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IBM to unveil index card-size computer prototype
NEW YORK, Feb 6 (Reuters) - International Business Machines Corp.'s (NYSE:IBM - news) research division says it has developed a prototype of a portable computer module that is the size of a small pad of paper and has the computing power of a typical notebook or desktop computer.
The portable computing device, which IBM Research will unveil on Feb. 11 at a technology conference in Phoenix, Arizona, includes 128 megabytes of dynamic random access memory, a 10-gigabit hard drive and a microprocessor -- which is the brain of the computer -- that runs at 800 megahertz, or 800 million cycles per second.
''We've taken the PC down to where you can take it home and finish your work,'' said Kenneth Ocheltree, manager for next generation mobile at IBM Research.
Code-named ''MetaPad'', the module is 5 inches (12.7 cm) long, 3 inches (7.6 cm) wide and about three-quarters of an inch (1.9 cm) thick. The module fits into a larger accessory piece that includes a small, flat screen on front and is about 6 inches (15.2 cm) long, 4 inches (10 cm) wide and 1 inch (2.5 cm) thick.
The index-card sized module can also be plugged into a docking station for a personal computer, enabling the user to move all of his or her information and applications from one location to another. It runs Microsoft Corp.'s (NasdaqNM:MSFT - news) Windows XP operating system.
Ocheltree said IBM doesn't have specific plans to sell the prototype, which could be ready for market in few years. IBM is talking to computer makers and customers about how it could be used, he said.
''We're trying to understand how people would use it and interact with it,'' Ocheltree said.
Ocheltree said some possible uses are in areas like medicine, international customs, and airline and hotel check-in. He said IBM is working on how wireless technology could be used with the device.
Companies like Palm Inc. (NasdaqNM:PALM - news), Handspring Inc. (NasdaqNM:HAND - news) and Research In Motion Ltd. (NasdaqNM:RIMM - news) all make pocket-sized computers with various degrees of computing power that handle anything from calendar functions to e-mail transmission. PC makers Hewlett-Packard Co. (NYSE:HWP - news) and Compaq Computer Corp.
(NYSE:CPQ - news) also make handheld computers.
Rapid growth in the handheld market has slowed amid the overall economic downturn as consumers have tightened up on spending, and the industry is increasingly introducing wireless devices for communications.
IBM, with a $5 billion research and development budget in 2001, does everything from exploratory research to application development, working in computer science, material science, mathematics and physics. For example, it has worked on making semiconductors smaller and faster.
Pocket-size computers could make laptops passé
IBM's prototype portable computing device packs 800 megahertz and 10 megabytes of storage in 9 ounces.
Laptop computers are so au courant. So chi-chi. Everybody who's anybody carries one, dahling, and like anything else, it can never cost too much or be too thin. Kiss-kiss.
In which case it's hard to believe future generations might look at the laptop as a ridiculous artifact, like corsets. Or carbon paper. Or those little plastic disks that snap into the middle of 45 records so they can be played on the thin post of LPs.
But an IBM scientist who looks like Kevin Bacon recently showed me a laptop stuffed into a black plastic block the size of a shirt pocket. It made me think that if this is the future, my laptop is tagged for the Smithsonian.
The block is called a MetaPad. It has been top secret. Within days, IBM will unveil it at the DEMO technology conference in Arizona. Wearable computer maker Xybernaut has been working on similar technology.
The MetaPad — still a prototype for research purposes — packs the entire guts of an 800 megahertz laptop, with 10 megabytes of storage, into a package about 3 inches by 5 inches and less than an inch thick. One end sprouts a row of connector pins, but otherwise it's entirely closed. The device has enough computing power to run Windows XP, create 3-D graphics, handle book-size documents and do anything a laptop can do.
But it's missing a few key things, like a screen, a keyboard, a mouse and a power supply. The idea is to separate the computer and storage from the way it's used, says Kenneth Ocheltree, the scientist who looks like Kevin Bacon. Actually, since Kevin Bacon is everywhere, I've been wondering if it really was Kevin Bacon, doing a little scientific research on the side.
Anyway, you'd carry a MetaPad. At work, a docking station with a screen, keyboard and mouse would sit on your desk. You'd shove your MetaPad brick into a slot, and the screen would spring to life, just like opening a laptop and hitting the power button. Presumably, Ocheltree says, you'd have a similar docking station at home.
IBM and Xybernaut preach the same vision. Docking stations would be everywhere — hotel rooms, airport gates, college dorms, meeting rooms. Wherever you go, just take along your little brick — Xybernaut calls it a core — and it would be as effective as hauling around a laptop.
''You're never out of sync with your operating systems or application programs,'' says Xybernaut CEO Ed Newman. ''All because they are, in fact, the very same.''
There's more to the concept. The core block would be able to plug into all sorts of things. Pop it into your car to play MP3 music files or call up Yahoo maps you've saved. Airlines could put connectors at each seat. Plug in the block and use the seatback screen as a monitor. IBM is showing a touch-screen shell about the size of a book that would turn the MetaPad into a handheld computer.
Xybernaut is working on a belt pack. Plug in the block. Put on headphones that also dangle a small screen in front of your eye. And you could take your computer to the mall, up mountain trails, or on dates, which probably would not go so well.
The concept has problems. Like, how long will it take hotels to put docking stations in every room, so you know one will be there and you don't end up unpacking a computer block you can't use? What about when a storm shuts down Chicago's O'Hare airport? You'd have 100,000 travelers wielding their bricks and wrestling over docking stations. It would look like hyenas on an antelope.
Yet, there's an intriguing aspect to the concept. If the MetaPad frees computing from screens and mouses (mice? meeses?), Ocheltree points out, it might trigger phenomena that no one expected.
This has happened before. Credit cards separated money from physical currency. When banks created credit cards decades ago, you think they had e-commerce in mind? At the time, they were still giving out blenders to people who opened passbook savings accounts. Yet, credit cards allowed the whole consumer dot-com thing to happen. Amazon.com would be a wreck if it had to deal with millions of paper checks pouring in.
In the same way, freeing computing from its enclosures might pave the way for something huge.
Or not. It's hard to tell whether the concept will get far.
None of this stuff is available yet, and probably won't be for some time. There could be patent fights and wars over standards.
And along the way, companies such as Sun Microsystems will push an entirely different view of the next generation of computing. Sun believes most of our computing and storage needs will be out on the Internet, and all you'll need is a password to pull down all your data and software on any computing device. A password is even easier to carry than a plastic block.
It will be hard to convince people to give up laptops. I mean, there are lots of things to love about them. They let you work anywhere. You can write e-mail while lying on a couch with a beer balanced on your belly. (Takes practice.) They make PowerPoint so easy that middle managers across America now pop open their laptops and give 43-slide presentations to the neighborhood kids about why they should stay off their newly seeded lawns, as opposed to simply yelling.
And I don't know if a block can become a fashion accessory. Maybe IBM or Xybernaut should make a Claudia Schiffer version.
QUALCOMM, Inc.
Wingcast Telematics
By BRational
December 6, 2001
Posts selected for this feature rarely stand alone. They are usually a part of an ongoing thread, and are out of context when presented here. The material should be read in that light. How are these posts selected? Click here to find out and nominate a post yourself!
We have had several discussions on this board about telematics, and the Wingcast joint initiative between Ford and Qualcomm. In some ways, after the initial fanfare of the joint venture, many of us had hoped for more visible excitement. Of course, the difficult times that Ford has had since have not helped matters. But Wingcast has continued to labor along, to bring its system to market. You can visit www.Wingcast.com for some general information about the venture, but overall the information there is still limited. But I know they are working behind the scenes; I have in fact met engineers who work for Wingcast, and it is definitely for real!
My purpose in this post is to respond to an earlier request (assignment!) by Lokicious to start some discussion on Wingcast, and whether/how it should factor in the revenue stream for Qualcomm. While I touch on that towards the end, I am much more interested in telematic services and related issues from a user standpoint, so this post ended up being more of a primer on telematics.
Telematic Services
First, the commonly accepted definition from Wingcast's web site: Telematics refers to systems that combine the functionality of internal vehicle electronics, wireless communications, and information technology such as the Internet and Global Positioning Systems (GPS) for the delivery of information, services, communications and applications.
Some of the services envisioned by Wingcast are listed here. From my readings, we can expand on this list somewhat, and distinguish eight categories of services that one might want out of their on-board telematic system:
1. Mayday services: ability to signal distress, provide location of the vehicle, send some information about nature of the problem and status of both vehicle and occupants (e.g. anyone hurt, what part of the vehicle might need repair), and summon help.
2. Navigation and traffic information: what route to take to one's destination, congestion spots to avoid, etc…
3. Advanced vehicle monitoring systems—ability to diagnose the status of different vehicle components (mechanical and electronic), and obtain advice about repairs, replacement, etc… kind of an expert system for better vehicle condition management. While this could be an autonomous on-board device, it becomes "telematic" if it allows interaction with a remote database, or with a remote virtual or real technician. For example, On-Star offers automatic airbag deployment notification, remote door unlock, remote engine diagnostics (also useful in emergency situations).
4. Safety enhancing driver aids: this may be beyond the strict realm of telematic services, though its user interface would be integrated with the on-board telematic device. It would include collision avoidance systems, night vision, and heads-up displays of roadside-beamed traffic control devices (e.g. a traffic signal or railroad crossing lights that warn approaching vehicles of their existence).
5. Voice communication—replicate or enable usual mobile phone capabilities
6. Organizer capability and other productivity tools, preferably synch-able with PDA [personal digital assistant] or laptop. For example, given the activities that need to be accomplished on a given morning, it would, in combination with (2) above, suggest a schedule and itinerary, e.g. stop at the dry cleaners', drop off child…
7. Infotainment services—this is a very broad, catchall category that includes services available through general web access (i.e. the notion of turning one's car into a web browser), as well as specialized services provided by the telematic carrier. These would also include satellite digital radio, and possibly downloadable digital movies, MP3's etc., provided sufficient bandwidth is available (not envisioned in the initial stages of deployment, at least not on a nationwide scale). And let's not forget games, games, and more games for the restless teens.
8. M-Commerce-- this could be viewed as a subcategory of infotainment, enabled by web-access, but I have broken it out because it is likely to require separate capabilities that are built into the platform, and also likely to be a potential source of revenue that requires its own business model.
There is a ninth category that I have not seen discussed much in conjunction with telematic carrier services, though I have heard it suggested in automotive circles:
9. Peer-to-peer communication—there is no reason why neighboring vehicles would not be able to communicate directly, bypassing the main carrier network; this would have two applications: safety alerts from vehicles that may be too close for comfort, and staying in contact with companion vehicles (caravan-like, much like early CB radios…).
Telecom implications: air interface, business model, and service plans
The above capabilities have different telecommunication implications, in terms of coverage and data rates. For instance, mayday services must be available at all times, in all locations—period. This would suggest satellite access, as a last resort. On the other hand, video downloads may be available only along major freeways, where CDMA 1X or DO may be available through carriers like Sprint.
Wingcast, as a virtual carrier, is likely to bundle telecom access through a carrier like Sprint, using its CDMA 1X (and higher) network where available, digital AMPS air interface where available, for some services for which the latter provides acceptable quality of service and availability (likely limited to voice calls, simple messaging and mayday services), as well as satellite-based capabilities. With regard to the latter, one can envision several levels—a very basic level would be similar to the current Omnitracs capability, whereby a satellite system is used to passage short messages at low cost; it is ubiquitous and low cost to use, but it has low bandwidth. The higher end would be enhanced Globalstar access; certainly for mayday, but also for premium services if the user is willing to pay.
As a virtual carrier, it is also likely to bundle its Wingcast multi-mode, possibly multi-carrier access, with the usual wireless phone plans. For example, you could apply minutes from your Sprint plan (bundled with and sold through Wingcast) to calling either from the vehicle-based system or your own mobile phone. In fact, Ford already has a strategic alliance with Sprint PCS to provide mayday service and in-car connectivity in its current line of high-end vehicles; the plan is called RESCU. Of course, we also know that Qualcomm has a strategic partnership with Sprint, e.g. using its network for Omnitracs-based services. In Europe, Ford offers a service with Vodafone called Ford Telematics, recently announced.
