I'm Watching YOU.......
Register for free to join our community of investors and share your ideas. You will also get access to streaming quotes, interactive charts, trades, portfolio, live options flow and more tools.
Register for free to join our community of investors and share your ideas. You will also get access to streaming quotes, interactive charts, trades, portfolio, live options flow and more tools.
Aurora Productions and Platinum Studios to Bring "Nightfall" to the Big Screen
LOS ANGELES, CA -- (Marketwire) -- 11/18/09 -- William Stuart's Aurora Productions and Platinum Studios, Inc. (OTCBB: PDOS), an entertainment company that controls an international library of more than 5,600 comic book characters which it adapts, produces and licenses for all forms of media, have partnered to bring Platinum Studios' graphic novel "Nightfall" to the big screen.
"Nightfall" tells the story of a man who finds out just how bad life can get when he discovers that the prison he just entered is controlled by vampires. This is just one original property that hails from Platinum Studios' multi-universe library of over 5,600 comic characters, a library of characters as large as Marvel's. Marvel was recently acquired by Disney for $4 Billion, and is the second major comic library to be acquired by a Hollywood studio. DC Comics, which is owned by Warner Bros., recently announced a newly-revamped business model, focusing on reaching deeper into DC's catalog of characters. Platinum Studios remains independent of major entertainment studio affiliation.
William Stuart will produce with Platinum Studios' Chairman and CEO Scott Mitchell Rosenberg. Former Universal Pictures senior executive Randy Greenberg of The Greenberg Group, who helped negotiate the deal, would be an executive producer.
"Nightfall is an extraordinary opportunity to make a fantastic horror/thriller in a genre which is unbelievably hot right now," said Stuart. "Platinum Studios has wonderful creative depth and a proven ability to make things happen."
"Bill brings a great, hands-on producing style to 'Nightfall' that will make the feature film visually exciting," said Rosenberg. "We are thrilled to be working with him on this project."
Platinum Studios' film and TV division is developing "Cowboys & Aliens" with producers Steven Spielberg, Ron Howard and Brian Grazer and DreamWorks, Universal Pictures, Imagine Entertainment and Kurtzman/Orci (the writing team behind the "Transformers" franchise and the resurrected "Star Trek" franchise). In addition, Platinum is developing "Unique" with "Harry Potter" producer David Heyman at Walt Disney Pictures, "The Witchblade" with "Wanted" executive producer Marc Silvestri, Top Cow Productions, Inc. and Arclight Films, "Atlantis Rising" with DreamWorks, Kurtzman/Orci and director Len Wiseman ("Underworld" and "Live Free or Die Hard") , "The Weapon" with Disney Channel's "Wizards of Waverly Place" star David Henrie, "Mal Chance" with Tony Krantz ("24" and "Mulholland Drive"), an untitled feature film project at Sony Pictures Animation and "Indestructible Man" and "Gunplay" for TV with FOX21. Platinum's Rosenberg would serve as a producer on all Platinum film projects and an executive producer on all Platinum TV projects.
Stuart, who is the President and Chief Executive Officer of Aurora Productions in Los Angeles, supervises the day-to-day operations of the company. He just wrapped "The Wild Girl," a western based on the novel by Jim Fergus and is in development on several feature films including "The Travel Writer," "Infinity," and "Journal of the Dead."
About Platinum Studios, Inc.
Platinum Studios (OTCBB: PDOS) is an entertainment company that controls an international library of comic book characters from all over the world, which it adapts, produces and licenses for all forms of media including print, film, online, mobile / wireless, gaming, and merchandising.
Platinum Studios - Comics Fueling Media EVERYWHERE!
To learn more about the company please visit our website at: http://www.platinumstudios.com/news/index.php
To sign up for our newsletter, please visit: http://www.platinumstudios.com/site/contact.php
Platinum Studios Safe Harbor Statement
Matters discussed in this press release contain forward-looking statements within the meaning of the Private Securities Litigation Reform Act of 1995.
When used in this press release, the words "anticipate," "believe," "estimate," "may," "intend," "expect" and similar expressions identify such forward-looking statements. Although expected, actual results, performance or achievements could differ materially from those contemplated, expressed or implied by the forward-looking statements contained herein. These forward-looking statements are based largely on the expectations of Platinum Studios and are subject to a number of risks and uncertainties.
These include, but are not limited to, risks and uncertainties associated with: the impact of economic, competitive and other factors affecting Platinum Studios and its operations; its markets, products, and distributor performance, the impact on the national and local economies resulting from terrorist actions, and U.S. actions subsequently, and other factors detailed in reports filed by Platinum Studios with the SEC.
Contact:
Randy Greenberg
The Greenberg Group for Platinum Studios, Inc.
(310) 807-8140
info@platinumstudios.com
William Stuart
Aurora Productions
Billstuart@aurora-prod.com
Thomas Becker
Platinum Studios, Inc. - Investor Relations
(702) 478-7363
investors@platinumstudios.com
http://ih.advfn.com/p.php?pid=nmona&article=40415545&symbol=PDOS
Aurora, Platinum team on 'Nightfall'
Stuart, Rosenberg to produce comic adaptation
By DAVE MCNARY
Aurora Prods. and Platinum Studios are teaming on a feature version of Platinum's graphic novel "Nightfall." Project centers on a man who finds out just how bad life can get when he discovers that the prison he just entered is controlled by vampires.
The original property, penned by Scott O. Brown and illustrated by Ferran Xalabarder, was published in 2007 by Platinum. Aurora topper William Stuart will produce with Platinum Studios' chairman and CEO Scott Mitchell Rosenberg. Former Universal Pictures exec Randy Greenberg will exec produce.
Platinum is developing "Cowboys & Aliens," "Unique," "The Witchblade" and "Atlantis Rising." Stuart just wrapped "The Wild Girl," and is in development on "The Travel Writer," "Infinity," and "Journal of the Dead."
http://www.variety.com/article/VR1118011503.html?categoryid=1350&cs=1
Dylan Dog statues:
http://ddcomics.blogfrog.it/2009/10/11/dylan-dog-infinite-statue/
http://translate.google.com/translate?hl=en&sl=it&tl=en&u=http%3A%2F%2Fddcomics.blogfrog.it%2F2009%2F10%2F11%2Fdylan-dog-infinite-statue%2F
down at the bottom
(c) 2009 Infinite Statue | Platinum Studios
OT: Cusacks film #1 this week
Guess if Downey want to direct C&A he can give Cusack his lead spot. Cusack drew them in. IMO
http://www.hollywoodreporter.com/hr/content_display/film/news/e3i15e6314384dccfe3795ed9e2ea197d4e?imw=Y
5 cents and restricted for 6 months. Dont know how much is left.
