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Monday, April 03, 2017 8:51:39 PM
Why Dana Schutz Painted Emmett Till
Schutz's "Open Casket," based on a photograph
of Emmett Till, is in the Whitney Biennial.
The artist has spent her career using abstract and figurative images to tell enigmatic stories. But a recent work has made her into an incendiary figure.
April 10, 2017 Issue
http://www.newyorker.com/magazine/2017/04/10/why-dana-schutz-painted-emmett-till / http://www.newyorker.com/magazine/2017/04/10/why-dana-schutz-painted-emmett-till?mbid=gnep&intcid=gnep&google_editors_picks=true
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elsewhere this string, https://investorshub.advfn.com/boards/read_msg.aspx?message_id=130118547 and preceding (and any future following)
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Schutz's "Open Casket," based on a photograph
of Emmett Till, is in the Whitney Biennial.
The artist has spent her career using abstract and figurative images to tell enigmatic stories. But a recent work has made her into an incendiary figure.
April 10, 2017 Issue
http://www.newyorker.com/magazine/2017/04/10/why-dana-schutz-painted-emmett-till / http://www.newyorker.com/magazine/2017/04/10/why-dana-schutz-painted-emmett-till?mbid=gnep&intcid=gnep&google_editors_picks=true
---
in addition to (linked in) the post to which this is a reply and preceding and (other) following, see also (linked in):
elsewhere this string, https://investorshub.advfn.com/boards/read_msg.aspx?message_id=130118547 and preceding (and any future following)
https://investorshub.advfn.com/boards/read_msg.aspx?message_id=130044293 and preceding and following
Greensburg, KS - 5/4/07
"Eternal vigilance is the price of Liberty."
from John Philpot Curran, Speech
upon the Right of Election, 1790
F6
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