As an example of an existing system, check out GM's On-Star's web site. Two plans are offered: a safety and location plan (for about $200 a year), and a "premium plan" (for about twice as much). One would expect thrifty but prudent individuals to sign up for the first plan, while those who use their vehicle for long trips with the family might find value in the premium plan (though the one offered by On-Star is more towards frivolous luxury, e.g. concierge service, than family utility). For more discussion of telematic services offered by On-star and others, there is a brief article on m-commerce.
Devices
On-board devices must integrate with user's existing PDA, mobile handset and/or 3G devices. In fact, a recent model introduced by Daimler-Chrysler for Chrysler vehicles in the US relies exclusively on connecting one's external device and externally procured service contract. However, because no network or service is presently ubiquitous, Wingcast and a full-featured telematic system will need to have its own hardware and software, including:
(1) the modem, i.e. chipset that will allow the above multimode connection capabilities [which then is likely to be highest-end fully featured QCT MSM chips with Snaptrack, BREW, terrestrial and Globalstar-enabled];
(2) on-board display, which is typically the dashboard screen we've seen so many examples of (some pictures (Toyota)) and the excellent article in Technology Review, with several good pictures), and/or possibly heads-up displays which some have argued to be ergonomically desirable;
(3) a sound system, but that's old hat, just call Bose; and
(4) the user interface, an extremely critical element on which rests the success of the entire system. This is particularly important because of the driving environment. As noted in an article,
crucial to telematics' success is deciding how much information can be presented to the driver at one time and in what form. "A lot of work is being done to figure out what that interface should look like," Infineon's LeFort said.
How much to make vehicle-dependent versus user-portable will be an important question, [one] that will evolve over time as new devices and services become available. For instance, there are today some GPS-based navigation devices that are essentially handheld (e.g. see Magellan.)
Market Size and Implications for Qualcomm
To summarize, Wingcast will draw on the following capabilities, products and services of Qualcomm's:
1. ASICS for the telecom portion; as noted, these would be high-end multimode chips, including Globalstar capability. One would all chipsets to be made by QCT for Wingcast. Appropriate royalties would probably need to be paid per unit, from Wingcast to QTL.
2. Snaptrack—GPS is clearly essential for all telematics, since they are inherently location-based capabilities. There is no reason for Wingcast to get its GPS and wireless-enhanced location capabilities from anyone else. Snaptrack will be built in the chipset.
3. BREW—as a platform for all the downloadable services, and to enable and monetize third-party applications and services. It is not clear whether this BREW-based community would be ready by the time Wingcast launches; however it seems conceivable that it will eventually be an important element.
4. Wireless business services—Wingcast, as a carrier and service provider, may well become like Omnitracs is for the trucking industry, though not as pervasive; Omnitracs absolutely dominates in trucking; Wingcast will apply to Ford, Nissan and whatever other smallish automakers might join, possibly some of the Koreans in the US (capitalizing on common CDMA-centric capabilities), and also one major European automaker for its US vehicles (I understand VW has not committed yet to a provider). This may well form a nice recurring usage-based revenue stream (though it will be shared across several players).
How large is the market likely to be?
An obvious place to look for guidance on how significant the Wingcast initiative might be is current statistics for On-Star. In a recent press release,
OnStar announced today that it will end the 2001 calendar year with close to two million subscribers; … OnStar grew its subscriber base by more than 250 percent this year.
"We are very satisfied with our subscriber rates, renewal rates and user response," said OnStar President Chet Huber to reporters at Comdex. "Our subscription-based business model continues to thrive by offering quality services drivers want and need in their vehicle on an easy-to use, flexible technology platform."
Are users satisfied with the service?
According to OnStar customer research 95 percent of subscribers activate the service, 86 percent said OnStar gives them peace of mind and 76 percent said they would recommend OnStar to a family member or a friend.
OnStar has had more than 10 million interactions with subscribers and is touching subscribers in every county in the United States and all provinces of Canada. On a monthly basis, OnStar is responding to:
• 200,000 routing calls per month
• 15,000 door unlocks/month
• 14,250 roadside dispatches/month
• 300 air-bag deployments/month
• 375 stolen vehicles located/month
Another interesting survey of high-end navigation system was reported by J.D. Powers.
While penetration of navigation systems remains at less than 1 percent of the market, the number of cars, vans and light-trucks models that offer factory-installed navigation systems grew from 26 to 45, according to the J.D. Power and Associates 2001 Navigation Usage and Satisfaction StudySM released today.
[note: several of these navigation devices do not involve "telematic" services, i.e. they are self-contained units with GPS capability and navigation using stored maps.]
More than one-half of new owners use their system at least once or twice a week.
The linked article shows summary stats of reported usage by category, i.e. what do people use their systems for?
Finding residential/business addresses or routes to unfamiliar locations are the most common system uses.
The user satisfaction report seems to confirm the GM On-Star findings.
Customers feel strongly about their navigation systems. More than one-half of current owners surveyed "definitely" would recommend a system like theirs to others. In addition to being navigation system advocates, two-thirds of current owners indicate future vehicle purchase decisions will be influenced by a navigation system option.
I have seen several projections of take-up and penetration, in a variety of sources that I cannot put my finger on at this time. From the Wingcast web site:
the Strategis Group estimates that there will be more than 11 million domestic telematics subscribers by 2004, generating revenue of $1.7 billion. According to UBS Warburg, that number could conceivably rise to $24 billion by 2005.
It would seem reasonable to expect Wingcast to capture 25 to 30% of new domestic subscribers after it has been in existence for about a year.
In the initial announcement of the venture, it was stated:
Ford expects more than a million of its new cars and trucks to be equipped by the end of 2002, three million by 2003 and virtually all of its cars and trucks by the end of 2004, with the level and depth of services increasing each year during that period..
Using half of these numbers should add about half a million units in 2002, translating into higher-end chipset sales for QCT. As the system grows, the contribution to handset units, chipsets and royalties would be the equivalent of having another major carrier, about the size of Sprint, adopt CDMA. It is probably unreasonable to expect the services to start generating earnings for a couple of years. Given that valuation models do not include any revenue from this venture, we may well have another nice kicker in the wings.
Happy trails!
BRational (still waiting for teleportation…)
Additional reading:
A good reference is the ITS (Intelligent Transportation Systems) America Society web site, which has a large and quasi-continuously updated collection of links to related articles and reports. If you're more interested in public policy aspects of providing information to motorists and travelers, ITS America recently submitted a white paper to US DOT; it is downloadable.
Another good electronic newsletter with up-to-date news releases, articles and links is TelematicsUpdate.com.
For more links, you can also visit the Business 2.0 site.
__________________
July 31, 2000 -- Ford Motor Company [NYSE: F] and QUALCOMM Incorporated [NASDAQ: QCOM] today announced the creation of a new company that will develop and deliver wireless mobility and information services that will bring voice, entertainment, Internet access and safety services into cars and trucks.
Known at present as Wingcast, the new company will become a comprehensive provider of telematics services to global consumers. The new company will work with the leading industry hardware, software, and content providers to offer state-of-the-art, in-vehicle applications to consumers.
Ford Motor Company cars and trucks will be the initial recipients of these newly developed products and services. Ford expects more than a million of its new cars and trucks to be equipped by the end of 2002, three million by 2003 and virtually all of its cars and trucks by the end of 2004, with the level and depth of services increasing each year during that period.
"Wingcast is Ford's vehicle for redefining the future of mobile communications," said Jac Nasser, Ford Motor Company president and chief executive officer. "We are not only transforming the automobile into the next mobile portal, but also are creating a new company that will develop and deliver a collection of leading-edge technologies and services."
"The wireless and telematics industries are at a pivotal point as we approach a new era of the wireless Internet," said Dr. Irwin M. Jacobs, chairman and chief executive officer of QUALCOMM. "Beginning next year, evolved and new CDMA cellular networks will enable high-speed, widely available, low-cost access to the information superhighway. Wingcast will support a broad range of mobile services and become the first portal to offer consumers unparalleled wireless Internet access."
Combining QUALCOMM's Code Division Multiple Access (CDMA) wireless technology with Ford Motor Company's telematics and consumer expertise, Wingcast will bring to consumers seamless access to applications and services including communication, information, navigation, entertainment, safety and security from their cars and trucks as well as any compatible mobile device or computer. Located in San Diego, Calif., Wingcast plans to introduce its first services in cars and trucks in late 2001.
Harel Kodesh, formerly of Microsoft, has been chosen to lead Wingcast as its president and CEO. "Harel Kodesh is the right choice to lead the creation of wireless, in-vehicle services for our global consumers," said Brian Kelley, vice president of Ford and president, ConsumerConnect. "His depth of expertise and experience will jump-start our new venture."
"QUALCOMM is focused on driving demand for high-speed, high-capacity wireless data through the wireless Internet that is enabled by all forms of CDMA, including cdmaOne, cdma2000 and WCDMA," said Paul E. Jacobs, executive vice president and the next president of QUALCOMM. "Wingcast's new services will extend beyond the car, providing the critical mass of customers to drive new technologies and standards into the automotive, telecommunications and Internet industries."
Nissan is working with Ford Motor Company and QUALCOMM to bring Wingcast services into certain luxury vehicles. Nissan may extend the use of these applications to a broader selection of Nissan and Infiniti vehicles in the future. "Wingcast services will enable Nissan customers to access the information and applications most relevant in a mobile environment," said Ron D'Amico, vice president, Nissan Technical Center North America. "Wingcast goes beyond standard automotive applications to offer users greater security, information and entertainment applications that they can access anytime, not only from within the car, but also from a variety of wireless devices."
"Cars and trucks will soon become the fastest growing mobile platform for seamless communications and digital information services," said Kodesh. "Wingcast will leverage best-of-breed technologies to deliver unique capabilities that are completely focused on the customers and their experiences."
International Data Corporation has estimated that the telematics market will grow to $42 billion by 2010 from $1 billion in 1998.
Ford and QUALCOMM each will own equity in Wingcast, but terms have not been disclosed. Additionally, Cartell, a Romulus, Mich.-based supplier of telematics equipment to automakers, is a minority equity stakeholder in the company.
Wingcast services will be available initially in North America over cdmaOne digital wireless networks. Advanced offerings using high-speed wireless data will become available as third-generation cdma2000 and WCDMA networks roll out.
Ford Motor Company (www.ford.com) is the world's leading truck manufacturer and the second largest manufacturer of cars and trucks combined. Worldwide revenues in 1999 exceeded $162 billion with net income at a record $7.2 billion. More than 20,000 dealers serve customers in more than 200 markets. Ford's automotive brands include Aston Martin, Ford, Jaguar, Land Rover, Lincoln, Mazda, Mercury, Th!nk, and Volvo. Other major businesses include Ford Credit and Hertz.
In July, Ford Motor Company, headquartered in Dearborn, Mich., reported record second-quarter operating earnings of $2.7 billion, the 17th consecutive quarter of improved operating results. Worldwide car and truck sales in 1999 exceeded 7.2 million units.
QUALCOMM Incorporated (www.qualcomm.com) is a leader in developing and delivering innovative digital wireless communications products and services based on the company's CDMA digital technology. QUALCOMM's business areas include integrated CDMA chipsets and systems software, technology licensing, Eudora® e-mail software for Windows® and Macintosh® computing platforms, and satellite-based systems including OmniTRACS® and portions of the Globalstar system and wireless fleet management systems, OmniTRACS® and OmniExpress. QUALCOMM owns patents, which are essential to all of the CDMA wireless telecommunications standards that have been adopted or proposed for adoption by standards-setting bodies worldwide. QUALCOMM has licensed its essential CDMA patent portfolio to more then 80 telecommunications equipment manufacturers worldwide. Headquartered in San Diego, QUALCOMM is included in the Standard & Poor's 500 Index and is a 2000 Fortune 500® compan y traded on The Nasdaq Stock Market under the ticker symbol QCOM.
Except for the historical information contained herein, this news release contains forward-looking statements that are subject to risks and uncertainties, including timely product development, Wingcast's ability to successfully develop and provide services on a timely and profitable basis, and those related to changes in economic conditions of the various markets the company will serve, as well as the other risks detailed from time to time in Ford's or QUALCOMM's SEC reports.