No, they called me too. Its still open.
which one?
Robert Downey Jr. Wants to Direct Next.
Thursday, November 12
A busy man after the success of Iron Man, Robert Downey Jr. is currently shooting the comedy Due Date. He has plenty of upcoming projects, including a "re-imagining" of Harvey and the comic book adaptation of Cowboys and Aliens, not to mention Sherlock Holmes and Iron Man 2 awaiting theatrical release.
Yet, Downey Jr. told Esquire magazine that what he really wants for his next project is to direct.
I will not be able to remain happy and sedate being whatever — being an increasingly hirable actor type. I think the best thing I could do for my soul and my own development would be to direct.
I'm not sure exactly how things are going to shake out, because it's really easy for me to do landgrabs with my day job, and I still have a lot of passion for it. But if I had to guess, that would probably be my next move.
Downey Jr. claims that directing is "in his blood" from his dad and that getting behind the camera is one of those things that remains "very, very much unrequited." With so many projects lined up, it's anyone's guess when Downey Jr. will take a break from acting and start directing, though Downey Jr. may skip out on Cowboys and Aliens.
http://www.reelzchannel.com/movie-news/5032/robert-downey-jr-wants-to-direct-next
Been looking but have not heard anything. IMO
Pretty cool man.
Looks like Chuck bailed from C&A. No longer listed on IMDb page. They probally wouldnt let him run the show or take over production. IMO
http://www.imdb.com/title/tt0409847/
Looks like they had a screening again. Hopefully we will get to read some reviews like last time.
Moving right along…
Posted in Uncategorized with tags Dead of Night, Dylan Dog, movies, production on November 5, 2009 by deadofnightmovie
We’re still making little tweaks here or there, but we held another screening last night (sorry I couldn’t inform anyone about it!) and the audience really, really loved it. I continue to be more and more proud of the movie as it’s coming together. We even had some of the effect shots from our partners at Prana Studios (the effects house we’re using) and they look GREAT!!!
I know this is a frustrating time and everyone is dying to see something new from the film (photos, trailers, anything!) but it’s all about the timing right now. We don’t want to give too much away this far out or else everyone will get excited about something and then have to wait months to see it. Too soon and we risk those of you who aren’t already on the edge of your seats forgetting about the movie! However frustrating it is for you guys, it’s ten times more frustrating for us that no one gets to see all the great work we’ve done!
-Dan Forcey
Development Exec/Former Stunt Guy/FLAEM (Feeling Like An Expectant Mother)
glad to take the bullet and let you get your sleep.
MoneyTV this week
http://www.emergingcompany.com/volume13week43qt.mov
Fox21, Platinum load 'Gunplay' for TV
Graphic novel adaptation centers on buffalo soldier
By Nellie Andreeva
Nov 1, 2009, 11:00 PM ET
Fox21 has partnered with Platinum Studios to develop a TV series based on Platinum's graphic novel "Gunplay."
"Final Destination" writer-producer Glen Morgan is on board to adapt the novel, created and written by Jorge Vega.
"Gunplay" centers on Abner Meeks, a buffalo soldier condemned to roam the Old West with a hellish curse slung at his waist: a demonic shooting iron that forces him to kill once a day or suffer soul-searing pain.
" 'Gunplay' is one of those rare combinations of fantastically created characters and wonderfully told narrative, which creates an inventive canvas from which to play," Platinum Studios chairman and CEO Scott Mitchell Rosenberg said.
Added Fox21 president Chris Carlisle, "It is a unique story of an ordinary man who must live with an extraordinary curse."
The deal was brokered by former Universal Pictures executive Randy Greenberg, CAA and the Rigberg Entertainment Group.
Platinum and Fox21 recently teamed to adapt another Platinum property, the upcoming comic book series "Indestructible Man."
The film and TV division of Platinum Studios, whose library contains more than 5,600 characters, also is developing the features "Cowboys & Aliens," "Unique," "The Witchblade," "Atlantis Rising," "The Weapon" and "Mal Chance."
Morgan's TV series credits include "The X-Files" and "Millennium."
Fox21, Platinum load 'Gunplay' for TV
Graphic novel adaptation centers on buffalo soldier
By Nellie Andreeva
Nov 1, 2009, 11:00 PM ET
Fox21 has partnered with Platinum Studios to develop a TV series based on Platinum's graphic novel "Gunplay."
"Final Destination" writer-producer Glen Morgan is on board to adapt the novel, created and written by Jorge Vega.
"Gunplay" centers on Abner Meeks, a buffalo soldier condemned to roam the Old West with a hellish curse slung at his waist: a demonic shooting iron that forces him to kill once a day or suffer soul-searing pain.
" 'Gunplay' is one of those rare combinations of fantastically created characters and wonderfully told narrative, which creates an inventive canvas from which to play," Platinum Studios chairman and CEO Scott Mitchell Rosenberg said.
Added Fox21 president Chris Carlisle, "It is a unique story of an ordinary man who must live with an extraordinary curse."
The deal was brokered by former Universal Pictures executive Randy Greenberg, CAA and the Rigberg Entertainment Group.
Platinum and Fox21 recently teamed to adapt another Platinum property, the upcoming comic book series "Indestructible Man."
The film and TV division of Platinum Studios, whose library contains more than 5,600 characters, also is developing the features "Cowboys & Aliens," "Unique," "The Witchblade," "Atlantis Rising," "The Weapon" and "Mal Chance."
Morgan's TV series credits include "The X-Files" and "Millennium."
http://www.hollywoodreporter.com/hr/content_display/news/e3i422dde68f61e91f2dc71c9a63d95a1f5
I read about that. Wonder if they do some C&A stuff there or do we know if it is just empty land and not ready for a few years. Blue screens? I thought they were green? :) Yep, Thats Los Angeles for ya.
MoneyTv this week. 3rd interview section. Some good stuff on C&A, Fox 21 (another contract) Dylan Dog and possible Nathan Never into development. Listen up.
IMO
http://www.emergingcompany.com/volume13week42qt.mov
Somebody created a teaser trailer for Platinum. Its pretty good. Ignore the commercial in the first 5 seconds. IMO
http://www.veoh.com/browse/videos/category/animation/watch/e106546yppsE57s
That would be funny, but for a 100M budget film, I dont think it will happen. Just showing you what somebody saw. LOL
Maybe Chuck could play the president. It looked like they already drew him in a panel on C&A 2 (panel 4). LOL
I dont think it will go that route. Orci and Kurtzman said it wont be a comedy. Chuck always seems to be cast in Cowboy movies. But this time he is not the lead. I would expect him to die off at some point in the movie. Well, At least he has the look. In the comic, he kind of does look like the General in the fort. Well, at least this movie so far has major stars to bring in the draw. Lets see who they get for the female lead. If they start adding cast as fast as Dylan Dog did, we could see a start by Nov-Dec 09 timeframe.
