All For One Media Corp (AFOM)

[BrianLukow]

AFOM UPDATE

THE BACKGROUND

ALL FOR ONE MEDIA CORP. (AFOM) WAS LAUNCHED WITH A WELL CONCEIVED BUSINESS MODEL.

THE STATED GOAL OF THE COMPANY WAS TO BUILD MAJOR BRANDED ENTERTAINMENT PROPERTIES UTILIZING ALL MEDIA INCLUDING BUT CERTAINLY NOT LIMITED TO MOVIES, VIDEOS, MUSIC, LIVE PERFORMANCE, LICENSED MERCHANDISE AND CORPORATE SPONSORSHIPS.

OUR BUSINESS MODEL WAS FURTHER ENHANCED BY SEVERAL MACRO FACTORS INCLUDING THE ENORMOUS GROWTH IN STREAMING MOVIES AND MUSIC LED BY COMPANIES LIKE NETFLIX AND SPOTIFY.

THE CORNERSTONE TO LAUNCHING OUR FIRST MAJOR BRAND WAS BUILT AROUND THE MOVIE MUSICAL ORIGINALLY TITLED CRAZY FOR THE BOYS.
WITH 14 ORIGINAL POP SONGS AND INFECTIOUS CHOREOGRAPHY WRAPPED AROUND A RELATABLE STORY THAT TWEENS AND TEENS COULD IDENTIFY WITH, THE FINISHED FILM WAS PRIMED TO SERVE A DUAL PURPOSE.

FOR STARTERS, AS A STAND-ALONE MOVIE, WE BELIEVED CRAZY FOR THE BOYS WAS A WINNER. OR TO PUT IT SIMPLY; KIDS LOVE THE MOVIE.

WE WERE FURTHER ENERGIZED BY THE OVERWHELMING SUCCESS THAT NETFLIX HAD WITH TWO FILMS TARGETED TO THE SAME DEMOGRAPHIC AS CRAZY FOR THE BOYS. WHILE NETFLIX DOESN’T RELEASE STREAMING STATISTICS, THEY TOOK THE UNPRECEDENTED STEP OF TAKING OUT A FULL-PAGE ADVERTISEMENT IN THE INDUSTRY TRADES INCLUDING; HOLLYWOOD REPORTER AND VARIETY PROCLAIMING “THE KISSING BOOTH” AND “TO ALL THE BOYS I LOVED BEFORE” AS THEIR “TWO MOST RE-WATCHED MOVIES OF 2018. WE BELIEVED OUR MOVIE COMPARED FAVORABLY TO BOTH OF THOSE RUNAWAY SUCCESSES.

SECONDLY, THE MOVIE WAS DESIGNED TO SERVE AS A 100 MINUTE COMMERCIAL TO LAUNCH THE GIRL GROUP “DRAMA DRAMA” WHICH WAS ENVISIONED AS A MODERN-DAY SPICE GIRLS.

THE SPICE GIRLS ACHIEVED “BILLION DOLLAR BRAND” STATUS WHEN THE INTERNET WAS IN ITS INFANCY, BEFORE SOCIAL MEDIA AND BEFORE STREAMING. WE FELT AND STILL DO THAT THE TECTONIC SHIFT IN TECHNOLOGY SHOULD HAVE A STRONG AND POSITIVE IMPACT ON HELPING US REACH A WORLDWIDE AUDIENCE OF TWEENS.
UNFORTUNATELY, DESPITE RECEIVING SEVERAL OFFERS FOR DISTRIBUTION OF DRAMA DRAMA, MANAGEMENT DEEMED ALL OF THE OFFERS UNWORTHY OF PROVIDING EITHER THE POTENTIAL REVENUES OR EYEBALLS NECESSARY TO EXECUTE OUR BUSINESS MODEL.

