|$BSEG Just came across this too... posted 7||DawgTrading||26 minutes ago|
|Interesting....thanks.||jpike||28 minutes ago|
|BSEG already using AI for artwork generation check||DawgTrading||44 minutes ago|
|A-I will be a tail wind for BSEG||jpike||06/06/23 2:52 PM|
|$BSEG All those Cannes meetings Sandro should be||DawgTrading||06/06/23 12:45 PM|
|Agreed cash flow positive... keep that growing slow||DawgTrading||06/02/23 4:43 PM|
|Slow quarters behind now! So many awesome new||jpike||06/02/23 3:31 PM|
|Slow quarters behind now! So many awesome new||jpike||06/02/23 3:31 PM|
|Annual is out... float was updated ... 63m||DawgTrading||06/01/23 5:17 PM|
|Management could pick up some cheap stock these||jpike||06/01/23 4:38 PM|
|$BSEG PR Out.||DawgTrading||06/01/23 3:05 PM|
|First someone sold about 20 and THEN someone||jpike||06/01/23 12:33 PM|
|Seems a large block killed the bid this||DawgTrading||06/01/23 12:25 PM|
|Dawg, very unusual trading this morning. Any thoughts?||jpike||06/01/23 11:31 AM|
|Y.E. due on or before June 30th I believe.||jpike||05/31/23 3:24 PM|
|AI was a timely topic for the festival.||jpike||05/31/23 2:57 PM|
|$BSEG at Cannes Film Festival||DawgTrading||05/31/23 1:38 PM|
|$BSEG ETrade no lower orders on the L2||DawgTrading||05/31/23 9:50 AM|
|https://twitter.com/KimberleyKates/status/1660887200396120064 Check out how STORJ works, really B||DawgTrading||05/26/23 12:18 AM|
|Dawg, was there something released this afternoon from||jpike||05/25/23 4:40 PM|
|Looks as if for several weeks the buyer||jpike||05/24/23 3:14 PM|
|$BSEG Nice keep digging that hole shorts...||DawgTrading||05/24/23 11:34 AM|
|OTC short report indicated 140,000 sold short yesterday.||jpike||05/24/23 11:10 AM|
|$BSEG remember when this had only 2/3 MPIDs||DawgTrading||05/24/23 11:06 AM|
|MM afraid of his own shadow in this market.||jpike||05/23/23 1:36 PM|
|With buying interest showing up the MM will||
|jpike||05/23/23 11:34 AM|
|If my TMNA explodes im going to load||DawgTrading||05/23/23 11:26 AM|
|Agree. I don't believe any long term||jpike||05/23/23 11:24 AM|
|BSEG gets some more buyers, or a really||DawgTrading||05/23/23 11:21 AM|
|Nice volume BUYS this morning. Also, annual||jpike||05/23/23 10:45 AM|
|BSEG getting a little syndication now... Maybe||DawgTrading||05/23/23 10:33 AM|
|BSEG is/was at the Cannes film festival recently.||DawgTrading||05/23/23 10:19 AM|
|Nice opportunity for new revenue streams. Under||jpike||05/19/23 4:58 PM|
|PR||DawgTrading||05/19/23 2:58 PM|
|Looking forward to BSEG's new captivation TV series||jpike||05/19/23 2:15 PM|
|$BSEG nice seems some lurkers around to grab||DawgTrading||05/15/23 12:14 PM|
|50,000 shares BSEG purchased by someone in last||jpike||05/12/23 4:13 PM|
|I looked for a date and couldn't find||tcld55||05/09/23 6:18 AM|
|Not sure they gave a date.||jpike||05/08/23 2:38 PM|
|$BSEG Nice to see the bid at $0.03||
|DawgTrading||05/08/23 2:20 PM|
|I know that also. I try not||tcld55||05/05/23 7:02 PM|
|Didn't see that...thanks Dawg.||jpike||05/05/23 4:11 PM|
|BSEG seller on the ask, either its hidden||DawgTrading||05/05/23 2:48 PM|
|I know they moderate all the replies there...||DawgTrading||05/05/23 2:03 PM|
|I tried to reply to the feedback post||tcld55||05/05/23 12:32 PM|
|I hope the overall market gets a little||jpike||05/04/23 2:44 PM|
|Seems an investor push is coming... just saw||DawgTrading||05/04/23 11:52 AM|
|Twice in the last week the MM only||jpike||05/01/23 5:49 PM|
|BSEG interesting inside out day so far on||DawgTrading||05/01/23 3:13 PM|
|No reason at all to be selling this||jpike||04/26/23 3:55 PM|
We are a publicly traded (Stock Symbol: BSEG) full service entertainment company designed to develop, produce, purchase, exhibit and distribute products in all media formats, including motion pictures, television, music, video games and publishing.