IMO
Hey Irony,
I was checking the IMDb C&A webpage and "Chuck Norris" shows up as a character. Dont know who he is to be. Interesting?
http://www.imdb.com/name/nm0001569/
I think you just did.
OT: Universal Studios retains Spielberg
Helmer to stay on as creative consultant thru 2017
By MARC GRASER
Steven Spielberg will continue to serve as a creative consultant for Universal Studios' theme parks through 2017, as part of an exclusive agreement that keeps him from developing new attractions for Disney, where DreamWorks is now based.
An initial put deal, inked in 1987, was set to end next June, which would have forced Universal to pay out hundreds of millions of dollars to Spielberg in exchange for helping design elements of the company's parks, as well as rides.
Spielberg receives 5% of all gross revenue generated by U's two parks in Orlando, Fla., and one in Japan, valued at up to $50 million a year. Universal Studios Hollywood is not included because it predates the initial agreement.
Termination of the deal would have ended the annual payments and instead paid out one lump sum to Spielberg covering the value of his stake in the Orlando parks and others open for at least a year.
The stake in the Orlando park alone is said to be worth more than $250 million.
The one-time payment will now be delayed until June 2017, details of which were disclosed Tuesday in financial filings.
Earlier this year, it was unclear whether Spielberg would extend the consulting pact, given that DreamWorks ended its relationship with Universal and inked a distribution deal with Disney, which operates its own parks.
But to sweeten the deal, Spielberg will now receive 5.25% of all gross revenue generated each year.
The already lucrative deal should make Spielberg even richer now considering that the U's Islands of Adventure resort in Orlando is expected to see a significant boost in attendance next year with the opening of the Wizarding World of Harry Potter.
The company is also building parks in Dubai, Singapore and South Korea, which should generate considerable coin, as well.
Delaying the payout also helps U, which is looking to refinance $1 billion in debt due in April. U would have been forced to pay Spielberg his money before being able to broker a new arrangement with banks.
In addition to helping create the concept for Islands of Adventure, Spielberg also consulted on the creation of a dozen attractions, including the E.T. Adventure, Jurassic Park River Adventure and Men in Black Alien Attack attractions.
http://www.variety.com/article/VR1118010166.html?categoryid=18&cs=1
and the protests continue:
http://www.racebending.com/v2/2009/10/13/protest-the-whitewashing-of-the-weapon/
What did you think of the news. Correct me if Im wrong, but I thought there were 2 deals with Fox, or was it 2 deals, 1 with someone else and one with Fox. Wonder what happened to our gaming deal and 5 picture deal. Havent heard those yet.
Fox looking at “Indestructible Man”
October 21, 2009 by David Allen
It may be a new comic book from Platinum Studios, but the Indestructible Man has already been attracting some interest from the big studios that recognise a good comic hero is also good for the big screen.
As it happens it is Fox 21 that have acquired the TV rights the comic book hero, whether this is a small screen stepping stone to the big screen will depend on the reception that the series gets.
The series will follow the exploits of a government agent named Nick Rabel, he has an ability that has made him indestructible, but in a similar to Captain Scarlet, that does not necessarily mean that he cannot be hurt.
It is debatable whether this series will border on the comic side of the story or attempt to be totally series, whatever the case it is yet another sci-fi show to look out for.
http://www.sffchronicles.co.uk/tag/platinum-studios/
what is your question irony?
So true. To me, if they dont like the way its done, dont go see it. Kind of stupid they complain about it and the movie still goes on to be a blockbuster. Oh well. It is what it is to make the film a reality.
IMO
Guess some people just dont like who is cast for movies. Wonder if Randy will even respond? IMO
MANAA's Letter Regarding "The Weapon"
Tuesday, October 20, 2009
I wanted to re-post up the letter from MANAA that they sent on in regarding the casting of "The Weapon":
Randy Greenberg
Platinum Studios, Inc.
11400 West Olympic Blvd, 14th Floor
Los Angeles, CA 90064
Dear Mr. Greenberg:
I’m writing on behalf of the Media Action Network for Asian Americans (MANAA) because we heard about the recent casting news for your film adaptation of “The Weapon.” We are a non-profit organization dedicated to monitoring the media and advocating for balanced, sensitive, and positive depiction and coverage of Asian Americans. Since 1992, we have consulted with movie studios and met regularly with the top four TV networks to convey the importance of diversity. To the point, it was extremely disappointing to learn that Tommy Zhou, the Chinese American main character from “The Weapon,” is being made into a Caucasian lead for your movie, and we would like to request a meeting to talk about these concerns with you.
You might be familiar with the controversy over the movie casting for the live-action adaptation of Nick-elodeon’s “Avatar: The Last Airbender.” While the original show was clearly inspired by Asian and Inuit influences and populated with Asian characters, Paramount cast three of the four main characters with Caucasian actors (initially it was all four). There has been a tremendous backlash from fans of the show, resulting in lost goodwill and support for the movie (e.g. www.racebending.com). Although The Last Airbender will not be in theaters until 2010, we’ve already seen one other movie tank at the box office after deviating from the source material and ethnic characters: Dragonball Evolution.
There have been signs of progress over the years. For example, Disney includes an Asian American character in the movie Up, and in various Disney Channel programs. Nevertheless, the Asian American community, as well as the movie-going public at large, are generally used to seeing Asian men depicted as villains. We rarely have the opportunity to see Asian American heroes we can celebrate.
We urge you to reconsider the decision to turn Tommy Zhou into a Caucasian character. Audiences do support diverse casting, as well as compelling stories of minority heroes like Tommy, whose Asian heritage is integral to the plot itself. You have the opportunity to break down barriers and do something historic. Platinum Studios can also avoid doing a disservice to the fans, as Paramount has done with Avatar.
We are more than glad to be a resource to you, and invite you to have a meeting with us. We would like to have a dialogue and help make The Weapon a movie that comic book and superhero fans will be excited to see.
Sincerely,
Phil Lee
President
http://www.slanteyefortheroundeye.com/2009/10/manaas-letter-regarding-weapon.html
Thanks akitpro, just saw it. Welcome.
