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SONY PICTURES HOME ENT. & DISTRIBUTION STRATEGIES - HHSE has been working for over a year now with industry veteran ERIC DOCTOROW, who is best known for his 20+ years as President of Paramount Home Entertainment (a $-Billion+ Division), and more recently as C.E.O. of Random Media. Many current and upcoming HHSE titles will enjoy the distribution support through SONY as well as Video-On-Demand with The Orchard, and for selected titles, worldwide distribution with Sony Pictures International. HHSE / Medallion are maintaining the existing distribution pacts with other wholesalers - most notably Cinedigm. But for eligible and qualifying titles, the distribution access into Sony's powerhouse field sales force and distribution pipeline is something of a material development for HHSE. This move enables HHSE Management to focus on productions, acquisitions and theatrical release activities - and turn over the distraction and difficulties of home video distribution (as well as the cash-flow drain of video manufacturing and freight) to be handled under more beneficial terms.
The initial titles that will benefit under this new distribution pact are: DAISY WINTERS, THE ALGERIAN and BONOBOS: BACK TO THE WILD. There are other notable developments in motion with BONOBOS that will merit a separate blog or press announcement. But for now, here's a link to a behind-the-scenes look at the production of this film, and the woman behind the Lola Ya Bonobo Sanctuary in Africa:
GETTING GRACE - opens in theatres March 23, and is already proving to be the company's top theatrical title, probably of all time (several "sneak peek" screenings have already occurred and SOLD OUT, with literally thousands of tickets cumulatively already sold!). This title deserves two or three mega-blogs. But for now, we'll include just a few images and a link or two.
Trailer # 1 (long version):
DEATH HOUSE - opens in theatres Feb. 23 - this deserves an entire mega blog to itself. For now, we'll include the new trailer link.
BLOODFEAST - A limited release of "R" rated DVDs and BluRays will also hit selected retailers on Tuesday... but the BIG GUNS will be blasting with our "SPECIAL, UNRATED AND UNEDITED DIRECTOR'S CUT" - which is rolling out "only in theatres" on a city by city basis. Management believes that the hard-core Horror fans will support this Unrated version, and thus far, the response from the specialty media supports this belief.
https://www.amazon.com/Blood-Feast-Robert-Rusler/dp/B077YPK5KM/ref=sr_1_sc_8?s=movies-tv&ie=UTF8&qid=1517787521&sr=1-8-spell&keywords=bloodfeast
BATTLECREEK hits most major retailers this TUESDAY (Feb. 6) - and is already the company's largest new release "shipped" item in five years. Based on current pre-orders with Amazon.com, which are STRONG (actually 10-X stronger than last year's top video, "Lost in the Pacific"), we are hopeful that this consumer interest will also apply to Walmart, K-Mart, Target, Best Buy and other locations. Check out this film, it's worth the modest purchase price!
https://www.amazon.com/Battlecreek-Bill-Skarsg%C3%A5rd/dp/B077Y6CLXJ/ref=sr_1_1_twi_dvd_1?s=movies-tv&ie=UTF8&qid=1517787440&sr=1-1&keywords=battlecreek
UPLIST REGISTRATION - The dissolution with Crimson Forest will be completed this week, with a formal termination document that has been mutually approved, and a series of short-form terminations for the individual title agreements (as some had different licensors than Crimson Forest Entertainment Group, Inc.). This will also trigger the long-requested removal of HHSE management names off the Nevada Secretary of State listing as corporate officers. Part of the overall settlement with CRIM involves the reversion of rights in "Where's the Dragon" back to the original licensors... which is why this item has not appeared on any of the HHSE release schedules for the past four months. With the Crimson merger obstacle removed, the next steps for our uplist are as follows:
a). PRE-AUDIT - Completion of formatting and overview by outside CPA - covering 2015 Tax Returns, and the full years of 2016 and 2017. This step is expected to be completed this week, with the results handed over (along with the remainder of the audit materials) to our PCAOB firm.
b). UPDATED LIBRARY REPORT - This step is expected to be completed by Feb. 26, and provided to the auditors as the last item for full delivery.
c). REDRAFTED FORM 10 REGISTRATION - This is already completed, awaiting review by outside S.E.C. counsel, and the auditor's letters.
d). TIMING - Once filed with the S.E.C., the registration becomes effective on the earlier of 60 days, or S.E.C. approval. This will trigger our uplist to OTC: QB and the activation of stock share transfers electronically through the DTC. Management believes that being fully registered, and uplisted away from the Pinksheets, will spark a wave of new investors and funds.