Ford and Nissan are registered trademarks of their respective companies. QUALCOMM and OmniTRACS are registered trademarks of QUALCOMM Incorporated. Globalstar is a trademark of Loral QUALCOMM Satellite Services, Incorporated. cdmaOne is a trademark of the CDMA Development Group. All other trademarks are the property of their respective owners.
SpeechWorks Teams with Leaders in Bringing Speech Enabled Devices to the Market
SpeechWorks is working with a number of major players to bring speech-enabled devices to market. These companies include: America Online (NYSE: AOL), Compaq (NYSE: CPQ), Kirusa, LOBBY7, Mitsubishi MERL (Mitsubishi Electric Research Laboratories), Motorola (NYSE: MOT), OnStar, Texas Instruments (NYSE: TXN), Visteon and Wingcast.
Nissan's New Generation Communication System 2003i
Vehicles will function as one element of networks by 2003.
Network vehicles propose new vehicle value and appeal.
The New Generation Communication System 2003i is an advanced telematics system designed for a high-speed mobile communications environment. The goal of this system is to provide drivers the information they use in a simple user-friendly way.
The 2003i vehicle incorporates this new system on a large, round screen positioned in the center of the instrument panel. Despite its size, the shape of the screen maximizes the interior space, while simultaneously improving visibility.
A four-point controller is mounted on the steering wheel for easy operation even while driving. A jog-dial, "force-feedback" switch is used for performing finer operations when the car is stopped. These features enable drivers to simply manipulate information as they please. "The New Generation Communication System 2003i" creates a "network vehicle" in which the information center, car and driver are all linked as one via the Internet.
As a vehicle designed to be an integral element of networks, the 2003i highlights a variety of services which will be possible in the near future.
New devices make it easier to manipulate information while driving
A large screen is essential for presenting information that is easy-to-understand. To that end, the 2003i adopts a large, center-mounted 360-mm wide display, for improved visibility. The screen also has a convex curvature to maximize interior space.
The "force-feedback" switch represents one idea for a new type of control switch. Because a jog-dial switch allows the reactive force to be set at any desired level, the number of clicks and the pressure applied when clicking can be varied to match the screen menu. As a result, even blind operations can be executed simply and reliably.
A four-point controller offers user-friendly operation, allowing drivers to perform various operations via four selector buttons while driving. The system constitutes a study of control technology, enabling drivers to manipulate information as needed through simple operations. It also priorities information, based on the driver's condition and the driving situation, so that necessary details can be presented to the driver in a timely manner.
Telematics service proposal
The New Generation Communication System, includes advanced telematics technology to provide users with the information they need when they need it in any driving situation. This system is built around a special system function that judges what is needed based on a user's personal preferences, trip purpose and the vehicle's operating state, and gathers and selects information accordingly. The function carries out operations that users previously performed themselves.
For example, the system can identify and target possible restaurants. Changes in the driving situation, such as the time or route changes, serve as a trigger that automatically initiates an information search. Based on the trip purpose, vehicle occupants, users' personal preferences, previous history of using restaurant information and other factors, the agent function gathers and selects information on restaurants. It then narrows down candidate restaurants on the basis of their menu recommendations, parking availability and other real-time information, and can even make a reservation for a user.
A group communications function enables multiple vehicles to exchange messages. The route and present position of another person's vehicle in the group can be indicated on the map or itinerary chart shown on the display screen. Drivers can exchange not only messages but also information with other vehicles in their group.
While basic map data are already stored onboard the vehicle, communications-based navigation system enables the data to be updated with the latest information by simply accessing an information center. This is a handy feature for obtaining information about newly opened roads or other changes, as well as information that is frequently updated, such as details about restaurants or events at one's intended destination or along the planned route.
The vehicle can be accessed from an outside personal computer or portable terminal via an information center, making it possible to operate the navigation system, enter screen settings or perform other operations.
The following demonstration systems will enable show visitors to experience first-hand the functions and services incorporated in the 2003i.
Network vehicle demonstration
ERemote operation of vehicle equipment via a cellular phone (locking/unlocking of doors).
EViewing of images of the driver's seat and passenger's seat taken with a camera installed atop the instrument panel as well as images of the vehicle's position.
Demonstration of new telematics service
Operation of the large round screen, four-point controller and "force feedback" switch to obtain information via the telematics service.
Cellport and Infiniti in Deal to Equip 2002 Infiniti Q45 with Universal Hands-Free System
By: Uri Gorbatov
Oct 16, 2001, 11:30 AM
BOULDER, Colo., - Cellport Systems, Inc., a leading provider of automotive wireless communications technologies and products, today announced an agreement with Nissan North America's Infiniti division to equip the flagship Infiniti Q45 Sedan with Cellport's patented universal hands-free system for wireless phones. Under the agreement, Cellport will provide a fully integrated version of its Cellport 3000 hands-free system that is specially integrated to work with Visteon's Voice Activation System already installed as standard equipment in all Q45s, enabling complete voice command for many of today's popular wireless phones.
The Cellport-supplied equipment will be available this coming March to Infiniti customers as a factory-installed feature beginning with the 2002 model year Infiniti Q45. Q45 customers will also be able to have the Cellport hands-free system installed at their dealership for those customers who purchased the Q45 before the system's March availability date. The system's patented Universal Docking Station and phone-specific Pocket Adapters accommodate wireless phones produced by Nokia, Motorola and other popular brands, regardless of service provider, allowing drivers to use their own wireless phones without the bother or expense of installing multiple adapter kits or using one wireless phone brand. Cellport worked closely with Visteon Corporation (NYSE: VC) to integrate its universal hands-free system with Visteon Voice Technology, a speaker-independent, continuous-speech voice activation system currently available on the Infiniti Q45 Sedan and Jaguar S-Type, enabling drivers to use simple English commands to place or answer calls on their phones without having to look at or touch the phone. This agreement demonstrates Cellport's leadership in providing a scalable architecture for telematics and vehicle-specific connectivity, and points the way toward future product development based on Cellport's unique, open telematics platform.
"Today's announcement demonstrates Cellport's ability to work closely with industry leaders such as Visteon to provide the critical universal hands-free systems that are required for becoming de facto on many of today's flagship vehicles," said Doug Daniels, vice president of business development for Cellport Systems. "This is the first of what we are confident will be many opportunities to provide Nissan and Infiniti with our universal hands-free technology for all their automotive needs."
"Voice-activated, hands-free phone operation has been a much-requested addition to the Q45 Sedan, and now we are happy to be able to offer this unique, universal solution to our customers, enabling them to use the handsets and services of their choice," said Mark McNabb, vice president and general manager, Infiniti division. "The Infiniti Q45 Sedan has one of the automotive industry's most advanced voice recognition systems, allowing virtually hands-free operation of audio, climate control and navigation functions, and now with Cellport's technology, we can add universal, hands-free mobile phone operation, too."
The Cellport 3000 is widely recognized as the most advanced, full-featured wireless phone hands-free system available today. Unlike phone-specific car kits that are difficult, if not impossible, to upgrade, the universal Cellport 3000 can accommodate most popular phones simply by changing the phone-specific Pocket Adapter. The Cellport 3000 also features superior DSP audio quality, intelligent battery charging, secure mounting, and external antenna connection.
The Cellport 3000 Hands-Free System also serves as a basic telematics platform for providing wireless connectivity to the vehicle. By incorporating telematics extensions, a Cellport 3000 system can provide a basic platform on which in-vehicle data, location and services are enabled. These services could include remote diagnostics for fleet management, navigation and location-based applications plus safety and security services.
According to McKinsey & Company, automotive telematics could generate up to $100 billion -- depending on customer demand and regulatory decisions -- in the United States, Japan and Western Europe by 2010.
About Cellport Systems
Cellport Systems is a world leader in providing in-vehicle wireless communications and telematics systems. The company's products include the Cellport 3000, the industry's first universal hands-free platform, and the Cellport 3000 with Voice Command. The company's substantial patent portfolio positions it to continue its leadership position in the telematics industry. The Cellport Systems Global Partners program is rapidly expanding Cellport technology around the globe through unique strategic partnerships and licensing relationships with partners in Europe, North America and Asia. Investors in Cellport Systems include AT&T Wireless Services, Cisco Systems and Omron Corporation. The company is privately held, with corporate headquarters in Boulder, Colorado and regional offices in Detroit, Michigan and Tokyo, Japan. For more information, please visit the Cellport Systems web site at www.cellport.com.
Source: Nissan North America, Inc.
Is Japan the Telematics Leader?
This page was last updated on Wednesday, December 5, 2001
MINNEAPOLIS - December 5, 2001--The Japanese auto manufacturers have been notably absent in telematics efforts in the USA and Europe. Hence, there is an assumption that the Japanese auto manufacturers are behind the curve in telematics. ``This assumption is wrong,'' says Phil Magney, co-founder and principal analyst with Telematics Research Group. ``In Japan, the major auto companies have numerous ongoing telematics programs and they are leaders in experimenting and developing future telematics systems. Furthermore, the Japanese auto manufacturers are leveraging the strengths Japan has in consumer electronics and IP-based cell phone deployment,'' adds Magney.
Current automotive telematics efforts in Japan are mostly focused on navigation and real-time routing, according to Concept Telematics, a new report published by Telematics Research Group. ``Navigation and real-time traffic are the most useful telematics applications in Japan due to the high density of autos,'' says Dr. Egil Juliussen, co-founder and principal technology analyst with Telematics Research Group. ``Japan has 500 autos [in-use] per square mile versus 58 per square mile in the USA. This higher density is a primary factor in the country's deployment and use of navigation and traffic information,'' adds Juliussen.
The following table is a summary of current and near-term telematics-related efforts in Japan
----------------------------------------------------------------------
Table 1: Current Telematics Systems in Japan
----------------------------------------------------------------------
Company Telematics Focus
----------------------------------------------------------------------
Toyota Monet Navigation & traffic, email, web &
information, Internet portal
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Toyota G-Book Improved Monet system (Mid 2002 launch)
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Toyota & NTT Helpnet SOS service, Safety & security
----------------------------------------------------------------------
Nissan CompassLink Navigation & traffic, concierge. To be
enhanced in near-term.
----------------------------------------------------------------------
Honda Inter-Navi TSP & Internet portal
----------------------------------------------------------------------
Mazda Telematics Center Navigation & traffic, safety & security
----------------------------------------------------------------------
Sony MobileLink Navigation & traffic
----------------------------------------------------------------------
Daimler-Benz ITGS Navigation & traffic, news, weather & flight
information
----------------------------------------------------------------------
Japan Government VICS Traffic & routing info via radio, radio
beacons & infrared beacons
(Auto needs VICS receiver)
----------------------------------------------------------------------
Japan's VICS (Vehicle Information & Communications System) is a government-backed traffic information system that started 10 years ago. VICS is at the low-end of the telematics scale, but the VICS information is a killer application for telematics in Japan where there are over 3M VICS-enabled vehicles in use. Meanwhile, the number of telematics-enabled vehicles in Japan used for other types of content (i.e. Internet, live operator) has topped 0.5M, and surpasses 4M when all navigation systems are included.
At the 2001 Tokyo Motor Show last month, a significant number of concept vehicles were focused on telematics or included advanced telematics functionality. The next table is a summary of concept vehicles with telematics systems that were shown at the Tokyo Motor Show.