Fox21 developing 'Indestructible Man' series
TV project is based on Platinum's upcoming comic book
By Nellie Andreeva
Oct 19, 2009, 11:00 PM ET
"Indestructible Man"
Fox21 has partnered with Platinum Studios to develop a TV series based on Platinum's upcoming comic-book series "Indestructible Man."
"Indestructible" tells the story of Nick Rabel, an elite secret agent who can't be killed and discovers the hard way the difference between "indestructible" and "unbreakable."
"This is a fun comic story where our indestructible lead character has major issues," said Fox21 president Chris Carlisle, who called the tale "a unique combination of superpowers and humor."
Platinum Studios chairman and CEO Scott Mitchell Rosenberg, who is executive producing the project, said Fox21 brass "really understood this character and the world he inhabits from the very first meeting."
The deal was brokered by ex-Universal Pictures executive Randy Greenberg, CAA and the Rigberg Entertainment Group.
The film and TV division of Platinum Studios, whose library contains more than 5,600 characters, also is developing features "Cowboys & Aliens," "Unique," "The Witchblade," "Atlantis Rising," "The Weapon" and "Mal Chance."
Fox21 developing 'Indestructible Man' series
TV project is based on Platinum's upcoming comic book
By Nellie Andreeva
Oct 19, 2009, 11:00 PM ET
Fox21 has partnered with Platinum Studios to develop a TV series based on Platinum's upcoming comic-book series "Indestructible Man."
"Indestructible" tells the story of Nick Rabel, an elite secret agent who can't be killed and discovers the hard way the difference between "indestructible" and "unbreakable."
"This is a fun comic story where our indestructible lead character has major issues," said Fox21 president Chris Carlisle, who called the tale "a unique combination of superpowers and humor."
Platinum Studios chairman and CEO Scott Mitchell Rosenberg, who is executive producing the project, said Fox21 brass "really understood this character and the world he inhabits from the very first meeting."
The deal was brokered by ex-Universal Pictures executive Randy Greenberg, CAA and the Rigberg Entertainment Group.
The film and TV division of Platinum Studios, whose library contains more than 5,600 characters, also is developing features "Cowboys & Aliens," "Unique," "The Witchblade," "Atlantis Rising," "The Weapon" and "Mal Chance."
http://www.hollywoodreporter.com/hr/content_display/news/e3i7d72e67f57c9816928e90ba34a0235f3
Jon Favreau Likens 'Cowboys And Aliens' To 'Butch Cassidy,' But Still Isn't Official As Director?
Posted 2 hrs ago by Rick Marshall in News, Platinum Studios, Video
Last week, we brought you the news that Jon Favreau won't direct "Avengers," and some comments from the filmmaker on the relationships between certain characters in "Iron Man 2," but what about that other big film he's attached to these days, "Cowboys and Aliens"?
While chatting with Favreau during the Bora Bora junket for "Couples Retreat," the director offered an update on where things stand with the film and his involvement (as well as that of "Iron Man 2" star Robert Downey Jr.), and how he's approaching the project's sci-fi/western theme.
"When I spoke to [Downey Jr.], it was definitely something he was interested in. I saw him briefly before he went away to shoot 'Due Date,'" said Favreau. "I just started talking [Steven] Spielberg and Ron Howard and [Alex] Kurtzman and [Roberto] Orci. It's a really great bunch of producers and writers, and it's already a great script. It's nice to have a piece of material this far out."
As far as his involvement, despite Favreau being announced as the project's director back in early September, he stopped short of saying anything was official in this interview, which took place during the last week of September.
"We've been discussing the idea of me directing it. I like the project, they like me," he said. "It's all about release dates and windows and availability."
"When you're a director on these projects, it's a very director-heavy medium—moreso than any other genre i can think of, because the director has to be involved in the planning, the design, the shooting is painstaking ... and the editing room, with all the CGI it's like you're starting a whole new movie," he explained. "It's a two-year process to direct one of these films, and you have to land on that date, whatever that summer date might be."
Favreau also shared his thoughts on why the project appealed ot him, and what approach he'll be taking to the cowboys-vs-aliens story that he'll be adapting.
"I love the idea of a mash-up of genres. I love the western, which isn't something you don't often get the chance to do these days," he said. "If you're going to mash up genres, you have to do it right. The idea of a western mixed with an alien movie, all of a sudden it makes it a fresh concept—and that mixture seems to make it very appealing and marketable."
The "Iron Man 2" director even offered up some comparisons for the tone of the film, invoking some of the best-known classic—and modern—takes on the genre.
"You have to figure out what style of western is it: Is it 'Maverick'? Is it 'Wild Wild West'? Or is it 'Butch Cassidy'? ... Is it 'Deadwood'?" he ventured. "I think 'Butch Cassidy' feels like the right tone, because there's humor, but there are stakes."
Think "Cowboys and Aliens" is a good fit for Favreau? Let us know what you think in the comment section or on Twitter!
Tags cowboys and aliens, jon favreau, Video
http://splashpage.mtv.com/2009/10/19/jon-favreau-likens-cowboys-and-aliens-to-butch-cassidy-but-still-isnt-official-as-director/
Man, C&A in the spotlight. 2 in a row on the same blog site.
IMO
see next post for article.
'Star Trek' Writers Veer From Comic Book For 'Cowboys & Aliens' Screenplay
Posted 21 minutes ago by Blair Marnell in News, Platinum Studios
The upcoming film adaptation of the sci-fi western “Cowboys and Aliens” will be radically different from the original comic book, according to screenwriters Alex Kurtzman and Roberto Orci.
“We went away from it,” Kurtzman told IGN during the 2009 Screenwriting Expo. “We took the elements we all loved about it and took our own story, which I can't tell you too much about."
The screenwriting duo behind “Fringe” and “Star Trek” also revealed that they have struggled to find the right tone for “Cowboys & Aliens.” (A problem that Jon Favreau addressed—and likened to several films—in an exclusive interview with MTV News.)
“How do you make it so it's not too funny?” Orci asked. “You hear the title ‘Cowboys & Aliens’ and think, what is it? Is it ‘Wild, Wild West’? The exact same structure and story can kill you if you have the wrong tone. That's the hard part."
"It's not a comedy,” Kurtzman added. “What we came to is imagine you're watching ‘Unforgiven’ and then the aliens from ‘Alien’ land."
“Cowboys & Aliens” has seemingly been on the fast track at Dreamworks and Universal ever since it was announced last month that Jon Favreau has signed on to direct the film, reuniting him with “Iron Man” star Robert Downey Jr. However, due to Favreau’s intense “Iron Man 2” schedule, Kurtzman and Orci have only recently been able to refine the story with him.
