James Baldwin & the Fear of a Nation """Long before that day, as she recounted in “Caged Bird” and its five sequels, she had already been a dancer, calypso singer, streetcar conductor, single mother, magazine editor in Cairo, administrative assistant in Ghana, official of the Southern Christian Leadership Conference and friend or associate of some of the most eminent black Americans of the mid-20th century, including James Baldwin, the Rev. Dr. Martin Luther King Jr. and Malcolm X."""
The 'she' referred to there was Maya Angelou of the post replied to the first time around.
"Malcolm X: The House Negro and the Field Negro"
Nathaniel Rich May 12, 2016 Issue
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“On one side of town I was an Uncle Tom,” said James Baldwin in an interview with The Paris Review, “and on the other the Angry Young Man.” But the list of epithets was much longer than that. Robert Kennedy, apoplectic at Baldwin’s statement in a private meeting in 1963 that black Americans couldn’t be counted on to fight in Vietnam, called him a “nut.” Harold Cruse, who attended the same meeting with Kennedy, complained of Baldwin’s “intellectual inconsistencies,” while Richard Wright, his earliest idol and first champion, considered him an ungrateful apostate. To Eldridge Cleaver, Baldwin was a traitor, with a “grueling, agonizing, total hatred of the blacks, particularly of himself, and the most shameful, fanatical, fawning, sycophantic love of the whites.” British Immigration named him a persona non grata and J. Edgar Hoover, who kept a case file on Baldwin at the FBI that ran 1,884 pages long, declared him “a well-known pervert” and a threat to national security.
Baldwin, for his part, accepted no characterization. “A real writer,” he wrote, “is always shifting and changing and searching.” The credo guided his work and his life. He moved to France at the age of twenty-four to avoid “becoming merely a Negro; or, even, merely a Negro writer.” Later he would recoil whenever someone described him as a spokesman for his race or for the civil rights movement. He rejected political labels, sexual labels (“homosexual, bisexual, heterosexual are twentieth-century terms which, for me, really have very little meaning”), and questioned the notion of racial identity, an “invention” of paranoid, infantile minds. “Color is not a human or a personal reality,” he wrote in The Fire Next Time. “It is a political reality.”
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