----------------------------------------------------------------------
Table 2: Japanese Concept Telematics Systems
----------------------------------------------------------------------
Concept Vehicle Focus
----------------------------------------------------------------------
Toyota Will VC G-Book service, ITS initiatives, Internet
portal, m-commerce
----------------------------------------------------------------------
Toyota POD Current telematics services, adaptive
functions, X-by-wire
----------------------------------------------------------------------
Daihatsu Town Use IT Telematics & auto function integration,
auto-specific TM
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Nissan Ideo (Nissan's Integrated auto control, telematics,
"Human Net Vehicle") navigation & web functions on panoramic
display
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Nissan ITS 2003i Advanced navigation, user IF, display & LBS
----------------------------------------------------------------------
Nissan Nails Advanced cell phone docking station
(3G phones)
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Nissan Crossbow 3D navigation, TM & auto function
integration, 4 mobile GPS devices
----------------------------------------------------------------------
Honda Dualnote Integrated auto control, telematics,
navigation & web functions on 3 displays
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Honda Unibox CCD cameras, radar, heads-up display,
rear-view mirror/display
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Mazda Secret Hideout Entertainment content via Bluetooth linked
Futuristic concept auto cell phone
----------------------------------------------------------------------
Suzuki Covie Navigation & traffic, web, email, content &
link to home/office PCs, personal ID
----------------------------------------------------------------------
Mitsubishi Space Liner X-by-wire, instrument display, drop-down
notebook PC
----------------------------------------------------------------------
Mitsubishi SUP PDA w/camera & key-chain PDA
----------------------------------------------------------------------
Mitsubishi CZ2/CZ3 Tarmac Radical instrument cluster
----------------------------------------------------------------------
Subaru WX-01 Navigation, email & web content
----------------------------------------------------------------------
Subaru HM-01 Full function telematics features
----------------------------------------------------------------------
GM/Suzuki e-Cruze OnStar brand, telematics functionality, PDA
synchronization
----------------------------------------------------------------------
These telematics concept vehicles demonstrate how important the Japanese auto companies view telematics technology. Here are some key points about Japan from Telematics Research Group:
- Japan's OEMs lead the industry in the conceptualization, and design prototypes of their telematics systems.
- Japan's OEMs and suppliers have introduced creative user interfaces and devices used to control and communicate with their vehicles.
- Japan's OEM's have established branded Internet portals providing navigation, travel and lifestyle content to users.
- Navigation and routing are still the ``killer app'' for telematics in Japan but the boundaries are expanding to content services.
- Japan's cell phone industry is influencing vehicle telematics through the promotion of personalized (i.e. mobile phone-based) telematics.
More information and detailed profiles are available in Telematics Research Group's new report called ``Concept Telematics--Japan 2001''. The report is available for $695. For more information go to www.telematicsresearch.com.
Contact:
Telematics Research Group, Minneapolis
Editorial Contact:
Phil Magney, 952/935-0400
952/935-0405 (fax)
pmagney@telematicsresearch.com
NISSAN INTRODUCES CARWINGS, JAPAN'S FIRST TOTAL TELEMATICS SERVICE
To Be Incorporated in New Models Starting with the New Compact Car
March
Introducing the "networked car" that functions as a part of
information network
http://www.nissan-global.com/EN/STORY/0,1299,SI9-CH177-LO3-TI531-
CI435-IFY-MC109,00.html
Tokyo, February 5 -- Nissan has announced the release of CARWINGS,
the advanced total telematics service integrating people assisted-
and/or automatic services, car, or cell phones, and personal
computers (PC). The technology is an adaptation of the New-Generation
Information and Communications Concept 2003i that was unveiled at the
Tokyo Motor Show in October last year. CARWINGS will be offered as an
option on the new compact car March which will be launched later this
month. It will be introduced throughout the range of Nissan's new
models for introduction thereafter.
CARWINGS is Japan's first comprehensive telematics system that
enables drivers to use a LCD (liquid crystal display) screen assisted
by verbal interface to access the latest updated information and
maps, receive e-mail messages, make hands-free phone calls, and
obtain road-side assistance, plus more. These functions are available
by connecting one's cell phone to the connector on board the vehicle.
CARWINGS also supports comfortable and convenient driving through its
simple navigation functions, emergency operator support, and other
features.
Some of the services offered for the new March are:
Information: Access to the real-time driving information such as
traffic and weather 24 hours a day.
Communication: Offers information on vehicle's location to friends
and family members over a PC or cell phone.
Hands-free calls: Enables drivers to communicate with cell phones
connected to the on-board unit.
Road Guide: Display of present location on map with GPS.
Help Function: Emergency support from operator, on call 24 hours a
day. "Compass Link Light" also gives access to an operator-assisted
information service.
Vehicle Information: An on-board monitor that displays information on
fuel consumption, etc.
This technology will be offered at less than 50,000 yen as an
optional function on the new Nissan March. Plans are in place to
introduce CARWINGS with additional services as well as those that are
integrated with conventional navigations systems on Nissan's new
models after March.
Nissan is committed to introducing innovative and progressive
telematics services in the cars it produces to enrich people's lives
by closely connecting drivers with the communities surrounding them.
end
----------------------------------------------------------------------
----------
Functions
The system consists of five major components aside from the unit
itself:
Steering switch for easy operation
Microphone for hands-free call and voice activated operation
Audio output speaker for "text-to-voice", etc.
GPS antenna for receiving position signals from satellites
Cell phone pocket with connection cable
Voice-activated operation and "text-to-voice" feature allows the
drivers to instantly access the information without taking his/her
eyes off the road.
Key Features
Information-Gathering Auto DJ
Offering access to the latest driving information 24 hours a day,
Auto DJ will give drivers over 40 channels offering traffic, weather,
sports and the latest news and leisure information. Channels for
local information will be added.
Communication Function
Displays the location of your car to friends or family via cell
phone, PC or other cars with CARWINGS. It will help you to keep in
touch when meeting outside, etc.
Hands-Free Phone Function
Enables hands-free phoning using numbers from your cell phone memory.
Road Guide Function
Displays local maps and identify your location using GPS. Drive Route
Assist will assist your drive by displaying routes to the
destination.
Operator Assisted Function
An operator will help the driver when in an emergency. It will have
the function to call local dealers, road services, etc. With an
optional service--Compass Link Light--the operator will act on your
behalf and obtain information and destination search through CARWINGS
Information Center.
Vehicle Information Display Function
Providing you with fuel efficiency information such as instant and
average fuel efficiency, potential range, and information on driving
time, distance, and average speed.
January 26, 2002 LGE Multi-Format Music Player
LG Electronics (LGE) has developed a new portable music player that can be used with multiple digital audio formats in addition to the popular but controversial MP3.
LG Electronics' multiple-format digital music player
The company said its new device can play tracks encoded in Advanced Music Coding (AAC) and Windows Media Audio (WMA) formats, which are emerging as alternatives to MP3.
It will be released in Europe and the United States next month, and in Korea in September.
AAC, a 1997 standard for audio compression set by MPEG Group, offers a compression rate more than 30 percent higher than that of MP3, while Microsoft's WMA offers better sound quality and higher storage capacity than MP3.
LGE's new player is installed with technology that prevents illegal copying and uses a chip that speeds up transmission of music files. {cksla-read TI DSP}
Global demand for digital music players is estimated to reach 8.2 million units this year, a 54 percent growth from last year, with domestic demand totaling 300,000.
The new model is aimed at responding to the increasingly diversified digital music market, in which MP3 is losing its prevalence, the company said.
The company expects to sell 400,000 units at home and abroad by releasing five new models this year, including a hybrid music player and digital camera due out next month
GG Kaiser is NOT listed on DataPlay's website as a partner, BUT
GG Kaiser- future DataPlay DAP
note plans for 2002--multi-format DAP w/ optical disc [500mb]
http://www.ggkaiser.com/en/futuredp.html
and of course GG KAISER loves its TI dsp
tinroad/moxa
will the samsung DP player be a McDonalds monopoly prize next summer? stay tuned....
http://www.cheril.com/mcdonald/gadgets_electronics.htm.
Music fans pan subscription services
By Reuters
December 21, 2001, 9:55 a.m. PT
LONDON--Napster is grounded, digital music downloads are going "legit," and yet college students and corporate desk drones continue to get busted swapping songs on the Internet's gray market.
This is bad news for the major music labels. They launched subscription download services MusicNet and Pressplay this month in an effort to combat the rise of music piracy on the Internet, which the labels claim is eating into CD sales.
These subscription services have had a lackluster debut as music fans and product reviewers contend they are an inferior alternative to the illegal sites, which of course are free and have more music variety and features.
"The music industry is vulnerable. It's still so easy to download this stuff," said Jon Fowler, director of marketing at NetPD, a London-based company that gained notoriety last year for helping rock band Metallica identify thousands of Napster users who were downloading the band's songs from the file-swapping service in violation of copyright laws.
Fowler said the introduction of MusicNet and Pressplay has had no noticeable affect on the rate of online music piracy.
The figures from Download.com support his observation. Music fans are downloading rogue software that allows people to swap music files through online services Kazaa, Morpheus MusicCity and Audiogalaxy, to name a few, at a clip of more than three million per week. Download.com is a division of CNET Networks, which publishes News.com.
In contrast, Real Networks' RealOne media player--the software associated with MusicNet--was downloaded 7,506 times during the past week, according to Download.com.
MusicNet, the digital service backed by Warner Music Group, a unit of AOL Time Warner, Bertelsmann's BMG Entertainment and EMI Recorded Music, launched Dec 4. Pressplay, a joint venture between Sony and Vivendi Universal, launched Wednesday.
"There's no demand for it," Fowler said of the services. "The volume of file-sharing is much greater now that when Napster was alone."
Reviewers have criticized Pressplay and MusicNet for offering fewer songs and fewer features than the illegal services. Furthermore, the services won't be available to consumers outside the United States for months.
Music fans have been blunt on Internet message boards, too. For MusicNet, the most common complaint on the message boards is that would-be customers cannot view the music library until after they've paid the $9.95 monthly subscription.
MusicNet also does not permit the download of tracks to a portable MP3 player or to be burned on a CD, a feature that rival Pressplay includes.
"Pay 10 to 20 bucks for music that you CANNOT listen to in your portable MP3 player or burn to CD and have the music vaporize once you terminate your subscription," reads one UseNet message about MusicNet. "Is the music consumer that stupid?"
MusicNet could not be immediately reached for comment.
Web surfers also have taken Pressplay to task. A parody site takes a jab at Pressplay's decision to limit the number of songs that can be burned onto a CD and thus played on a portable music player. The site carries the fictitious disclaimer: "You many not use this service unless your computer weighs over 180 lbs and is classified as a tethered, non-portable device."
A representative for Pressplay in New York said future versions of Pressplay may be more flexible with portable downloads.
"It's a new consumer proposition. It's not going to make everybody happy out of the gate," the representative said.
MusicNet and Pressplay executives are optimistic there is a market for their services, particularly as their songs libraries expand and features improve. They also say some music fans are wary of downloading files from unauthorized file-swapping sources as they may contain computer viruses, a common concern discussed in Internet discussion groups.
But breaking the "all-you-can-eat-for-free" habit first popularized by Napster, and now satisfied by next-generation file-swapping sites, will be difficult to overcome, experts say.
"I don't think anyone can sell music downloads over the Internet until the commercial services are better or the free services are gone," said Bruce Ward, co-founder of NetPD.
NetPD is keenly aware of online piracy activities. It scours the Internet and tracks people who swap copyrighted material belonging to its clients, which include the Recording Industry Association of America, Sony Music Entertainment and artists such as George Michael and Paul Simon.
In addition, the company said it recently landed work from Hollywood studios and computer game publishers.
In a sweep last month, a NetPD report revealed that 2.5 million copyrighted and generic files traded hands in a six-minute period, a typical tally. Among the hundreds of songs swapped, hip-hop/R&B artist Alicia Keys chart-topping hit "Fallin" was traded the most--1,883 times.
Over the past two years, NetPD has notified hundreds of commercial Internet service providers and private networks operated by universities and corporations that their users were guilty of copyright offences.
"I don't know anybody who hasn't downloaded copyrighted material off the Internet, excluding my parents and grandparents, maybe," said Ward.
FOOL ON THE HILL Music Subscription Sites Off-Key
Industry-backed Internet music subscription sites are finally beginning to pop up, but offer little for the music lover. With many hurdles to clear before they even reach acceptability, they may never be able to compete with existing free services. Ironically, former enemy Napster may be the music industry's best hope to beat the free sites.
By Rex Moore (TMF Orangeblood)
December 20, 2001
Alas, poor Napster, we knew ye well. And we may know ye even weller sometime in the future because, in a delightful twist of fate, you may represent the music industry's best hope of pulling off the near-impossible task of getting folks to actually pay to download tunes.
In its heyday, Napster was a wild free-for-all, a sort of eclectic online Woodstock with millions of users swapping millions of songs. Of course, it was also illegal, as the vast majority of the songs swapped -- or replicated, more accurately -- were copyrighted. Their duplication and/or redistribution were strictly prohibited, even with the express written consent of the commissioner of baseball.