How do you feel about the potential changes to “Cowboys & Aliens”? Have you read the original comic by Fred Van Lente & Andrew Foley? Let us know what you think in the comment section or on Twitter!
Tags Alex Kurtzman, cowboys and aliens, Roberto Orci
http://splashpage.mtv.com/2009/10/19/star-trek-writers-veer-from-comic-book-for-cowboys-aliens-screenplay/
BCC: Top Cow Panel
Mon, October 12th, 2009 at 3:58PM (PDT)
Writer and Image Comics partner Robert Kirkman welcomed Baltimore Comic-Con attendees to the "Robert Kirkman Panel," but those in the room immediately sensed that something was awry--after all, this was supposed to be the Top Cow Panel! Kirkman handled the proceedings on his own for a few short minutes, making idle chitchat with a New Zealand-born fan about beards, baby faces, overeating and other such topics.
The rest of the Top Cow gang--publisher Filip Sablik, Top Cow founder Marc Silvestri, and "Witchblade" writer Ron Marz--joined Kirkman shortly thereafter, launching straight into the topic of "Pilot Season." Sablik described their annual contest as "American Idol" for comic books--essentially, fans are presented with several different pilot issues from several different creators. The readers then vote for the issue they'd most like to see continue on past the pilot, which results in a miniseries for that particular title.
This year's "Pilot Season" will be handled differently, however, as Kirkman and Silvestri co-created each of the five concepts. Their first "Pilot Season" offering is "Demonic," which Joe Benitez will illustrate.
"It's about a guy who may or may not be possessed by a demon," Kirkman explained of "Demonic's" concept. "The demon is constantly trying to make him murder his wife and daughter, so in order to appease the demon, he suits up into this whacky costume and kills bad people to provide the demon with fresh souls."
The second concept, "Murderer," also focuses on a protagonist with a proclivity for killing, though his motivations are decidedly different from "Demonic's."
"This is about a guy who has psychic abilities, but he can't control them," Kirkman said. "He's constantly bombarded by the thoughts of everyone around him--all the mundane thoughts, he's hearing those from everyone and it kind of wrecks his life."
But the protagonist eventually learns that he can ease his mind's suffering by breaking the all-important "thou shall not kill" rule. "If he kills somebody while he's reading their mind, when their mind shuts down it cancels out his power for a limited time," Kirkman said. "The only way he can get this break is to murder people, so he uses his power to find people who deserve to be murdered--and he murders them!"
Sablik then showed the cover of "Pilot Season: Murderer," which is illustrated by Nelson Blake II. In the image, the protagonist shows off his jacket filled with torture devices and an eerie message written on his shirt: "If you are reading this, it means you are a bad person and are about to die."
The third concept that Kirkman and Silvestri co-created is "Pilot Season: Stealth," a book they joked was so stealthy that it's already in stores with an invisible, "special clear variant" cover.
"This is about a middle-aged man going through a divorce," Kirkman said of the issue, which is drawn by Sheldon Mitchell. "His life is crumbling around him. His father, who has Alzheimer's disease, is a bit of a wreck and can't live on his own, so he moves in with his middle-aged son. Over the course of them living together, he discovers that his elderly Alzheimer's-ridden father has been this extremely buff superhero named Stealth for a number of years and he had no clue. Now that his father has this ailment, he's basically running around doing all this crazy stuff and not realizing what he's doing. On top of all the things his son is going through, he now has to chase his father around and make sure that he doesn't hurt innocent people or himself."
Sablik joked that we shouldn't read too much into Kirkman's psyche given the dark premises of these three books. "I've had a bad year," Kirkman joked about his state of mind. "I figure I might as well get paid for therapy, right?"
"Pilot Season: Murderer" Cover
Kirkman and Silvestri announced that "Pilot Season: Stellar" and "Pilot Season: Hardcore" were the titles for the two other issues. Aside from describing them as a science fiction story and an action-adventure story respectively, they wouldn't divulge more details, but Sablik did reveal that one of those book's artists was attending Baltimore Comic-Con.
The spotlight shifted to Ron Marz, who described his work on "Witchblade" as "happy-go-lucky" compared to Kirkman's dark storylines. The audience gave Marz a sound applause after being reminded that he has served as the writer on "Witchblade" for 50 issues in a row, and there's no sign of slowing down--not only have Marz and artist Stjepan Sejic committed to "Witchblade" through issue #150, they also have "two more years of stories" past that issue.
Following the events of "War of the Witchblades," Sara Pezzini is once again the sole Witchblade-bearer, but that won't undo some of the shameful acts she committed under the influence of the Balance's dark portion. "We'll still be going back to procedural police aspects, but we don't want to take Sara back to her normal life--that's no fun," Marz said. "When you're a writer, you want to torture your characters. I mean, I haven't cut anybody's hand off--"
"--you're not as depressed as I am!" Kirkman shouted back, defending his decision to sever a character's hand in "The Walking Dead."
Marz also revealed that Aphrodite IX will appear in "Witchblade" #134, which Sablik described as yet another instance of Top Cow bolstering its own character universe. "Rather than do huge overblown crossovers, sometimes Aphrodite will pop up in 'Witchblade' and it's kind of cool," he said. "We don't make a big deal out of it. We tell a cool story and hopefully you, the fans, get something out of it."
"We want the universe to be cohesive and make sense, but we don't want it to be a barrier for people who are not reading the books," Marz added. "Everything we do, we try to make a ground-floor read. In 'Witchblade,' you'll get what you need to know right up front."
In addition to "Witchblade," Marz is working on an "Angelus" miniseries along with Sejic. He'll also pen a "Magdalena" ongoing series with Ryan Sook on covers and Nelson Blake II on interiors. Blake's involvement is a new announcement, and Marz said that there was no better choice for the book's artist.
"Witchblade" #133
Other Top Cow books on the horizon include Randy Queen's "Darkness/Darkchylde" one-shot and Phil Hester's continued work on "The Darkness." Silvestri was teased for his resemblance to Jackie Estacado, a fact that was further cemented when the acclaimed artist brandished a pair of sunglasses that looked identical to Estacado's.
Sablik also highlighted "Cyberforce/Hunter-Killer," the Mark Waid-written and Kenneth Rocafort-illustrated miniseries that has had "a little bit of a lag, but anybody that picks up the book will see why--the art is absolutely phenomenal," according to the publisher. Sablik discussed the interesting technological implications of the miniseries, specifically the plot's use of a multi-faceted cell phone that Cyberdata is using to attain information on every single person on the planet.