Hannover House has already received new orders for multiple thousands-of-units of "BATTLECREEK" (street date Feb. 6), also starring Bill Skarsgård! The momentum might get even stronger with the February launch of Bill's new TV series, "CASTLE ROCK" from J.J. Abrams, Stephen King and HULU. With "BATTLECREEK" right in the middle of a media-feeding-frenzy for Bill Skarsgård - this title looks to be positioned as a very successful video release for Hannover House!
HHSE WHAT IS OUR PLAN FOR GROWTH IN 2018 AND BEYOND?
* We believe that HHSE is "one film away" from being a major independent studio. All it takes is any one of the many titles in our current release queue to become a surprise box officer performer such as "Lady Bird" or "Get Out" and we are suddenly a $100-MM company.
* We have an impressive slate of titles for 2018 and 2019 - and two terrific distribution partners for North America (Cinedigm Entertainment and Sony Pictures Home Entertainment) - as well as our direct relationships with all of the major theatre exhibition chains. Our "lower-end" titles are much higher profile than in past years... and our higher-end titles are now genuine theatrical caliber contenders. We are positioned for the proverbial lucky break that happens when the right film is released at the right time...
* Our recently re-focused Theatrical Release model is delivering huge benefits to our ancillary revenues... and our new partnerships with indie labels is providing access for the VODWIZ streaming venture, which truly could become "the tail that wagged the dog" for HHSE shareholders
New Ventures - With Sony and Cinedigm handling selected HHSE releases, our management time can be redirected towards theatrical releases, higher-end acquisitions (including productions) and our VODWIZ streaming venture. As will be seen in our 2017 filings, theatrical release activities are the engine that is now driving HHSE revenues in all other arenas. Theatrical titles get more shelf space and priority placement when released to home video; theatrical titles get larger license fees from Netflix and Television licensors; and theatrical titles provide two direct revenue streams for HHSE in the form of both servicing fees and revenue participations. The current mass merchant and key video retail support for "BATTLECREEK" evidences the sales boost that a targeted, limited theatrical release can deliver for the subsequent home video release.
DISTRIBUTION PARTNERSHIPS
- Sony Pictures Home Entertainment
- Cinedigm Entertainment
- Random Media (the indie studio headed by former Paramount President Eric Doctorow and indie-film producer Tom Skouras).
The Board believes that Fully Registered Shares will be more attractive to HHSE program suppliers and investors - as well as to institutional investors and hedge funds - and that pursuing these activities now is a good use of ongoing cash flows
HHSE Corporate Governance: HHSE will be re-filing a Form 10 Registration with two full years of audits (2016 and 2017) early this coming year, during the first few weeks; the CPA review is already underway and much of the documentation and procedural steps for the audit were already assembled during 2017 while planning for the Crimson merger. We feel that a registration of the shares and the subsequent uplist to OTC:QB will attract more investors and some institutional funds... resulting in a higher anticipated daily trading volume, and a predicted much higher HHSE stock price (based on business results, industry fundamentals and the proven power of Shareholder Enthusiasm).
No Dilution in 2 1/2+ Years. No Plans To Ever Again!
Hannover House: Our New Website Is Coming Soon!!!!
Hannoverhouse.com
Updated Film Library Evaluation ($28,000,000) ~ .035 Per Share
FILM & TV LIBRARY (incl. VODWIZ)* 23,565,337
* HHSE Film Library Valuation is currently being updated to include over 145 DVD titles previously not listed in the 2010 report, along with 23 titles since expired or discontinued. No value has yet been assessed on the 2,215 titles under license for the VODWIZ streaming portal other than those capitalizedand otherwise recoupable amounts due to Company for mastering and preparation costs on titles.
http://www.otcmarkets.com/ajax/showFinancialReportById.pdf?id=177628 ; ; ;
Though a little wordy. In the HHSE Filing below, HHSE feels the new Film Library Evaluation should be $28,000,000. The Evaluators completing the New, Updated HHSE Film Library Evaluation determined it is worth more than $28,000,000.