And so it was that the music industry battled Napster in court, and finally prevailed. Napster collapsed into a shell of its former self and finally closed its doors in June, but promised to re-open as a legal site as soon as it was feasible.
Since then, the "Big Five" players in the industry have been working on ways to monetize the voracious online music appetite whetted by Napster. Sony (NYSE: SNE) and Vivendi Universal (NYSE: V) have teamed up to form pressplay, and AOL Time Warner (NYSE: AOL), BMG, and EMI have created MusicNet. (Smartly, EMI is licensing its music catalogue to both services, and also has an agreement with Napster.)
But new services that have recently launched clearly demonstrate the failings in the music industry's plans. For example, RealNetwork's (Nasdaq: RNWK) RealOne is powered by the MusicNet service and costs $9.95 per month. Subscribers are limited monthly to 100 music downloads and 100 "streams," a way of listening to a song without downloading it.
So far, not so bad. But it's downhill from there. Users will only have access to their songs for a month, and will have to renew to continue listening to them. Also, non-U.S. customers need not apply, because, according to Britain's Guardian Limited, foreign music rights have not even been negotiated.
But here's the killer: The available library is woefully limited, and the songs can't be transferred to portable MP3 players or "burned" onto CDs. Without those two features, no music service will survive. RealOne, and other new services like Listen.com's Rhapsody, hope to improve in these two areas, but it's doubtful they'll ever improve enough.
Let's look at these two crucial issues separately:
Availability
With Napster, users could download nearly any song imaginable, no matter who the artist was or which record label controlled it. Industry-backed services like MusicNet however, are only licensed to feature artists from three of the Big Five labels, and no independent labels. Additionally, the majors have dragged their feet in licensing their content to independent startups that would compete with their own services, and that has drawn some antitrust scrutiny from the U.S. Justice Department.
Indeed, the two Big Five joint services are being questioned by legal experts. "I'm really confused as to why the plaintiffs came upon this way of getting together in a joint venture," Federal Judge Marilyn Hall Patel said in November during the Napster proceedings. "Even if it passes antitrust analysis, it looks bad, sounds bad, smells bad." Quack.
Bottom line here: What are the odds the five major labels will, in a timely manner (i.e., before several sites have to shut down from losing money), fairly and equitably license their music not only to each other but to competitive independent services as well? Slim just left town, podnah.
Portability
Napster users could, of course, transfer any song they downloaded to their portable MP3 players, or burn them onto CDs. Portability is a crucial issue, because there just aren't that many people who want to be tied to their computers in order to listen to music.
The issue here isn't a technical one; any service could offer MP3 files. But the major labels are rightly worried about files that can be replicated and passed on to non-paying users, and are hesitant to allow portability in their licensing agreements.
Bottom line here: There's really nothing they can do about that anyway, and the majors are going to have to give in eventually. Songs from store-bought CDs can be copied, and so can MP3s. I would give this issue a greater chance of being resolved than the portability problem.
No matter what happens with all of the problems facing the pay sites, however, there is one more huge issue out there. Even as Napster was in its death throes, dozens of alternate free sites were popping up. These services, which are more decentralized than Napster and harder to regulate, are an adequate Napster replacement. A recent New York Times article reported that one service, Amsterdam-based Fast Track, already has more users than Napster did at its peak.
It would be a true nightmare for the record industry to attempt to shut down all these services. Even if they succeed, what would they do about a service operating from a "rogue" country that doesn't heed international copyright law?
All these hurdles are, I believe, too much for the record industry to overcome. The first attempts -- RealOne and Rhapsody -- to play by industry-imposed rules are laughable, and the billions in revenue the major players were envisioning will never materialize if they continue down this road.
Ironically, the answer was in front of them months ago. In February, Napster offered to settle the litigation by paying out $1 billion in fees over five years to the industry: $150 million a year to the Big Five and $50 million annually to the independent labels. Maybe that figure wasn't enough, but at least it was a start. The industry turned them down cold, however, as visions of billions, their own billions, danced in their heads.
Even though it's been shut down for months, Napster is still a powerful name among music lovers. When it re-starts its service early next year, its brand will likely deteriorate if it charges for a limited selection of tunes that can't be downloaded to portable players. The record industry would do well to re-open negotiations with its former adversary in an attempt to offer the public the "old" Napster, with a virtually unlimited selection and unlimited downloads. Most of the old crowd, which was once over 50 million strong, would happily plunk down $10 a month for that.
Now is the time to strike, before the power of the Napster brand fades away or is destroyed by a half-rate service, and before music lovers settle permanently for any of the many free sites available.
Rex Moore rates Jewel's Oh Holy Night among the best Christmas songs ever.... near perfect. At the time of publication he held no companies mentioned in this article. The Fool's disclosure policy is a real page-turner.
Cadillac backs out of car 'infotainment' system
By Charles J. Murray
EE Times
(08/10/01, 4:33 p.m. EST)
YPSILANTI, Mich. — After more than 30 months of technical struggles, Cadillac has pulled the plug on its much-publicized Cadillac Infotainment System and has instead chosen to use General Motors' wireless OnStar service for Internet access and e-mail capabilities.
The move, revealed quietly by the automaker, raises questions about the shape of future infotainment systems and the need for Internet access in automobiles.
Some observers theorized that GM had tried to pack too much functionality into its system and thus fell victim to latency problems that caused its dashboard display to operate sluggishly. Many industry engineers, however, believe that the giant automaker may have simply underestimated the difficulty of bringing PC-like features to a car.
"The lesson here is to keep your mouth shut until you're really ready," said a telematics engineer with a competing company. "Transferring technology from the consumer electronics world to the automotive industry is very, very difficult."
Cadillac stressed that it is not abandoning its plan to bring navigation, e-mail and Internet capabilities to its product line; rather, it is changing the shape of its delivery mechanism. Instead of an all-encompassing system with a single dashboard-based display, the luxury-automotive division will offer a new DVD-based product that will help drivers with navigation, while OnStar's Virtual Advisor, which uses no visual display, will provide Internet and e-mail capabilities for those who want them.
The new configuration simplifies engineering by employing a so-called thin-client model, in which some features are served by off-board computing power.
By separating the two, Cadillac believes it has reduced its risks. "Until we are comfortable that the engineers have resolved all the issues, we're not going to bring out the Infotainment System," said Mark Clawson, assistant brand manager for Cadillac's DeVille. "We have too much at stake. Even if we satisfy 50 percent of the people, we don't want to bring out a product that has the potential to alienate customers."
Chill of uncertainty
Cadillac's decision to back away from its system throws a chill of uncertainty over the budding automotive telematics industry. In April 2000, GM's luxury-car division announced that it would be the first to place an automotive PC in a production car, and it demonstrated the Cadillac Infotainment System for industry analysts and media in a special preview in Colorado Springs, Colo. At the time, the company said it would roll out the system in September 2000 in the Cadillac Seville and DeVille models.
GM initially said that the system was the result of a 19-month corporate effort involving more than 60 engineers. The automaker's engineers worked closely on it with counterparts from Delphi Automotive Systems (Troy, Mich.), who did much of the hardware engineering, and Microsoft Corp. (Redmond, Wash.), which provided its Windows CE operating system.
When Cadillac rolled out its 2001 models last year, however, the Infotainment System was unavailable. The GM division announced it would delay the product's release "until sometime in 2001." At a recent GM product preview, however, company representatives said the concept has been shelved indefinitely.
GM engineers now admit that the system wasn't yet ready for production 15 months ago, mainly because it was plagued by minor "operating latencies" that caused the dashboard display to lag slightly behind actual system operations. Display refresh times were said to be measured in milliseconds, when they should have been measured in microseconds. Engineers from GM, Delphi and Microsoft subsequently embarked on an effort to fix the sluggishness, which they feared would alienate automotive customers.
Engineers now attribute the problem to many sources, including the microprocessor, the operating system and a proliferation of software applications.
"We were using a microprocessor that isn't very fast," said Reza Aghamoali, infotainment engineer for GM at its Great Lake Technology Center (Flint, Mich.). "There was a noticeable delay time when you went from activity to activity."
The system, designed by Delphi Automotive, used a Hitachi HS3 microprocessor. Engineers said they couldn't have redeployed a faster microprocessor, such as the HS4, because they were already too deep into the development cycle.
Some engineers familiar with the project, however, claim that the real sticking point was the Windows CE operating system. The design team is believed to have employed Windows CE version 2.11 or 2.12. Both versions lack the real-time capabilities of the more recent version 3.0. Still, some engineers believe that any version of CE would have been problematic.
"When you come right down to it, the problem was the operating system," said an engineer who asked not to be named. "I don't care if Windows CE has been updated; it would still be a problem."
But engineers from GM, Microsoft and Delphi all said the latency issue has since been resolved, and some were baffled by Cadillac's reticence to use its Infotainment System.
"The Windows CE implementation has passed all of the [quality assurance] and technical tests that were set forth by Delphi on the basis of GM's requirements," said Ed Lansinger, a product manager for Microsoft's Embedded & Appliance Platforms Group. "There is no Windows CE-related software reason for the system's not coming to market."
Delphi Automotive also said it plans to keep using Windows CE in its automotive infotainment products.
GM's technical teams, which did much of the development work for Cadillac, said that they continue to keep the Infotainment product in the company's "technical portfolio," which means that it could still be used by Buick, Oldsmobile, Chevrolet, Pontiac, Saturn or any other vehicle division of GM.
Some engineers believe that Cadillac is being particularly careful because it has a very demanding customer base. "If they didn't bring out the product as promised, that's only because they were being protective of that Infotainment brand pillar," said one engineer.
Indeed, Cadillac executives said they plan to introduce a vehicle information product with a dashboard display when they roll out the Cadillac CTS this fall. The CTS, which succeeds the Cadillac Catera, is aimed at a younger audience than the DeVille or Seville. Still, Cadillac executives said the company has no plans to move the Cadillac Infotainment System to the CTS.
Cadillac also recently announced that it will offer customers an optional, DVD-based navigation system with a dashboard-based touchscreen. The DVD system, which holds all of the navigational information for the entire United States on a single DVD disk, replaces trunk-based systems that used a stack of as many as nine CDs. The system also lets drivers play DVD movies while the car is in park.
Meanwhile, Cadillac will offer Internet and e-mail capabilities to its customers through OnStar's Virtual Advisor, a service that enables drivers to access stock quotes, sports scores, news headlines, weather and e-mail through cellular phones and voice-recognition systems.
Question of demand
The move raises questions about whether GM is leaning toward so-called "thin-client" technology, in which off-board power is used to process compute-intensive voice recognition and Internet data. Virtual Advisor, for example, can employ gigabytes of off-board server storage and higher-speed microprocessors.
But Delphi executives said they don't believe the Cadillac decision reflects a preference for either thin- or thick-client technology. "There's no 'one-size-fits-all' mentality," said Robert Schumacher, general director of mobile multimedia for Delphi Automotive.
Some industry analysts believe technology questions may ultimately have had little to do with Cadillac's decision. "They might be realizing that consumer demand for these kinds of products isn't as great as they thought," said Thilo Koslowski, lead automotive analyst for GartnerG2 (San Jose, Calif.).
==============================================
IMHO, i think this was the "intel project" that Falk had said edig had completed its work at the 11/00 SHM and which FF and RP kept saying during 2000 that they thought we would hear intel news by the end of the year. In April 2000, it was a "go" but then pulled at the last minute in December 2000. Currently on indefinite hiatus. Delphi and IBM were major players; while MSFT and Intel were generally not mentioned in articles on the system, i believe they were involved as well; note MSFT mention in this article
The Eclipse by Fujitsu Ten automotive product (MP-3 Changer) introduced at CES represents the first automotive system incorporating e.Digital’s MicroOS and VoiceNavTM technologies. In addition to the design shown at the Eclipse by Fujitsu Ten booth, e.Digital demonstrated an advanced prototype of the product utilizing a beta version of its MicroOS 3.0 which enables music files to be remotely transferred from a PC to the player via 802.11 wireless protocol.