When the panel turned over to the audience for questions, a fan asked how close the votes were at the end of previous "Pilot Seasons." Sablik said it's always a very tight finish, which is part of why the process is so exciting. "We want to make this a fun competition for the voters," Sablik said. "When we get to the voting part, I'm sure Robert will egg you on and play with your emotions."
Kirkman was asked to elaborate on how he'll proceed with the winning "Pilot Season" issue. "It'll be at least a miniseries and I'll write the whole thing myself," he said. "I would hope that the artist will continue on the miniseries. They'll definitely be offered the job, but it's hard to get them to commit to a possible miniseries now, so it could be drawn by someone else."
A fan asked the panelists what their favorite "Pilot Season" books were. "The one that breaks my heart is Jason Aaron's take on Ripclaw," Sablik admitted. "I had the guy that was going to write Wolverine locked-and-loaded for Ripclaw, and you all screwed it up for me!"
Kirkman and Silvestri said that they enjoyed "Urban Myths" and "Genius" as well.
While the panelists couldn't officially confirm nor deny development on a sequel to the recent "The Darkness" video game, their words were nonetheless encouraging. "I think what we can safely say is that there have definitely been talks--very positive talks--and we can't officially say anything more than that," Sablik said.
"Draw your own conclusions," Silvestri teased. "It did really well, so why would we do another one if it did really well?"
Another fan asked if Top Cow would produce any further animated projects like the "Witchblade" anime, which Silvestri applauded for its massive success in Japan. He said that Top Cow is "definitely in talks to do a sequel to the 'Witchblade' anime."
Silvestri also offered an update on the "Witchblade" movie. "It's getting real close," he said. "In fact, we're going to pick our third and final writer this next week. That person will start writing the script for the film and hopefully we'll be in pre-production by Christmas."
http://www.comicbookresources.com/?page=article&id=23288
Im sure we will hear some kind of news here shortly. Alot of pans in the fire. IMO
Its not a "needing", its more of a "what it took". Sounds to me like it took 20M to do DON not the original 35M that was planned. That would put them under budget. IMO
OT:EXCLUSIVE: Jon Favreau Won't Direct 'Avengers,' Explains 'Iron Man 2' Tie-In Process
Posted 3 hrs ago by Rick Marshall in Hot Stuff, Marvel, News, Video
When MTV News caught up with "Iron Man 2" director Jon Favreau at the "Couples Retreat" junket a few weeks ago, we were determined to get the filmmaker's take on how his much-anticipated sequel would connect with "The Avengers"—even if it took a bumpy ride in a golf cart to make the conversation happen.
Along with confirming that "Incredible Hulk" star Edward Norton won't be appearing in "Iron Man 2" and that Favreau won't be directing "The Avengers," the filmmaker shared some thoughts on his approach to making the Marvel movies all tie together.
"We want to reinforce a lot of the stuff we started to tip off," Favreau told MTV News. "'The Avengers' is a much larger concern for Marvel and Kevin Feige, who runs Marvel. They're going to be doing 'Thor' and 'Captain America,' and the way we might start to tease those things in this movie, some of it is stuff that we've discussed [and] some of the stuff you do last-minute as you figure out how that stuff is coming together."
"t's an evolving, amorphous thing," he explained. "If we decide and commit too early, the secret always gets out."
Case in point: the post-credits cameo by Sam Jackson as S.H.I.E.L.D. chief Nick Fury at the end of "Iron Man." Favreau and the studio went so far to keep the scene a secret that it was even left out of early screenings of the film for press. However, the secret still managed ot get out well before the film premiered.
"As soon as we shot the Nick Fury thing—we had a closed set and nobody was supposed to know about it—a week later somehow it was all over the internet," said Favreau. "It's a little bit of a cat-and-mouse game."
As far as his more direct involvement in "The Avengers" goes, Favreau flat-out denied rumors that he'd direct the superhero team-up extravaganza.
"They'll have to [find a different director], because I'm not going to be available," he explained. "It's something I'm being the executive producer on, so I'll definitely have input and a say."
"It's going to be hard, because I was so involved in creating the world of Iron Man and Iron Man is very much a tech-based hero, and then with 'Avengers' you're going to be introducing some supernatural aspects because of Thor," he continued. "How you mix the two of those works very well in the comic books, but it's going to take a lot of thoughtfulness to make that all work and not blow the reality that we've created."
Favreau also confessed that his focus on a single member of "Earth's Mightiest Heroes" might not be the best fit for the team-up film.
"That's why it's good that you have the guys from Marvel like Kevin Feige, who knows the books well and has been involved with the making of all the movies, and he'll be very involved with 'Thor' and 'Cap,'" said Favreau. "You need somebody who has the perspective of all the different franchises to bring them together. I have the myopic vision of just knowing and loving Iron Man."
Let us know what you think in the comment section or on Twitter!
Related Posts:
New 'Iron Man 2' Photo Features Tony Stark And... A Box Of Donuts?
EXCLUSIVE: Edward Norton Likes The Idea Of Hulk As 'Avengers' Villain
Jon Favreau To Direct Robert Downey Jr. In 'Cowboys And Aliens' – But What About 'The Avengers'?
http://splashpage.mtv.com/2009/10/14/exclusive-jon-favreau-wont-direct-avengers-explains-iron-man-2-tie-in-process/
*** Sure hes going to be busy, directing Cowboys and Aliens during this timeframe. IMO ***
OT: Something to think about: Marketing strategy, budget, how a film by word of mouth only makes money. Even made it to CNN for free publicity. Interesting article. IMO
http://www.cnn.com/2009/SHOWBIZ/Movies/10/12/paranormal.activity.movie/index.html
Surprise hit 'Paranormal Activity' scares money out of moviegoers.
Story Highlights New horror film has found success with fans spreading the word
"Paranormal Activity" is using nontraditional marketing campaign
The movie broke box office records over the weekend for a limited release
Paramount executive: "The film is selling itself"
updated 38 minutes agoNext Article in Entertainment »
Read VIDEO
By Lisa Respers France
CNN
(CNN) -- The new horror movie "Paranormal Activity" could be filling movie studio marketing departments with fear.
"Paranormal Activity" tells the story of a couple determined to discover if their house is haunted.
Using a campaign of limited showings, social media and word-of-mouth fan buzz, the film has managed to become a breakout hit without the aid of a glitzy marketing campaign -- or even a traditional movie trailer.
According to Variety, the very low-budget film (it reportedly cost $11,000), which played in fewer than 200 theaters, raked in $7.1 million over the weekend -- a record for a limited-release film. The film had an impressive $44,163 per-screen average and placement in the top five of the box office ratings over the weekend.
