a sweet note, is the difference between clunky, clumsy crap and orgasmic rhythm."
So the fact that Hollywall is not releasing the movie just right off the bat goes to show they actually give a shit about it. and Like I said I have one post a day so if you'd like to talk about it, find me at Twitter at @a1phillies fan. GO HOLLYWALL!!
" To make a good movie? As long as it takes.
The length of time is completely arbitrary - you could make a good film in a matter of days or it could take a few years. In either case, it will take as long as it takes for that movie.
What I mean is say you have predicted for the entire film production to take a year, you get to nearing the end of that year and the film has some issues - maybe the script wasn’t perfect before production, or whatever (this is very common).
If you don’t proceed to take the time to resolve those issues, either by doing some reshoots or continuing editing until the film is better, then the film won’t be as good as it could be.
This may take an additional few months, or even sometimes a few more years past what was originally planned for. A famous example being Apocalypse Now (1979) which took multiple editors a few years to edit.
With filmmaking, there is really no ‘good enough’, the film is either perfect (within reason) or it’s not.
For a writer, it’s a word; for a composer or a musician, it’s a note; for an editor or a filmmaker, it’s the frames. One frame off or two frames added or two frames less is the difference between a sour note and a sweet note, is the difference between clunky, clumsy crap and orgasmic rhythm."
So the fact that Hollywall is not releasing the movie just right off the bat goes to show they actually give a shit about it. and Like I said I have one post a day so if you'd like to talk about it, find me at Twitter at @a1phillies fan. GO HOLLYWALL!!
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