Item 11 A1-A6 – Supplemental Disclosures.
i). The Company has completed the written and disclosure portions of a Form 10-12(g) Registration Statement, which was previously planned for filing with the Securities and Exchange Commission on or Jan. 15, 2016, subject to the completion of outside audits by a PCAOB licensed auditing firm. The Company has since engaged a qualifying auditing firm and participated in extensive interviews and reviews of filings, reports and back-up materials. As disclosed to shareholders on the HHSE Company blog site on January 30, 2016, the new auditors have made several determinations of material deficiencies in the financials for the Company, specifically, 1). The value of the Film Library relative to all other assets (and the issues of the five-year-aging of the prior Film Library Valuation report, the changing marketplace for physical video sales as compared to the growing market for digital streaming, and the significant exclusions of key titles from the prior Film Library) and 2). The need for Internal Controls and Compliance Documentation that would conform to standards prescribed under Sarbanes-Oxley Act 404. While technically not “advising” the Company on how to conduct internal controls or instructing the Company to conduct a more thorough and current Film Library Valuation Study, the new auditors did clarify that not addressing or rectifying these issues would result in significant comments by the auditors to the Form 10-12(g) audit portion, and this could result in commentary and non-compliance following S.E.C. review of the registration filing. Having the Company’s largest balance sheet asset reviewed under more recent valuation, and having the Company conform to widely accepted Internal Controls Procedures, would be a requirement for the auditors, unless the Company was willing to proceed with significant auditor’s footnote commentary on these issues. Rather than risk having another obstacle impact the S.E.C. acceptance of the Company’s registration, management has taken the steps to conform to these higher disclosure and operational standards.Company anticipates that the updated Form 10-12(g) Registration Filing, including 2-years of full-year audits and a revised and updated Film Library Valuation Report will be submitted to the S.E.C. in the near-term future, subject to the completion of the new Film Library Valuation (it should be noted that Company is seeking to obtain a lowered valuation than the initial figure determined by the new Library Evaluators, which contains sales forecasts for titles greater than Company Management’s estimates. It is Company’s position that a Library Valuation that is significantly higher than forecasts based on Company’s existing, internal self-distribution apparatus, could elevate shareholder expectations higher than management’s more conservative forecasts. While the higher sales values provided by the first Library Valuation report have as a premise the assumption that HHSE will align itself with one of the Major Studios in the coming year, there can be no assurance that such a deal will occur, and as such, management feels that the current Film Library Valuation should reflect existing distribution channels and revenues, and conform closer to management’s estimated current value of $28-mm. A review of sales activities at the Cannes Film Festival and Marche du Film and other relevant agenda items affecting the Company’s Film Library Valuation have occurred over the summer (2016) and the Company feels confident of having reached a consensus with the valuators on the current and anticipated value of each title, by media income stream.
Page 20
HHSE 10-Q For the three-month period ended: June 30, 2016:
http://www.otcmarkets.com/ajax/showFinancialReportById.pdf?id=161112 ; ; ;
Though Final Libary Valuation not released yet, safe to say $28,000,000 Minimum.
$28,000,000 / 799,000,000 = $.03504 = .035 Per Share
This is based on HHSE Film Library Valuation Alone. Does not include any Profits which HHSE has recorded every Quarter since Going Public in 2010.
HHSE
It Doesn't Take Much to Double or Triple the HHSE Share Price - Look at the market-cap spike for HHSE stock earlier this year (seen as June, 2017). This increase in PPS was due to shareholder excitement about the prospect that a merger with Crimson Forest would provide HHSE with high-profile films to distribute. The growth in PPS was not based on any increase in revenues (in fact, the time-distraction of the Crimson merger caused many 2017 releases to be delayed). The PPS spike was driven solely by enthusiasm.
The Board believes that Fully Registered Shares will be more attractive to HHSE program suppliers and investors - as well as to institutional investors and hedge funds - and that pursuing these activities now is a good use of ongoing cash flows
Yowsa! Mega-Success of "IT" video release spurs THOUSANDS of new orders for HHSE's BATTLECREEK!
First of all, we'd like to point out that Hannover House is unlike most any other "OTC Pinksheet" listed company. We have been operating continuously since 1993 (24-years) and have been reporting to the OTC Markets since Dec. 2009 (8-years). Statistically, most OTC listed equities are flashes-in-the-pan time wise... lots of Stock Hype / I.R. Promotions, insider share dumps, and quick closures. That's definitely not HHSE.
HHSE-UPLIST-OTCQB:
Audited Financials = Third (3rd) Party Verification = SEC Reporting Standards
GETTING GRACE
Acclaimed Comedy from Writer-director Daniel Roebuck Follows a Teenaged Girl with Cancer, Who Forges an Unconventional Approach for Dealing with Her Impending Death.