The Eclipse by Fujitsu Ten product is the first of several major opportunities for our technology to be included in next-generation automotive infotainment systems. Infotainment systems are part of the automotive telematics market, which is expected to be worth over $1.1 billion in 2002, and projected to grow 16-fold by 2006. (Telematics Research Group). There is significant interest among several automotive electronics manufacturers and suppliers in e.Digital’s digital data management and wireless infotainment solutions. [e.digital-1/16/02]
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DELPHI AUTOMOTIVE SYSTEMS
Infotainment PC with Wireless Connection
Description
A Communiport Infotainment PC equipped with a
wireless LAN allows fast, wireless connectivity between
your vehicle and home PC. Embedded in the vehicle’s
radio, the wireless transceiver transmits data over
distances up to 100 meters, about 1000 times faster
than most cell phone data rates. Music, images and
other information can be automatically exchanged
between the Infotainment PC and the home PC based
on a user profile or under direct user control. The user
profile automatically synchronizes home computer
presets and audio files with the car, allowing time-shifted
worldwide web radio broadcasts to be enjoyed.{write behind capability?} MP3 file downloads can also be directly controlled by users, allowing them to listen to their favorite music on their Infotainment PC. Additional features can be made
available with a wireless network connection to an office or service center.
Features
• IEEE 802.11b wireless network connection
- 11 Mbps data rate
• Maximum range of 100 meters
• Standard networking protocols
• Management of Infotainment PC files from home PC
• Internet audio content and presets
• Download of MP3 files
Consumer Benefits
• Ability to drag and drop MP3 files to the vehicle from the
home PC
• Automatic daily downloads of user’s favorite web audio
• Download of free movies for patronage at gas stations or
shopping malls
• Weather, maps and local information downloads
• Wireless vehicle diagnostics
IBM Extends Reach in Speech Recognition
By Robyn Weisman
www.NewsFactor.com,
Part of the NewsFactor Network
January 31, 2002
IBM (NYSE: IBM) has announced the release of the latest offering from its speech recognition technology division, IBM Voice Server for Transcription.
Toby Maners, segment manager of IBM's voice dictation products, told NewsFactor that a dearth of transcribers, particularly those fluent in medical and legal jargon, makes the new technology appealing to both transcription services and end users because of the flexibility it can offer.
Maners said the technology can handle dictation from a variety of devices, including telephones, USB microphones like those included with IBM's ViaVoice desktop software, and mobile devices such as digital recorders.
Both the medical and legal fields rely heavily on transcription to meet their workflow demands, and IBM said it plans to market the new technology aggressively to those sectors. In fact, the company timed its announcement to coincide with the start of the Healthcare Information Management Systems Conference in Atlanta, Georgia, this week and with Legal Tech, to be held next week in New York City.
Transcription Sea Change
Jupiter client technologies analyst Billy Pidgeon welcomed what IBM has described as part of its WebSphere family of infrastructure software.
"Transcription via speech recognition fills a real need in mobile cross-platform computing," Pidgeon told NewsFactor. "This extension of ViaVoice will improve accessibility and enable input from multiple devices across the network."
"While adding voice to the computing environment is very important, and linking voice commands to Web applications is inevitable, the question is in the quality of the accurate translation of voice to text," Gartner research director Bill Gassman told NewsFactor. "Users, especially doctors, will not adopt the technology if it doesn't pass their own tests for ease of use and accuracy.
"IBM is bold to address the financial and medical fields with their technology," Gassman added. "If it works there, it will quickly lead to broader adoption."
Maners said that in her experience, information transcribed into the server is about 85 percent accurate. The server then forwards both its uncorrected transcription and the audio file to the transcriber.
"The transcriber's job then becomes one of correction and formatting," Maners said. "As a result, they become more productive, and companies [employing them] become more productive as they add additional services."
The Perfect Prescription?
According to Maners, the new WebSphere Voice Server comes with a base vocabulary of 160,000 words and, depending on storage space, can handle a maximum of 500,000 to 1 million words. It also comes with an option to add specialized medical and legal vocabularies.
In addition, the technology comes with what IBM calls "The Topic Factory," a tool that lets software developers create vocabularies that cater to the needs of targeted end users.
Medical products provider MD Productivity, an early adopter of IBM's Voice Server, said that by incorporating voice technology into its MD One transcription product, the company can make better use of its limited pool of transcribers while enabling its physician clients to work more productively.
"With MD One, physicians do not have to learn anything new or change their habits," MD Productivity CEO Newt Hamlin said. "They simply dictate as they have for the past 20 years, [and] our technology takes care of everything else."
Developer Tools
Maners noted that Voice Server's target customer is primarily a developer working for a solutions provider or, more specifically, a transcription service provider who either writes an application that incorporates the Voice Server technology or embeds the technology into an existing application.
"Customers who use a transcription service don't really [need to] know what happens behind the scenes," Maners said. "All they know is that when they submit audio files, what comes out on the other side is formatted text."
Good Idea
Yankee Group analyst Aurica Yen told NewsFactor that IBM's announcement is not surprising because the company is currently the only player in the speech technology space with the ability to offer such a product.
At the same time, IBM's ViaVoice technology, on which Voice Server's technology is based, is a solid product that has been constantly improving.
"Intuitively, the first thing [IBM] would use it for would seem to be transcription," Yen said, adding that Voice Server's introduction should increase IBM's reach and revenue in the speech technology field.
Listen.com sings solo tune [burn the boats]
By John Borland
Staff Writer, CNET News.com
January 28, 2002, 1:45 PM PT
SAN FRANCISCO--Like a junkie pulling through rehab, Listen.com is glad to be alive.
Echoes of wilder days still ring through the company's hip, brick- and glass-walled offices here in San Francisco's once hot multimedia gulch. Black-and-white photos of snarling punk and new wave musicians still hang on the lobby wall. Music still floats through the air, and a trio of framed Fillmore concert posters hangs on the office walls of the company's 33-year-old chief executive.
But the dot-com blowout has clearly left its mark. Most of the local musicians who once dotted its payroll are gone, the victims of three rounds of layoffs; employees no longer gather around beer kegs for Friday night jam sessions; and sponsorships of local bands and concerts are history. In hushed halls that once pounded with live guitar riffs, the message comes through loud and clear: Listen.com is on the dot-com 12-step program.
"I told people, it's like Cortez saying the first thing you do when you get there is burn the boats," says CEO Sean Ryan, looking back on a year of painful transformation. "There's no going back."
Listen.com's forward march will help define a new industry. As one of the last start-ups standing in the once-crowded digital music business, the company is poised to carve out a role apart from the major recording labels that have quashed most of their competitors. Listen.com's success or failure will be a measure of the control wielded by the massive entertainment conglomerates online--and the room that remains for outsiders.
Not that there's space for many independents. Many of Listen.com's peers disappeared after their dreams of revolutionizing the music world vanished along with their venture funding. Most of those that haven't died are now owned by a technology giant or a major music label.
By contrast, Listen.com appears to have righted itself for the long haul. It has struck a string of deals with three of the five major record labels--including Sony Music Entertainment, which hadn't previously licensed its music to an independent service. Rhapsody, Listen.com's recently launched music subscription service, has won positive reviews from industry analysts in bake-offs with its primary competitors: music industry-backed services MusicNet and Pressplay.
Listen.com's path has been difficult and looks even rockier ahead. But the company's position indicates that independent digital music companies may still have a role to play online.
"They're facing the same challenges everyone else is: getting content and working to drive the word out to subscribers," said P.J. McNealy, research director with GartnerG2, a division of the Gartner research firm. "There will be room for a couple different players...but this race has barely started."
A game of musical chairs
Listen.com was conceived in late 1998, when music files began flowing onto the Net in volume but Napster hadn't yet made its appearance. In founder Rob Reid's mind, people needed a way to navigate the fragmented MP3 sites, much in the way that Yahoo provided a road map to the broader Web.
The company initially toyed with categorizing songs using some kind of technological recommendation engine, much like the one that helps Amazon.com recommend purchases similar to what a customer has previously bought. But they quickly decided that human ears, and the kind of uber-geeky music knowledge John Cusack and his co-workers displayed in the recent movie "High Fidelity," would be more satisfactory.
The company became a hybrid, hiring enough good engineers to create a Yahoo-like directory while scooping up dozens of San Francisco musicians and music writers to listen to, describe and write about virtually every band on the Web. They created a directory that broke music into micro-niches ranging from Blip, Bleep (also known as "Drill 'n' Bass") to the venerable polka, and divided the Web music world accordingly.
The company was successful in drawing financing, even capturing money from all five major recording labels, although this totaled less than 2 percent of the company's funds. It made a series of promising distribution deals with major portals including Yahoo, Excite.com and Lycos.com. The future looked good, even if profits weren't yet rolling in.
Then Napster arrived.
In the blink of an eye, the online music world was turned upside down. Where the Web had been a bewildering maze of music, it was now a one-stop, all-you-can-eat giveaway through Napster's file-swapping application. With practically any song imaginable at a listener's fingertips, Listen.com's justification for existence suddenly diminished, and the company's focus began to stray.
It wasn't immediately clear how big the problem was. Executives thought courts would shut down Napster quickly and that they could move on with their plans. Ryan tells of a white board in his company's headquarters that mapped out a post-Napster strategy--a diagram that maddeningly stayed on that board for a year or longer while the file-swapping company's popularity grew.
As the underground became mainstream, temptation rose. The company toyed with the idea of doing its own peer-to-peer service. Many in the music industry faced the same defining decision: Follow Napster toward member lists in the tens of millions--and risk crippling lawsuits--or stay low-profile and on the right side of the record companies?
We asked ourselves, "Do we need to be in this business? Are we being too white hat?" Ryan recalled. "Maybe copyright didn't matter."
Listen.com didn't go down that path, but it began experimenting. Watching Napster's rise, executives decided they needed to distribute music themselves instead of just pointing to others' sites. They bought WiredPlanet, a distressed Net radio station, and turned it into Listen Radio.
Internally, they created a demonstration of a "celestial jukebox" application, which would let people stream any song on demand. They took it to the major labels to see if they would participate in trials. The labels said no.
Listen.com tried to buy Napster-like file-swapping technology from bankrupt Scour in November 2001. But tiny CenterSpan Communications outbid them in bankruptcy court.
The picture began to clear a few months later, when Listen.com bought a little-known streaming media company called TuneTo. That company had technology that substantially decreased the amount of network bandwidth needed to stream music to personal computers. For the first time, a large-scale subscription service using streaming media started looking financially feasible, Ryan said.
By August, when executives were clear about their technology, they had made their decision: Rhapsody was the future.
Two rounds of layoffs earlier that year had helped stabilize the company without focusing it. But now virtually everyone in the company not directly related to Rhapsody was let go, from sales staff to most of the musicians and music writers who had staffed the music directory service.
For an online music start-up in a crumbling industry, it was a bold step. Listen.com wasn't bringing in a lot of cash, but it had spent several years building an advertising business and syndication deals for its music directory and online radio service.
In one swoop--and that painful third round of layoffs--the company cut off these few moneymaking sources. Though a risky gamble, that decision now appears to have bought the company a second life.
"When I was making the pitch to the board...part of me was thinking, 'Jesus, this segment is tough,'" Ryan said. "But we couldn't make the numbers work" otherwise.
In for the long play
Rhapsody is far from a sure bet. It launched late last month within days of similar services from Pressplay and MusicNet, each of which is owned by a consortium of major music labels. Those services also are distributed by Net giants such as America Online, Microsoft's MSN, Yahoo and RealNetworks, while Listen.com is still seeking partners.
None of the services has access to music from all five major recording labels, a step most analysts say is critical in convincing mainstream consumers to spend money. But with three now onboard, Listen.com rivals MusicNet and is catching up to Pressplay. Signing Sony Music last week, which had yet to license its catalog to any unaffiliated services, was something of a coup.
The services may also appeal to different people. MusicNet and Pressplay each offer a limited number of streamed and downloaded songs per month. Pressplay also offers a limited ability to burn songs to CD. Listen.com's Rhapsody offers unlimited use of songs but only through steaming media, requiring a listener to be connected to the Internet.