"We think it's exciting that they are taking this grassroots approach to independent film because sometimes independent films do get lost in the shuffle," said Kevin Carr, a writer/reviewer for the site Film School Rejects. "It's a unique test to see if people can demand things outside of standard marketing campaigns."
"Paranormal Activity" bills itself as "the first-ever major film release demanded by you."
The movie, which was an audience favorite at the alternative Slamdance festival in early 2008, was acquired by Dreamworks (then a part of Paramount Pictures) two years ago.
The studio initially planned to remake it using better-known actors. But after studio executives, including Steven Spielberg, viewed it, they decided the film could stand more or less as it was (though director Oren Peli did shorten the film and shoot a new ending).
The movie gained buzz after Paramount began late-night screenings in college towns, and fans took to Twitter and other sites to hail the scary flick, which centers on a young couple who believe their house may be haunted.
Paramount increased the interest by urging fans to sign on to ParanormalMovie.com and demand theaters in their locations show the film.
Peli posted a video on YouTube expressing gratitude to the fans and urging them to continue rooting for the movie.
"I just wanted to take this opportunity to speak directly to the fans and thank you all for the amazing support," Peli said on the video. "It's just been overwhelming especially considering the long road this film had for three years and the studio wanting to do a remake."
More than a million people have heeded the call. The result has been a groundswell of interest rivaling that of big-budget films.
Megan Colligan, co-president of marketing for Paramount, said the studio had a limited budget for advertising the film, so its marketing had to be tightly targeted.
Moreover, said Colligan's marketing colleague Josh Greenstein, condensing its atmosphere into a 30-second TV spot was a challenge, so executives opted to produce a trailer showing fans waiting in line for the movie and their reaction to the film.
"It was very important that we sold this as an experience and rather than just a movie," he said. "When people saw the movie they loved it so much and there is such a slow build of terror that you have to sit through to experience the full effect of the movie, so we changed the marketing techniques in advertising and online to make it more experiential."
The unique marketing campaign appears to have paid off.
"The fans have really made this their film and they are doing the bulk of the work [to market the film]," Colligan said.
"The film is selling itself," Greenstein added.
Critics have also taken notice, and have showered the film with good reviews.
In giving the movie an A-minus grade, Entertainment Weekly film critic Owen Gleiberman wrote "With its this-is-really-happening vibe, 'Paranormal Activity' scrapes away 30 years of encrusted nightmare clichés. The fear is real, all right, because the fear is really in you."
Overall, the film has earned a strong 85 percent approval rating at review aggregator Rotten Tomatoes.
Moviegoers agree. Rajiim Gross, an iReporter who posted a review of the film, said he found "Paranormal Activity" to be much better than "Blair Witch Project," another indie-horror film to which it is being compared. Check out Rajiim Gross' iReport
"It actually scared the hell out of me," Gross said. "I saw it during the day and I would hate to be someone who went home after seeing it late at night."
Gross said he believed the studio was smart to leverage the Internet to spread the word. Watch Rajiim Gross review the film and others »
"The best advertising is word of mouth," Gross said. "People tell 10 friends, they go see it and they tell 10 more friends and soon you have an entire community who wants to see it."
Carr, whose Film School Rejects site has been following the frenzy, said the movie "gets inside of your head" and benefits from the traditional fan support that horror films often enjoy.
That, coupled with the big cinema thrills and chills, should add up to continued box office success, Carr said.
"Watching it with 250 strangers in a movie theater and getting everybody to jump at the same time definitely has an effect," he said. "It's the event film right now of the year, which is something that needs to be experienced."
I think that would be the sick hearted group. LOL
An Exclusive Interview with Actor Dan Braverman
– by VANNA LAND –
I recently had the opportunity to interview character actor Dan Braverman. If you haven’t heard his name before, that soon may change.
Like so many others, he has not been an overnight success. He has been working in acting since moving to Galveston, Texas, in ‘96 or 97, starting first on stage — after spending years fronting a rock band.
In 2010, several movies featuring Braverman are set to be released, including “Artois the Goat,” “The Waiter,” “Dead of Night” and “Dead of Knight.” And no, just in case you are wondering, that is not a duplication with a typo mixed in.
He speaks highly of “Artois the Goat,” which he calls a fun comedy.
“To be completely honest, ‘Artois’ is one of the best movies I have ever seen, and not because I’m in it,” Braverman said. “I just love it, and would love it anyway, even if I weren’t in it. But I’m glad I am! It was also the most grueling shoot I’ve ever been involved with, but was well worth it.”
“The Waiter” is an independent film written and directed by Jason Konopisos with Charles Durning in the lead role.
“‘The Waiter’ is very much a post 9/11, post-Enron, Bush-era political commentary, and those times have passed,” Braverman said. “I think it will do well in Europe, as it is a very European type of a movie.”
He went on to say it may end up being more of “a cult film, along the lines of ‘Arlington Road,’ which was also filmed in Houston.” He described “The Waiter” as gory and violent, but very well done.
Braverman said “Dead of Night” is “basically a parody of film noir — an original idea.”
He plays a Mafioso zombie in the film named Big Al. “Dead of Night” is based on the very popular Italian comic book character Dylan Dog. In the movie, Dylan Dog (played by Brandon Routh) is a supernatural private eye relocated in the film to the Louisiana bayou.
Dan Braverman and Sara Gaston in Dead of Knight.
Dan Braverman and Sara Gaston in "Dead of Knight."
Braverman plays a detective in “Dead of Knight,” which is an independent, small budget horror film produced and directed by Joe Grisaffi.
This movie features a medieval knight who goes on a deadly quest after being accidentally released into the present day.
I asked him whether if it was confusing to be a part of two films that are so closely titled.
“It is indeed,” Braverman replied. “A couple of Web sites are confusing the two, and aren’t sure which of my characters is in which movie. It’s also confusing because they are both supernatural horror/comedies and there are some similarities in the plots. The ‘Dead of Knight’ people are elated, because that one is very low-budget and the confusion is getting them noticed on some of the ‘Dead of Night’ sites — i.e.: free advertising they could never afford. DoK decided to reciprocate and gave DoN a plug on one of their sites. I think whoever likes one of these movies is going to like the other one also. It’s a funny business, isn’t it?”
When speaking of his other work, Braverman said: “‘Friday Night Lights’ seems like a documentary. We didn’t rehearse, they just wanted to make sure you hit this and that.”
He also has appeared on “Prison Break,” and in a Jessica Simpson movie — “Blonde Ambition” — as a cab driver.
“BEING REAL”
I mentioned a picture I had seen of him, commenting that I found it sweet he has the name of his wife, Holly, tattooed on his arm.