LOS ANGELES, CA / ACCESSWIRE / January 14, 2018 / Hannover House, Inc. (OTC PINK: HHSE) and theatrical affiliate Medallion Releasing, Inc. have entered into an agreement with Getting Grace, LLC, the production company behind the comedy-drama, ''GETTING GRACE'', for a nationwide theatrical release this spring. The award-winning feature was written, produced and directed by Daniel Roebuck. Roebuck is one of Hollywood's most familiar faces. His acting resume spans 35 years and includes popular television hits (MATLOCK, LOST), blockbuster films (THE FUGITIVE), faith-based films (LET THERE BE LIGHT), horror films (HALLOWEEN 2) and one of the Internet's most watched original series (THE MAN IN THE HIGH CASTLE).
In Getting Grace, Roebuck portrays a small-town mortician whose world is rocked by a rambunctious teenaged girl dying of cancer, as she plans for her departure and a better impact lives for those who will survive her. Newcomer Madelyn Dundon plays the title character of Grace; Marsha Dietlen (LITTLE CHILDREN, NEWLYWEDS) plays Grace's mother, Venus; Duane Whitaker (PULP FICTION, HALLOWEEN II) plays Reverend Osbourne, and Dana Ashbrook (TWIN PEAKS) plays the successful and handsome author who challenges Roebuck's character (Bill) in a duel for the romantic attentions of the lovely Venus.
Roebuck produced the film with a team that included his wife, Tammy Roebuck, as well as Mark Rupp and Davie Cabral. The film was executive produced by Samantha Edwards, Mike Molewski, Mick Trombley, Zach Tran, Melanie Molewski and Robert ''R.J.'' Morris. GETTING GRACE was directed by Daniel Roebuck from a screenplay by himself and award-winning writer, Jeff Lewis.
Getting Grace premiered in September at the Northeast Film Festival in Teaneck, New Jersey, where it won Best Feature, Best Director, Best Actress (Madelyn Dundon) and the Audience Choice awards. The film was also exhibited in competition in October at the Adirondack Film Festival, where it won the coveted ''Best of the Best'' Audience Award, over notable contenders (including LOVING VINCENT).
Hannover House and Medallion Releasing will launch the film to theatres in top USA markets commencing March 23, with a campaign that will include non-traditional promotional events and cross-promotions designed to build audience interest. All of the top 20 largest markets are targeted, along with 20 additional key markets that collectively represent theatrical markets with about 80% of the total U.S. population.
''As a filmmaker, who has spent the last nine years bringing our 'Grace' to an audience, I am thrilled to be teaming with Hannover House and my long-time friend, Eric Parkinson,'' Roebuck recently commented from his Los Angeles home. ''Together we are hoping to make history with our extraordinary and unique approach to building audience interest for this film that has, so far, touched people of all ages and all faiths. We can't wait to share Grace with the rest of world!''
LOGLINE: When a spunky teenaged girl with terminal cancer decides to make her own funeral arrangements, she sets in motion a plan that affects all of those around her in unexpected and positive ways.
FILM SYNOPSIS: Audiences would be hard pressed to find a more likeable protagonist in any film. GRACE, the title character, is funny, sarcastic, empathetic and riveting. But, unfortunately, she is going to die.
Although Grace's time is short, her positive impact on the world around her is monumental. The story is about a young girl who knows that she is dying. Grace goes into a funeral home to learn about death and ends up teaching the disenfranchised funeral director, BILL, about life.
We soon learn that while trying to ''hedge the bet'' about her afterlife possibilities she is also trying her best to prepare her mother, VENUS, for a future without her only child. Venus, we learn, is not dealing with the sad imminent truth well and is reverting to her old ways of drinking and ''drugging.''
Simultaneously, Grace humorously hijacks an ironically named ''EMBRACE LIFE'' class offered by her hospital for children dealing with their own fatal diseases, and moves it to the funeral home. Not only does she do her best to teach the adults in her life to live their lives to the fullest, she has the same effect on her peers. And she discovers love, herself.
Grace is also desperately searching for someone to take care of her mother. Will it be Bill, REVEREND OSBURN (the hospital's chaplain) or RON, the charismatic and successful author of a book about the afterlife. Once those around her actually ''GET'' Grace (meaning they finally understand her), every one of them is able to transition to their own new life.