But it's in its early days. Analysts say digital music subscription revenue will be barely a blip on the industry's radar screen for years to come, reaching roughly $1 billion by 2006, according to Jupiter Media Metrix forecasts. Next year will be the first time such subscription services will have any appreciable revenue, reaching about $200 million, the research firm predicts.
Ryan says he's not betting on substantial revenue from Rhapsody at least until next year. His company can last on its accumulated cash for another few years, he says, giving it time to improve the service and find distribution partners.
In the meantime, the various subscription services are racing to put themselves in a position where consumers will see them once the market matures.
The major music labels' services already have an edge, with the Web's biggest names signed up. Independent competitor FullAudio, which also has been successful in signing deals with major music labels, has linked hands with radio giant Clear Channel for online distribution. Meanwhile, RioPort's PulseOne service, which will be the first to allow subscribers to move songs to portable MP3 players, will be carried by MTV and House of Blues, among others. PulseOne announced its first major licensing deal for portable devices with BMG on Monday.
At least initially, Listen.com is after different fruit. It sees Internet service providers, particularly broadband services, as its best distribution partners and doesn't plan to market directly to consumers. It's already signed on Speakeasy.net and is pitching Rhapsody as one of the best ways for ISPs to justify higher subscription fees for faster service to customers.
It's an idea that has been floating in the broadband world for some time. SBC Communications has even spent considerable time and money changing the way its DSL (digital subscriber line) network supports subscription services of exactly this kind.
"ISPs are looking for cheap and easy programming that's going to help them upgrade their customers to broadband," says Jupiter analyst Aram Sinnreich. Listen.com's "timing is good."
It's also an open question whether Listen.com stays independent in an environment where virtually every other prominent digital music firm has been snapped up by a larger company with designs on the digital music business.
Ryan says there are advantages to staying solo. MusicNet and Pressplay, for example, each have had a difficult time licensing music from labels that back just one of those services. Some potential distribution partners might prefer an independent music wholesaler to stepping into turf battles fought between the labels, he adds.
Thus, while he does take calls from potential suitors, Ryan says his company is likely to stay unaffiliated.
"We still see the space as a good space," Ryan said. "We're on an independent path."
MTV branded products appear to be popular:
MTV Karaoke Singing Machine
As seen on MTV the new Singing Machine! Plug into your stereo system or speaker system and your ready to sing with the stars. CD+Graphics karaoke system. Features a front-loading CD.
=========================The Singing Machine Company Third Quarter Net Income Triples to a Record $1.05 Per Share From $0.34 as Revenue Increases 146% to a Record $34.1 Million
Nine Month Net Is $1.56 Per Diluted Share Versus $0.69
COCONUT CREEK, Fla.--(BUSINESS WIRE)--Feb. 1, 2002-- The Singing Machine Company (AMEX:SMD - news) announced today that net income for the third quarter of fiscal 2002 ended December 31, 2001 nearly tripled to a record $5,976,000, or $1.05 per diluted share. This compares to net income of $1,730,131, or $0.34 per diluted share, for the third quarter of fiscal 2001. Sales of karaoke equipment and related audio software surged 146% to a record $34,159,000 from $13,864,000 a year earlier.
For the nine months ended December 31, 2001, net income increased 144% to a record $8,269,000, or $1.56 per diluted share. This compares to net income of $3,386,000, or $0.69 per diluted share, for the first nine months last year. Revenue increased 80% to a record $55,431,000 from $30,768,000 for the same period of fiscal 2001.
``Singing Machine had an outstanding Christmas season. Our MTV-branded products were particularly strong sellers. Demand for our karaoke products shows no signs of slowing down in the new year. Our customers responded enthusiastically to the new line of Singing Machine and MTV-branded products we introduced at last month's Consumer Electronics Show in Las Vegas, which feature innovative designs, MP3 and DVD compatibility, advanced voice synthesizers and more. This gives us a solid base of business for the new fiscal year, and we expect an equally strong response at Toy Fair in New York later this month,'' said John Klecha, president and chief operating officer.
Lisa Silfen, vice president of program enterprises at MTV, added, ``We were optimistic that the MTV karaoke machine would be a hot ticket item this holiday season. Sales exceeded even our high expectations. Singing Machine is a leader in the home karaoke market, and we look forward to growing this relationship.''
======================================
remember: Sanyo and Singing Machine have placed huge orders, totalled
US$ 43 million, with EASTECH, according to EASTECH's Chairman, Mr Tim.
Side skirmishes
Alongside the giant chip companies clashing to gain dominance over the processors inside digital devices, many other combatants are also campaigning to win pieces of the portable-device market.
For example, memory companies have not failed to notice the opportunity that portable products like cell phones represent. Japan-based Elpida Memory, for one, wants to push DRAM (dynamic RAM) as an adequate replacement for more expensive SRAM (static RAM) in portable devices.
"We are in intensive discussions right now with literally all the cell-phone manufacturers in the world," says Mike Despotes, president and CEO of Elpida's US operation. "We think DRAM is going to be more efficient than SRAM."
Elpida has already built a 128-megabit test chip that runs at 1.8 volts. The chip is going into a cell phone that will be sold in Japan in the second half of 2002, according to Akira Yabu, manager of technical marketing and engineering at Elpida USA.
Then there are the programmable-logic companies, principally Xilinx and Altera, which want to provide the chips that allow all the other chips talk to each other.
Today is a Friday, which is supposed to be a shutdown day at Xilinx—a compulsory employee vacation intended to cut costs and save the company from the layoffs that rippled through nearby companies last year. But occasional workers can be found at their desks among the darkened cubicles. Sandeep Vij, vice president of worldwide marketing, is one of them.
A Xilinx salesman in Asia has just sent him a cell phone that contains a Xilinx chip: the CoolRunner CPLD (complex programmable logic device). Vij opens the box and unfolds the phone, which is made by a company called Sky. It comes with an attachable digital-camera module, about half the size of a man's thumb.
Vij is not sure exactly what the CPLD does in this particular phone, but he speculates that it probably provides the camera interface. Programmable logic has traditionally been used as "glue logic," bits of circuitry that connect the various specialized chips. "When a manufacturer says their product can do this plus this plus this, Xilinx is literally the plus," Vij says.
This month, Xilinx is launching a new line of CoolRunner CPLDs. This latest version includes some changes to the technology that will make the CPLDs much more power- and cost-efficient as chip geometry continues to shrink.
In fact, as costs go down and power savings go up, Vij argues that there is no need for programmable logic to be limited to glue-logic functions. "We are building literally the equivalent of an electronic white board," he asserts. "We build a chip, and that chip can go into anything."
Moving mountains
Steven Fyffe, Contributing Editor -- 2/1/02
CommVerge
As Brian Halla walked the floor at the Comdex trade show last fall, he couldn't shake the feeling that something was missing. Sure, the cavernous Las Vegas Convention Center was packed with weary attendees, high-volume sales pitches, and ubiquitous banners displaying vaguely silly slogans such as "The technology you want." Still, the president and CEO of National Semiconductor felt that something was absent.
"You couldn't find a PC there," Halla observes, noting the irony that Comdex was originally created explicitly as a showcase for the personal computer. In other words, the PC was a no-show at its very own ball. Taking its place were legions of cell phones, PDAs, and other portable digital devices.
The change signifies a significant shift in the electronics industry—one Halla is far from alone in noticing. As the PC market stagnates, silicon companies recognize that convergence devices represent an enormous market for their chips. In fact, because of their sheer numbers, such gadgets symbolize an opportunity far larger than the PC market. And that fact has propelled Halla and his counterparts at other chip giants into action, each one dreaming of being the sole supplier for this massive market.
Will Strauss watches such trends with more than a passing interest. He runs a market research firm called Forward Concepts that specializes in tracking DSPs, the fast chips that are inside every cell phone in the world today. Ask him which chipmakers want to get their silicon into portable devices, and he replies: "All of them."
To understand why, look no further than the numbers. Last year was considered a disappointing one for cell-phone sales. Around 416 million cell phones were built, but only around 380 million were sold, Strauss says. Nevertheless, those numbers dwarf the roughly 125 million PCs that shipped. In 2006, cell-phone shipments will rise to 1 billion, and half of them will have built-in digital cameras, Strauss predicts.
"The amount of silicon in a PC is obviously more, but it shows you that the quantity we are taking about [in this market] is huge," Strauss says. Everyone wants to provide the "building blocks" for those multitudes of devices. However, Strauss warns, there isn't going to be room for everyone.
“The strategic value is how we marry hardware and software platforms, run applications and content. This is what will make winners and losers.”
Andrea Cuomo, STMicroelectronics
A brief survey of the market shows battles raging on many fronts. Intel wants not only to unseat the swaggering Texas Instruments from its position of dominance as the top DSP supplier to the cell-phone market but also to make its own platform the first choice for all types of wireless products. ARM is adding DSP capabilities to its processor blueprints, which might one day force traditional DSPs out of cell phones altogether. National Semiconductor is desperately trying to get more of its chips into all kinds of portable devices. STMicroelectronics is proclaiming a product roadmap of integrated hardware and software that covers all the bases for convergence product teams. And Motorola is asserting that when you're talking about wireless products, you want a partner that has proven experience.
Meanwhile, memory companies are developing low-power DRAM (dynamic RAM) they hope will replace expensive SRAM (static RAM) in the next generation of mobile devices. And the two leading makers of programmable-logic devices, Xilinx and Altera, are working on low-cost, low-power programmable devices that will keep all the different chips in these evolving systems talking to each other. (See the sidebar, "Side skirmishes.")
Analog man
National's Halla takes heart from the change he saw at Comdex. The manufacturers of all those cell phones, PDAs, and other devices, he notes, were differentiating their wares with better displays and better audio. "Comdex has become an analog show," he says. Of course, he would say that; his company has deep roots in analog chips.
Sitting at a conference table in Santa Clara, CA, where he presides over National's billion-dollar chip business, Halla stops spinning in his swivel chair for a moment to explain the counterintuitive nature of the analog business. The more digital appliances become, and the more multimedia services—such as video and music—that they offer, the more analog circuitry they need.
"There is much more analog circuitry inside a DVD player than a VCR," he says. "There is much more analog inside a high-definition TV than there is inside the old analog set. There is more analog inside a phone running in GSM mode than there ever was in an analog phone." All that adds up to a growing opportunity for National. "About 50 percent of the circuitry in a PDA is analog, compared to 10 percent in a PC, because all a PC is worried about is ones and zeros," Halla says.
Even though demand is growing for analog parts, Halla worries about the threat from Texas Instruments. TI offers not only its popular DSPs, which can be found in about 58 percent of the cell phones on the market, but also a deep catalog of analog components. That makes the company a one-stop shop for makers of cell phones and other devices.
“Within a couple of years, half of everything we do is going to be wireless. It will be half of our revenues.”
Brian Halla, National Semiconductor
"They have got a death grip on cell phones with their DSP and ARM-based architecture," Halla says. "Our analog and TI's DSPs either coexist, or TI, as a mixed-signal company, could gobble our analog into their DSP."
Suddenly, Halla pops up from his chair. "I have to show you something," he says. When he comes back from the office next door, he is holding a small box, from which he pulls a tiny pink- and cream-colored cell phone.
"We handed this phone to Ericsson and said, 'There is your new phone,'" Halla boasts. He goes on to explain that National initially had trouble getting Ericsson interested in building a phone based on National's chipsets. So Halla decided to go ahead and make them one himself. That meant finding a software company and a plastic factory willing to go along with the scheme.
The gamble seems to have paid off. "This is Ericsson's new volume runner," Halla says. "It is the smallest and lightest handset ever. The only thing Ericsson had to do was put a sticker on the back that says 'Ericsson/Sony.'"
Halla has high hopes for the phone, which is designed for next-generation 3G cellular networks. "We have $1.50 worth of silicon in that phone," Halla says pointing to a current Nokia handset lying on the circular conference table. "We have $20 in this phone," he says, waving the Ericsson model.
“Today, we are the only wireless semiconductor supplier that has wireless systems expertise. No one else can say that.”
Ed Valdez, Motorola
"Within a couple of years, half of everything we do is going to be wireless," he continues. "It will be half of our revenues," as compared to roughly a quarter today.
National is not the only company feeling the buzz. "There are just lots and lots of players here," says Jeff Bier, general manager of Berkeley Design Technology. "It is a big end market and everybody wants a piece of it."