Our Primary SIC Code is 7822 - Motion Pictures and Video Production
Our Secondary SIC Code is 7812 - Motion Picture and Tape Distribution
Our fiscal year end is on March 31.
We are a full service entertainment company designed to develop, produce, purchase, exhibit and distribute products in all media formats, including motion pictures, television, music and publishing as well as an education division.
Our mission is to become global leader in the independent film, film education and television industry through our development, production and distribution of commercially viable, high-quality entertainment products that will provide short-term return on capital and long-term residual income to our investors and partners.
Headquartered at our corporate offices on Wilshire Blvd. inBeverly Hills, California and Rochester Hills, Michigan, our films have premiered at the world’s most prestigious independent film festivals and played at the largest theatrical chains in the United States, the United Kingdom, Japan, India and Germany. Our films have been exhibited in America’s top retail outlets and formats, including Wal-Mart, Showtime, Time Warner, Amazon, Playstation, Starz, Redbox, iTunes, DISH, Comcast, Netflix, The Movie Channel, Best Buy, Target, Xbox, Google Play, You Tube and many other VOD distributors. Our relationships with top Hollywood studios and talent, as well as our corporate distribution alliances in films and games, have positioned us to continue our growth in the coming years.
We generate revenues from our products and services in several ways:
As a film production company retaining a studio fee to produce our films;
As a service production provider for setting up films globally through our subsidiaries and directly;
By producing materials in-house;
By domestic distribution for our films and 3rd parties direct to vendors;
By global sales and distribution of our films and 3rd party films;
By having an in-housevisual effects division;
By having an in-house marketing division;
By producing products including commercials, music videos and educational
training videos for other vendors in-house;
By being a post-production facility;
By being a one-stop shop for film development through production to sales, distribution and manufacturing;
By owning not less than 50% of all of the films that we produce in most cases and/or receiving a Studio Fee;
By having an education division with programs for foreign students;
By producing and selling our own films and television shows;
By selling films produced by other production companies;
By selling music, artists or projects that we distribute through our Music Division with various established vendors we are in contract with;
Through our distribution deal with Orchard for digital and VOD sales all over the world;
By earning management fees from services rendered on behalf of actors, directors, musicians, writers and visual effects artists whom we represent through our Artist Management Division;
By selling, distributing or producing television programming both in the reality television programming and drama/comedy scripted shows
Over the past year BSEG launched its own streaming channel, Big Stream, as a Roku channel, mobile and desktop VOD platform, to display and deliver content from its own library and that of its partners and affiliates. BSEG has recently expanded its development team and slate of projects with the aim of developing shows for streamers as the digital marketplace grows. Development slate: BSEG has added 6 new IP’s from the previous year. The BSEG Development team has expanded. The Company continued to create and work steadily during Covid. The Company is also working with the new lifestyle brand, The Princess Network. A merchandise, travel, blog, educational and media company to expand BSEG into more revenue streams for the future.
|Company Info||Company Links|
|Company Contact Number: 323.654.3400||BSEG Site: Bigscreenentgroup.com|
|Investor Relations Contact: firstname.lastname@example.org||BSEG on Facebook: Click|
|Investor Relations: Click||BSEG on Insta: Click|
|More info on BSEG at OTCMarkets.com||Recent Company News: Click|
|Big Stream Entertainment: https://bigstreamentertainment.com||BSEG on Twitter: https://twitter.com/bigscreenbuzz|
|We generate revenues from our products and services in several ways: |
- As a film production company retaining a studio fee to produce our films;
- By producing materials in-house;
- By domestic distribution for our films and 3rd parties direct to vendors;
- By international sales and distribution of our films and 3rd party films;
- By having an in-house visual effects division;
- By having an in-house marketing division;
- By producing products including commercials, music videos and educational training videos for other vendors in-house;
- By being a post-production facility;
- By being a one-stop shop for film development through production to sales, distribution and manufacturing;
- By owning not less than 50% of all of the films that we produce in most cases and/or receiving a Studio Fee;
- By having an education division with BSEG teachers;
- By producing and selling our own films and television shows;
- By selling films produced by other production companies;
- Through our Gaming division with Scientifically Proven Entertainment, an established gaming company;
- By selling music, artists or projects that we distribute through our Music Division with various established vendors we are in contract with;
- By our direct distribution deal with DISH;
- Through our distribution deal with Orchard for digital and VOD sales all over the world;
- By earning management fees from services rendered on behalf of actors, directors, musicians, writers and visual effects artists whom we represent through our Artist Management Division;
- By selling, distributing or producing television programming both in the reality television programming and drama/comedy scripted shows;
Kimberley Kates CEO/Director and Co-Chairperson
Kimberley Kates is a multi-award-winning producer who runs the Los Angeles-based publicly traded, production and global distribution company, Big Screen Entertainment Group (BSEG).