WE DECLINED OFFERS RANGING FROM BROADCASTERS LIKE SHOWTIME, FILM STUDIOS LIKE CINEDIGM AND SAMUEL GOLDWYN, AND DISTRIBUTORS SUCH AS VERTICAL ENTERTAINMENT AMONG OTHERS. NONE OF THESE OFFERS WERE DEEMED BY MANAGEMENT TO PROVIDE EITHER SIGNIFICANT REVENUES OR EYEBALLS.
FOR DRAMA DRAMA, EYEBALLS OR IMPRESSIONS ARE PARAMOUNT TO SUCCESS.
AS OF OCTOBER 15TH, 2019, WE CUT TIES WITH WILLIAM MORRIS/ENDEAVOR CONTENT.

THIS DECISION WAS BASED ON A CAREFUL ANALYSIS OF EVERY OFFER,
INSTEAD, WE EXECUTED A “BUZZ CAMPAIGN” TO RAISE AWARENESS AND HELP ATTRACT THE RIGHT OFFER.
THE MARKETING PUSH INCLUDED BRINGING THE STARS OF DRAMA DRAMA TOGETHER TO SHOOT A MUSIC VIDEO WHICH HAS GARNERED OVER 2 MILLION VIEWS ON YOU TUBE.

RELEASING THE MOVIE TRAILER WHICH HAS AMASSED NEARLY 2 MILLION VIEWS,

WE HAVE ALSO BEEN RECEIVING SIGNIFICANT COVERAGE IN TEEN MAGAZINES INCLUDING A GREAT MOVIE REVIEW AND SEVERAL PIN-UPS.

https://www.dropbox.com/s/lpcrktdyd2edeqk/dramadrama_presskit_110619.pdf?dl=0

DRAMA DRAMA HAS ALSO BEEN FEATURED IN RECENT ARTICLES IN BOTH FORBES (FOCUSING ON THE ANTI BULLYING THEME) and BILLBOARD.

https://www.forbes.com/sites/anujakhemka/2019/10/09/developing-a-strong-sense-of-self-and-purpose-could-be-the-key-to-your-businesss-success/#6d51f4157b53

MOST RECENTLY WE HELD TWO MOVIE SCREENING EVENTS ON BACK TO BACK SATURDAYS IN LOS ANGELES AND NEW YORK HOSTED BY J 14 MAGAZINE (THE #1 RANKED GIRLS MAGAZINE ON AMAZON). THE SCREENINGS WERE MET WITH AN OVERWHELMING AUDIENCE RESPONSE BY KIDS IN OUR TARGET DEMO ON BOTH COASTS.

WE HAVE JUST SIGNED AN AGREEMENT WITH TRICOAST ENTERTAINMENT

http://www.tricoastworldwide.com/

TO REPRESENT THE FILM TO THE WORLD. DRAMA DRAMA WAS SHOPPED AT AFM (AMERICAN FILM MARKET) FROM NOVEMBER 6-12. TRICOAST HAS PROVIDED US WITH WORLDWIDE ESTIMATES THAT RANGE FROM LOW SEVEN FIGURES TO $8,000,000. THE TERM OF THE DEAL IS ROUGHLY SIX MONTHS, WHICH WILL ENCOMPASS THREE MAJOR TRADE SHOWS (AFM, BERLIN AND CANNES).

IN SUMMARY, WHILE MORE TIME HAS PASSED THAN WE ANTICIPATED, WE ARE AS COMMITTED TODAY AS WE HAVE EVER BEEN IN EXECUTING OUR MODEL. IT’S ALSO REASONABLE TO BELIEVE WE ARE CLOSER THAN WE HAVE EVER BEEN.