''GETTING GRACE'' is an extraordinary story with a lead character who affects a chain of positive events in the lives of all she come in contact with . . . be they doctors or morticians or her own mother. Through Grace, her loved ones learn that life need not be lived long to be lived fully.
Exciting times ahead ahead for hhse and its shareholders.
Hannover House: Our New Website Is Coming Soon!!!!
Hannoverhouse.com
32 Consecutive Quarters of Revenues/Profitability
DISTRIBUTION PARTNERSHIPS
- Sony Pictures Home Entertainment
- Cinedigm Entertainment
- Random Media (the indie studio headed by former Paramount President Eric Doctorow and indie-film producer Tom Skouras).
GETTING GRACE
Acclaimed Comedy from Writer-director Daniel Roebuck Follows a Teenaged Girl with Cancer, Who Forges an Unconventional Approach for Dealing with Her Impending Death.
LOS ANGELES, CA / ACCESSWIRE / January 14, 2018 / Hannover House, Inc. (OTC PINK: HHSE) and theatrical affiliate Medallion Releasing, Inc. have entered into an agreement with Getting Grace, LLC, the production company behind the comedy-drama, ''GETTING GRACE'', for a nationwide theatrical release this spring. The award-winning feature was written, produced and directed by Daniel Roebuck. Roebuck is one of Hollywood's most familiar faces. His acting resume spans 35 years and includes popular television hits (MATLOCK, LOST), blockbuster films (THE FUGITIVE), faith-based films (LET THERE BE LIGHT), horror films (HALLOWEEN 2) and one of the Internet's most watched original series (THE MAN IN THE HIGH CASTLE).
In Getting Grace, Roebuck portrays a small-town mortician whose world is rocked by a rambunctious teenaged girl dying of cancer, as she plans for her departure and a better impact lives for those who will survive her. Newcomer Madelyn Dundon plays the title character of Grace; Marsha Dietlen (LITTLE CHILDREN, NEWLYWEDS) plays Grace's mother, Venus; Duane Whitaker (PULP FICTION, HALLOWEEN II) plays Reverend Osbourne, and Dana Ashbrook (TWIN PEAKS) plays the successful and handsome author who challenges Roebuck's character (Bill) in a duel for the romantic attentions of the lovely Venus.
Roebuck produced the film with a team that included his wife, Tammy Roebuck, as well as Mark Rupp and Davie Cabral. The film was executive produced by Samantha Edwards, Mike Molewski, Mick Trombley, Zach Tran, Melanie Molewski and Robert ''R.J.'' Morris. GETTING GRACE was directed by Daniel Roebuck from a screenplay by himself and award-winning writer, Jeff Lewis.
Getting Grace premiered in September at the Northeast Film Festival in Teaneck, New Jersey, where it won Best Feature, Best Director, Best Actress (Madelyn Dundon) and the Audience Choice awards. The film was also exhibited in competition in October at the Adirondack Film Festival, where it won the coveted ''Best of the Best'' Audience Award, over notable contenders (including LOVING VINCENT).
Hannover House and Medallion Releasing will launch the film to theatres in top USA markets commencing March 23, with a campaign that will include non-traditional promotional events and cross-promotions designed to build audience interest. All of the top 20 largest markets are targeted, along with 20 additional key markets that collectively represent theatrical markets with about 80% of the total U.S. population.
''As a filmmaker, who has spent the last nine years bringing our 'Grace' to an audience, I am thrilled to be teaming with Hannover House and my long-time friend, Eric Parkinson,'' Roebuck recently commented from his Los Angeles home. ''Together we are hoping to make history with our extraordinary and unique approach to building audience interest for this film that has, so far, touched people of all ages and all faiths. We can't wait to share Grace with the rest of world!''
LOGLINE: When a spunky teenaged girl with terminal cancer decides to make her own funeral arrangements, she sets in motion a plan that affects all of those around her in unexpected and positive ways.
FILM SYNOPSIS: Audiences would be hard pressed to find a more likeable protagonist in any film. GRACE, the title character, is funny, sarcastic, empathetic and riveting. But, unfortunately, she is going to die.
Although Grace's time is short, her positive impact on the world around her is monumental. The story is about a young girl who knows that she is dying. Grace goes into a funeral home to learn about death and ends up teaching the disenfranchised funeral director, BILL, about life.
We soon learn that while trying to ''hedge the bet'' about her afterlife possibilities she is also trying her best to prepare her mother, VENUS, for a future without her only child. Venus, we learn, is not dealing with the sad imminent truth well and is reverting to her old ways of drinking and ''drugging.''