“I owe her so much, it’s the least I can do,” Braverman said. “I’m proud to have her name on my arm.”
He credits his wife with any success he has had, saying she has had faith in him even when he had lost faith in himself.
Braverman lives with his wife in Galveston, which is about the same driving distance to New Orleans, Dallas, Shreveport or Austin. Most of his acting work has been in those cities and New Orleans is even promoting itself now as “The Hollywood of the South.” When asked if he had noticed an increase in the number of movies shooting in these cities in recent years, he said “it sort of shifts between those locations.”
Braverman said he had gotten an agent just shortly before Hurricane Katrina, adding, “Most of the work is now in New Orleans. Most of the Louisiana (movie) business is now in New Orleans. Texas just passed new movie incentives and they are just now gearing up and some things are coming back to Austin.”
We spoke briefly about how he and his wife had stayed for Hurricane Ike last year when it made a direct hit on Galveston. He said they thought they were prepared, but what they didn’t prepare for was fire.
“Fire was the scariest and least predictable and with all the flooding, you were trapped where you were,” Braverman said. “It was the least likely thing to prepare for.”
I asked him what aspects of the business he found to be the most enjoyable.
“Actually reading the script,” he said. “When I get a complete script, it is like unwrapping a Christmas present. I always read the whole thing. I like to read the whole thing to see how my character fits in. I like doing the work better than anything. I have a golden opportunity to live in a make believe world. It is like getting paid to play — like being a child.”
Braverman said he hates having to wait for any of his movies to come out. He said he has enjoyed everything he’s done equally “because you get to delve into all aspects of your personality. Playing people that are the most different are the most interesting to me. It is a real creative outlet. It is a permanent record — not like when you do theater, which I also enjoy — a permanent record of your creativity.”
When asked if he had had any acting lessons, he responded that he taken a few drama classes and TV acting classes at the University in Houston, but his best learning experience has been teaching. He has taught English since 1978, mostly English as a second language, but also has taught public speaking and a few other classes.
“Teaching is really Improv Acting 101,” Braverman said. “Right now, I’m doing about half teaching, half acting and, as Davy Crocker would say, half auditioning.”
He said being the front man for a death rock band for about 10 years also was good preparation.
“If you can get on stage where they are throwing knives and beer bottles at you, it cures you of ever having any stage fright,” Braverman said. “The trick to most acting is just being real. People have a problem being real. Get on camera and be yourself or whatever that character is suppose to be. You have to be believable to the audience — they have to believe the guy is the real guy.”
I asked whether anyone had ever told him he looked like Dennis Franz from the TV show “NYPD Blue.” He said he has and that he was even asked to do an impression of Franz in “Dead of Knight,” where he plays a detective.
From left, Joe Hughes (background), Dan Braverman and Sara Gaston in Dead of Knight.
From left, Joe Hughes (background), Dan Braverman and Sara Gaston in "Dead of Knight."
Asked if there were any actors or directors that he particularly enjoyed working with or would like to work with in the future, Braverman answered: “Probably young up-and-coming directors the Bogart Brothers from ‘Artois the Goat’ and Joe Grisaffi the director of ‘Dead of Knight.’ They are on the cusp of becoming well known. Also, Kevin Munroe (the director of ‘Dead of Night’), he gave me a lot of leeway. He let me ad lib. He is actually a beginner, as well. This is actually his first live action movie. I found him real easy to work with and he casts well. Casting is the most important. If you cast right, [the actors will] take the script and make it work. Time will tell.”
As far as actors, Braverman said he’d like another chance to work with “everybody in ‘Dead of Night’ — Brandon, [Sam] Huntington, Anita [Briem] — they were easy to work with and I suspect it probably shows on screen. Also, with Charles Durning [in 'The Waiter'], it was an honor to be on screen with him. The people in ‘Artois the Goat’ were probably some of the best actors I have worked with. We did 15-hour days. We worked in a shack with no electricity. Antonio Bandares, he’s real nice.”
Braverman said he hasn’t met anybody that I hasn’t liked, but added that “some are nicer than others.”
“One more thing I wanted to add, just because I find it charming,” he said. “I was sitting in the hair stylists’ trailer next to Brandon and we talked a bit. I told him he was the best Superman ever — and meant it — and we talked about New Orleans. He said this was the first time he had been there, and I asked how he liked it. He said he was nervous about driving there and that it was difficult to find healthy food options. I thought, ‘This is the friggin’ Man of Steel, and he’s worried about driving and eating healthy?’ But I found it endearing and humanizing. Brandon conveys all of these human qualities in subtext as Superman. That is why he’s the best. I believe he’s brought the same qualities to bear on his interpretation of Dylan Dog. I love this guy.”
“TIME WILL TELL”
While doing research for this interview, I listened to an audio interview conducted several months ago by Lynda Guidry — who has known Dan Braverman for about 10 years — for her regional Online News Service “GuidryNews.com.” In the interview with Guidry, Braverman said that by the end of the year he expects to be a fairly well-known character actor.
“What I really want is to be the romantic lead in something,” he told Guidry. “I want to be the next Brad Pitt or Angelina Jolie, it doesn’t matter.”
From left, Mark Scheibmeir and Dan Braverman from Artois the Goat.
From left, Mark Scheibmeir and Dan Braverman from "Artois the Goat."
During our conversation, I asked jokingly if he was still aiming for Brad Pitt or Angelina Jolie. Braverman replied, “Well sure!,” then added that the comment actually had a basis in the fact — he had actually played a woman in one of the many stage plays he has been in.
“It was not a pretty thing,” he stated laughing.
As I said at the beginning, you will be seeing a lot of this talented actor. “Artois the Goat” is currently doing the festival circuit with an expected release date sometime in 2010. You can see a trailer here.
“The Waiter,” which is a social-political movie, also is expected to surface at theaters in 2010. “Dead of Knight” is expected to be released on DVD early next year – you can view a trailer here — and finally “Dead of Night” is due in theaters Spring or Fall 2010 (you can read an exclusive review of the first test screening here).
Braverman e-mailed me the following quote after we concluded the active part of the interview process: “When I get my first Oscar, I’m going to say ‘Vanna likes me! She really likes me!’”
I can’t help but wonder if I need to report this in light of new FTC rules requiring writers on the Web to clearly disclose any freebies or payments they may get in the process or reporting or reviewing. As Braverman said, “Time will tell.”
You can listen to the interesting audio interview between Guidry and Braverman at “GuidryNews.com.” The quote in this article was used with permission.
http://itsjustmovies.com/1616