CURRENT SITUATION

CURRENTLY, AFOM’S STOCK IS TRADING AT “GOING OUT OF BUSINESS” LEVELS. TO MOST SOPHISTICATED INVESTORS, IT WOULD APPEAR AFOM IS CAUGHT IN A DEATH SPIRAL. A DEATH SPIRAL IS A TERM APPLIED TO A TYPE OF CONVERTIBLE DEBT THAT STIMULATES AN EVER-INCREASING NUMBER OF SHARES, LEADING TO STEEP STOCK PRICE DROPS. ... THIS, IN TURN, ENCOURAGES MORE CONVERSION BECAUSE THE CONVERTIBLE DEBT OWNERS CAN OBTAIN — AND THEN SELL — EVEN MORE SHARES OF THE STOCK WITH THE FIXED VALUE FEATURE.

WE CURRENTLY HAVE ROUGHLY 3 MILLION DOLLARS IN CONVERTIBLE DEBT ON THE BOOKS.

HAD OUR TIMELINES AND REVENUE GUIDANCE AS PROVIDED BY THIRD PARTIES COME TO FRUITION, THIS WOULD NOT HAVE BEEN PROBLEMATIC.
UNFORTUNATELY, THAT HAS NOT BEEN THE CASE.

THUS, WE HAVE NOT HAD THE LIQUIDITY TO REPURCHASE DEBT AND HAVE BEEN HIT WITH A NUMBER OF CONVERTS WHICH HAS PRESSURED THE STOCK PRICE TO ITS CURRENT LEVEL. AS SHAREHOLDERS WE UNDERSTAND YOU’RE DISAPPOINTMENT.
WE ARE SHAREHOLDERS AS WELL. IT SHOULD BE NOTED THAT NOT A SINGLE INSIDER HAS EVER REGISTERED OR SOLD A SHARE OF STOCK IN AFOM IN OUR HISTORY AS A PUBLIC COMPANY. NOT ONE SHARE EVER.

GOING FORWARD

WE BELIEVE THERE IS LIFE AFTER A DEATH SPIRAL.
THE AFOM BUSINESS MODEL HASN’T CHANGED. THE PRICE OF THE STOCK HAS. WE EXPECT IN THE COMING WEEKS TO ANNOUNCE SALES OF DRAMA DRAMA (THE MOVIE) WHILE CONTINUING TO BUILD BUZZ ON DRAMA DRAMA (THE GROUP), WE DON’T BELIEVE OUR CURRENT MARKET CAP REFLECTS THE POTENTIAL RISK/REWARD SCENARIO. THE BULLISH VIEW IS AS FOLLOWS:
AFOM HAS A COMPLETED FINAL CUT OF A MOVIE MUSICAL THAT IS LOVED BY OUR TARGET DEMOGRAPHIC AND IS THE LAUNCH PAD TO OUR BRANDING MODEL. WE ALSO OWN OVER 40 HIT WORTHY MASTER RECORDINGS (SONGS) THAT DRAMA DRAMA CAN EASILY RELEASE THROUGH THE STREAMING SERVICES BY ADDING THEIR VOCALS TO FINISHED INSTRUMENTAL TRACKS.
OF COURSE, THE KEY CHALLENGES REMAIN THE SAME.

OUR GOAL AND ULTIMATE SUCCESS IS DEPENDENT ON THE FOLLOWING:
1. RELEASE DRAMA DRAMA THROUGH ONE OF THE MAJOR STREAMING SERVICES. (NETFLIX, AMAZON PRIME, HULU, or DISNEY +)

2. CREATE AWARENESS TO OUR TARGET MARKET TO DRIVE INITIAL VIEWS. THIS CAN BE ACCOMPLISHED THROUGH TRADITIONAL AND SOCIAL MEDIA CAMPAIGNS.

3. FINALLY, WE NEED OUR “EARLY ADOPTERS” TO RECOMMEND THE MOVIE TO THEIR FRIENDS.

IN OUR VIEW, THIS WILL BE THE FIRST DOMINO TO KNOCK DOWN ALL THE OTHERS AND OPEN ALL OF THE REVENUE STREAMS TO BUILDING WHAT WE HOPE IS THE FIRST OF MANY MEGA BRANDS.

THANKS