Simultaneously, Grace humorously hijacks an ironically named ''EMBRACE LIFE'' class offered by her hospital for children dealing with their own fatal diseases, and moves it to the funeral home. Not only does she do her best to teach the adults in her life to live their lives to the fullest, she has the same effect on her peers. And she discovers love, herself.
Grace is also desperately searching for someone to take care of her mother. Will it be Bill, REVEREND OSBURN (the hospital's chaplain) or RON, the charismatic and successful author of a book about the afterlife. Once those around her actually ''GET'' Grace (meaning they finally understand her), every one of them is able to transition to their own new life.
''GETTING GRACE'' is an extraordinary story with a lead character who affects a chain of positive events in the lives of all she come in contact with . . . be they doctors or morticians or her own mother. Through Grace, her loved ones learn that life need not be lived long to be lived fully.
HHSE-UPLIST-OTCQB:
Audited Financials = Third (3rd) Party Verification = SEC Reporting Standards
First of all, we'd like to point out that Hannover House is unlike most any other "OTC Pinksheet" listed company. We have been operating continuously since 1993 (24-years) and have been reporting to the OTC Markets since Dec. 2009 (8-years). Statistically, most OTC listed equities are flashes-in-the-pan time wise... lots of Stock Hype / I.R. Promotions, insider share dumps, and quick closures. That's definitely not HHSE.
Amazon News: VODwiz Niche, Value Just Got Bigger
Exclusive: Amazon Studios to cut back on indie films in programming shift:
https://www.reuters.com/article/us-amazon-com-films-exclusive/exclusive-amazon-studios-to-cut-back-on-indie-films-in-programming-shift-sources-idUSKBN1F70IG ; ; ;
This is good news for VODwiz. The value and niche of VODwiz is Independent Films. A niche that just got bigger.
HHSE initial (first year) target is to have 100,000 subscription customers, averaged at $8.50 per month - for annualized gross revenues of $10.2-million.
Go $HHSE
The Board believes that Fully Registered Shares will be more attractive to HHSE program suppliers and investors - as well as to institutional investors and hedge funds - and that pursuing these activities now is a good use of ongoing cash flows
First of all, we'd like to point out that Hannover House is unlike most any other "OTC Pinksheet" listed company. We have been operating continuously since 1993 (24-years) and have been reporting to the OTC Markets since Dec. 2009 (8-years). Statistically, most OTC listed equities are flashes-in-the-pan time wise... lots of Stock Hype / I.R. Promotions, insider share dumps, and quick closures. That's definitely not HHSE.
New Ventures - With Sony and Cinedigm handling selected HHSE releases, our management time can be redirected towards theatrical releases, higher-end acquisitions (including productions) and our VODWIZ streaming venture. As will be seen in our 2017 filings, theatrical release activities are the engine that is now driving HHSE revenues in all other arenas. Theatrical titles get more shelf space and priority placement when released to home video; theatrical titles get larger license fees from Netflix and Television licensors; and theatrical titles provide two direct revenue streams for HHSE in the form of both servicing fees and revenue participations. The current mass merchant and key video retail support for "BATTLECREEK" evidences the sales boost that a targeted, limited theatrical release can deliver for the subsequent home video release.
HHSE Corporate Governance: HHSE will be re-filing a Form 10 Registration with two full years of audits (2016 and 2017) early this coming year, during the first few weeks; the CPA review is already underway and much of the documentation and procedural steps for the audit were already assembled during 2017 while planning for the Crimson merger. We feel that a registration of the shares and the subsequent uplist to OTC:QB will attract more investors and some institutional funds... resulting in a higher anticipated daily trading volume, and a predicted much higher HHSE stock price (based on business results, industry fundamentals and the proven power of Shareholder Enthusiasm).
NO DILUTION for 2.5+ YEARS
FORM 10, AUDIT, UPLIST - COMING SOON!
HHSE-UPLIST-OTCQB:
Audited Financials = Third (3rd) Party Verification = SEC Reporting Standards
No Dilution in 2 1/2+ Years. No Plans To Ever Again!
HHSE-UPLIST-OTCQB:
Audited Financials = Third (3rd) Party Verification = SEC Reporting Standards
The Board believes that Fully Registered Shares will be more attractive to HHSE program suppliers and investors - as well as to institutional investors and hedge funds - and that pursuing these activities now is a good use of ongoing cash flows