Stephen Eckelberry - Co-Chairperson of BSEG and Director
Stephen Eckelberry invovled in Big Screen is tbhe chairman of the board and director and is a filmmaker with an expertise in post-production. Currently his company, Blackberry Productions, provides post-production consultation for the University of Southern California's Institute Of Creative Technologies located in Marina Del Rey, California. The goal of the ICT is the creation of the Experience Learning System (ELS). ICT harnesses creative talent from the entertainment and game development industries and leading edge research on simulation technologies such as Artificial Intelligence, Graphics and Sound.
Among Eckelberry's many past positions and accomplishments, he served as Post Production Supervisor/Associate Producer with The Motion Picture Bond Co. located in Century City, California. In that role, he insured that films were finished at the highest possible standards within the available budget. He navigated the intricacies of studio delivery contracts, insuring that films were properly delivered with no rejections.
Stephen is an accomplished writer, director, post production supervisor and producer and a great asset to the Big Screen team.
Michael Manasseri - Director
Michael Manasseri is part of Big Screen Pictures and a Director has been in the entertainment industry for over twenty (20) years. As a teenager Michael appeared on Broadway in the revival of Oliver, toured the United States in The King and I with Yul Brynner, and starred in three Off Broadway theatrical productions. He also appeared in over 40 national commercials. At 18, Michael starred in the 20th Century Fox film, License to Drive, with Heather Graham. Michael also had starring roles in four television series: Raising Miranda and Peaceable Kingdom for CBS, Charlie Hoover for FOX, and from 1994 to 1998 Michael played the lead role in the USA Network comedy Weird Science, executive produced by John Landis (Director/Producer of Animal House, Trading Places and Coming to America). Weird Science is still in world-wide syndication, having aired in over 40 countries.
Michael has recently successfully delved into directing - his first film the very popular and well reviewed "Babysitter Wanted." His second film shot first and second quarter of 2010, he also co-wrote. The new film, a Sci-fi/Action adventure film "Sucker" will be out in 2011 and already garnering a great deal of attention from buyers and fan boy sites. Michael has written six scripts. He has a children's franchise of four films he will begin on in 2011 with Big Screen as BSEG moves more into the family genre, children friendly film and television business.
Sandro Monetti - Director, Head of DevelopmentMulti-award winning writer Sandro Monetti's hit projects include Marilyn and Sinatra, a sell-out play in New York, Los Angeles and London's West End that is now available as an audio book.
In addition to his acclaimed work for the stage and screen, he is also the author of two best-selling books, the biographies of movie stars Mickey Rourke and Colin Firth, and a two-time journalist of the year nominee.
Sandro is a regular contributor on CNN and the BBC as an entertainment industry expert, is also an expert on history and serves as a member of the board of directors of the British Academy of Film and Television Arts in Los Angeles.
The Deka Bros. - Content Creators and Clients
The Deka brothers grew up in the countryside of France. As kids, Japanese Anime, US films and European literature shaped their imagination and this influence can still be seen today in their most recent productions.
Julien and Ben both received Bachelor Degrees in Cinema Studies at Poitiers University, and while their courses were all about theory and history of Cinema, they formed the artistic collective Les Films de la Lymphe with other local artists.
In this very unique underground artistic context, at the heart of Digital Video revolution, they directed several short pieces, but also enhanced their skills as cinematographers and VFX artists in their friends' productions. Les Films de la Lymphe produced about 60 short films and music videos in the past 12 years, and Ben and Julien were key crew members on every single one.
Moreover the brothers wrote, produced and directed their feature film debut Sodium Babies over a period of 5 years, with a global budget of 25,000€. In the meantime, they started to make a name for themselves in the metal music video industry in Europe.
After the international recognition of their homemade indie movie, the Deka Bothers moved to the States, and continue to go back and forth to France where they direct arty avant-garde projects.
They are currently Artists in Residence at Oakland University, MI, where they are helping to build the new Digital Cinema Production Program.
They recently DP'd a national television commercial and they directed the music video Chris Benoit for Insane Clown Posse, one of the most notorious, independent bands in the US.
Ben and Julien recently received the MTV Music Video Award 2012 for Best Visual Effects, for their work on Skrillex's First of the year (Equinox), directed by their friend Tony T. Datis.