Like Strauss's market research firm, Bier's company specializes in DSP analysis. Past the cubicles where his staff of about 12 engineers dissects set-top boxes and MP3 players, one finds a conference room. Inside there is a bookshelf full of thick, spring-bound volumes devoted to individual chips.
Pushy pushy
Bier stares off into space, as if looking into the future, and says there is a debate raging right now about whether the DSP will survive as the heart of the cell phone. Cell phones are built today using what is known as a dual-core approach. A DSP handles the communications, including modem functions and voice processing. Meanwhile, a general-purpose processor, typically a RISC (reduced instruction set computing) processor designed by ARM, handles the programs that run on the phone, such as user interface and control protocol stacks.
"As these two processors become more powerful, presumably either of them could take over the functions currently performed by the other," Bier says. "Is the ARM going to push out the DSP, or is the DSP going to push out the ARM?"
The cell phone is by no means the only battlefield on which this war is being fought. In fact, the evolution of the digital audio player provides a great example of how a general-purpose processor can replace a DSP, says Andy Murphy, a business development manager with ARM.
"If you look at what it takes to run an MP3 player, you see that it could be done just as effectively with an ARM-based chip," Murphy says. "Now, instead of being in a sole-source situation with TI, you have 20 suppliers all competing for your business, which drives cost down."
When ARM introduced its new v6 core at the Microprocessor Forum in San Jose last year, it featured some major changes that took over more DSP functions than ever.
Other companies, which sell processor blueprints—known as IP (intellectual property) cores in industry jargon—are blurring the line that used to separate DSPs from other processors. For example, Tensilica sells processor designs that "effectively span the gulf between what is DSP and what is RISC," says Chris Rowen, president and CEO.
“All of a sudden, these devices can be really productive tools for you and me. So you don’t have to lug your laptop around all the time.”
Vishwas Deshmane, Intel
"Overall, I think that IP will be a very healthy segment," he says. "People are increasingly looking at the processor as the basic building block."
In the future, cell-phone manufacturers will be able to decide between "a general-purpose processor with a DSP, or just a processor with discrete specific accelerators to handle specific applications," Murphy says. "I don't see a scenario where it is just a DSP."
Texas Instruments is keeping close tabs on ARM's expanding ambitions. TI was the lead partner on the development of the v6 core, says Stephan Bork, marketing manager for wireless terminals at Texas Instruments. He says DSPs will not be forced out of cell phones by ARM processors.
"That will not happen in the foreseeable future," he says. "Moving down 10 years, who knows, but right now it doesn't show any significant advantages."
Meanwhile, DSPs are expanding from their traditional role as communications processors and into a new task, running some of the multimedia programs that are suited to their high-speed operation.
"DSP technology is definitely branching out from the modem side into the application side, providing key advantages in applications like videoconferencing and video streaming," Bork says.
Other companies don't care which approach wins out. Software is going to be the defining factor, according to Andrea Cuomo, vice president of advanced system technology at STMicroelectronics.
"We have a strong roadmap on each of these components," Cuomo says. "We have a strong alliance with ARM, and we have a road map on DSP....The strategic value is how we marry hardware and software platforms, and run applications and content. This is what will make winners and losers."
The giant's awake
The name of one chipmaker in particular is virtually synonymous with the PC market. Now, with that market showing signs of a permanent slowdown, Intel is wholeheartedly embracing the wireless market.
"Intel has got more semiconductor factory capacity than any other company on earth," Strauss says. "If the PC growth long-term is slowing down, they are in trouble. So they are moving into the communications market. Well, what is the fastest growing communications market? Wireless."
Intel formed its Wireless Communications and Computing Group in late 1999. Home base is about halfway between San Francisco and the ski slopes of Lake Tahoe, in the satellite city of Folsom just outside Sacramento.
Intel has also established beachheads it refers to as "Wireless Competence Centers" in the strategic cities of Stockholm (the Scandinavian heart of the cell-phone industry), Tokyo (test market for 3G wireless networks), and Beijing (epicenter of what is now the world's single biggest cell-phone market). The group has about 2000 employees spread around the world.
Gene P Matter is the man responsible for Intel's Personal Internet Client Architecture (PCA). As principal engineer, it was his job to design the system that would lead Intel's charge into the wireless market.
Matter apologizes for his week-old beard (which actually looks remarkably neat), explaining that he's growing it for a part in a play where he's been cast as a bum. He adjusts his rounded glasses as he talks about his pet project.
"We are cross-platform, cross-network, cross-enterprise," Matter says. "You can run multiple operating systems; you don't have to use Symbian or Microsoft. [PCA] is not just tied to GSM. It works on 2.5G and 3G—wide-area networks and 802.11 [wireless LANs] and personal-area networks like Bluetooth."
Intel's PCA is a combination of a DSP core that Intel developed with Analog Devices (which Intel calls its Micro Signal Architecture), and an ARM core with special extensions (called StrongARM and XScale). "The implementations all use the same basic ingredients," Matter says.
Intel is also trying to change its image as a company that bullies its partners and customers. "We are trying to understand not just what we want, but what they want and figuring out what they need, even if they don't know it yet," Matter says.
In the ever power-conscious handheld world, PCA has a function called dynamic voltage management, which revs the processor up when needed and idles it when peak performance is not important. Intel is planning to put the whole package onto a single chip sometime in the future.
“DSP technology is definitely branching out from the modem side into the application side, providing key advantages in applications like videoconferencing and video streaming,”
Stephan Bork, Texas Instruments
Some competitors take Intel's promises with a grain of salt. "While Intel has something in development...TI already has an integrated piece of silicon that is shipping in volume today that integrates an application processor and a modem on a single piece of silicon," says Bork, referring to Texas Instruments' OMAP architecture for 3G cell phones.
And other companies, such as Motorola, which is now offering complete chipsets and reference designs to cell-phone makers, warn that Intel doesn't have the requisite experience to serve the wireless market. "Today, we are the only wireless semiconductor supplier that has wireless systems expertise," says Ed Valdez, director of marketing for Motorola's Wireless Communications Division. "No one else can say that. Not Intel, not TI, not Infineon."
But Intel has played at the periphery of the wireless market for a long time, as the biggest single supplier of flash memory to cell phones. In fact, more than half the world's cell phones have Intel flash inside, estimates Vishwas Deshmane, marketing manager for Intel's Wireless Communications and Computing Group.
Intel wants to enable an "ecosystem" of hardware and software developers to design products and programs for wireless products, Deshmane says. The company is encouraging programmers that today write applications for its Pentium chip to port them to its PCA. So in the future, a trimmed-down version of the email and spreadsheet programs you now use on your computer at work could be coming to a cell phone or PDA near you.
"All of a sudden, these devices can be really productive tools for you and me," Deshmane says. "So you don't have to lug your laptop around all the time."
Shake it
With all the different companies competing for space in the same portable products, a shakeout is inevitable, according to Strauss. Only two or maybe three companies have the manufacturing firepower to win the battle to become the heart of the cell phone of the future, or whatever kind of hybrid portable device takes its place. They are TI, Intel, and maybe Motorola, Strauss says.
"Intel is going to be one of the survivors," he says. "Intel knows we are going to be shipping a billion units in 2006. There are only two or three companies in the world that can meet those shipments, unless [the giant Taiwanese chipmaker-for-hire] TSMC changes its foundry status and decides it wants to be in the 3G business."
But there will still be room for more than a couple of major silicon suppliers at the periphery of the market, Bier wagers. "It is this big ecosystem with lots of niches," he says. "It is not as if you either have birds or you have mammals, and one wins. In our culture we try to boil everything down to winners and losers, but it is more complicated than that. You are going to have different kind of organisms thriving."
Micro vaults
Small hard disks get larger and larger
Maury Wright, Editor-in-Chief -- CommVerge, 1/16/02
The masters of magnetic storage continue to amaze in disk drives of all sizes. Desktop PC drives from many vendors easily top 100 Gbytes, but what’s going on at the miniature end of the market is more important for many mobile or portable convergence applications.
Toshiba, for instance has offered a family of 1.8-inch drives in 2- and 5-Gbyte capacities that, until Apple’s iPod arrived, had found use primarily as PC-Card drives for removable storage on notebook PCs. With devices like music players, digital cameras, PDAs, and wearable computers begging for more storage capacity, Toshiba is significantly raising the bar with new 10- and 20-Gbyte versions of the same drive. Smaller in footprint than a credit card, the MK1003GAL (10 Gbytes) and MK2003GAH (20 Gbytes) stand just 5 and 8 millimeters high, respectively.
These new higher capacities could boost the 1.8-inch form factor out of its current specialty niche. Until now, 1.8-inch disks couldn’t compete capacity-wise with 2.5-inch drives, yet they have cost more to build. Clearly, at 20 Gbytes, these new products can serve in notebooks aimed at users who are willing to pay a premium for small size and low weight. In the portable and mobile consumer-product space, the drives will battle IBM’s even smaller and lighter 1-inch Microdrive for market share. Today, the Microdrive stores as much as 1 Gbyte, but IBM has promised a 3-Gbyte model later this year.
Intertrust posts 4th qtr loss, to cut staff
31 Jan 2002, 4:26pm ET
E-mail or Print this story
- - - - -
SANTA CLARA, Calif., Jan 31 (Reuters) - Digital rights management software maker InterTrust Technologies Corp. (NASDAQ:ITRU) posted a wider net loss for the fourth quarter on Thursday and said it would cut 45 percent of its staff and retain a financial advisor to help consider its options.
Santa Clara, California-based InterTrust reported a net loss of $21.8 million, or 23 cents per share, compared with a net loss of $18.1 million or 21 cents per share, in the year-earlier period.
On a pro-forma basis excluding amortization and other charges, the company reported a loss of $10.9 million, or 12 cents per share. The average estimate of three brokers surveyed by Thomson Financial/First Call was for a loss of 11 cents per share.
The company also said it would cut 45 percent of its work force and that it has retained Allen & Co. as a financial advisor to advise it on "strategic alternatives."
Revenue in the quarter was $1.9 million, the same as the previous quarter and down from $2.9 million in the year-earlier period.
Copyright 2002, Reuters News Service
wm wallace- here is a specific reference between edig and rnwk and epac
Lucent Technologies ePAC music coder integrated into Preview Systems secure Internet music solution
FOR RELEASE MONDAY JANUARY 24, 2000
MIDDLETOWN, N.J. -- Lucent Technologies (NYSE: LU) announced today that Preview Systems, Inc. (NASDAQ: PRVW), a leading developer of Internet music distribution systems, has integrated the Lucent Enhanced Perceptual Audio Coder™ (ePAC™) into its solution for secure electronic music delivery. The combined solution enables music labels to encode their releases with ePAC, the highest-quality audio coder in the industry, and ensure secure distribution to Internet listeners.
The Preview Systems proprietary solution incorporates the tamper-resistant Intel Software Integrity System™, which bundles ePAC for audio encoding applications.
Preview Systems is the recommended technology provider for EMI Recorded Music, one of the world's largest recorded music publishers.
"The Preview Systems technology has been market-proven by some of the most experienced ears in the music industry. This solution ensures that artists' copyrights and audio fidelity are delivered intact to the consumer," said Joyce Eastman, director of audio initiatives for Lucent Technologies. "We are glad that ePAC has been chosen for the Preview Systems solution and look forward to making greater in-roads into the growing Internet music market."
"Highly secure electronic content protection is required to offer the work of top, well-known artists for Internet music download. The highest sound quality is required to enjoy their music to the fullest extent," said Vincent Pluvinage, the CEO of Preview Systems. "Thanks to the exceptional technical expertise and credibility of Intel and Lucent, our digital goods e-commerce solution now incorporates technologies required for our customers to offer mainstream digital music for the enjoyment of many consumers."
Lucent's ePAC coder is interoperable with RealNetworks' G2 Player and has been licensed to e.Digital for its handheld Internet music device and to Lydstrom, Inc. for its Songbank home Internet stereo device. The ePAC coder will also be integrated into VedaLabs' music hardware platforms.
ePAC is based on the Lucent Perceptual Audio Coder™ (PAC™), the highest-quality digital audio codec in the industry.
ePAC is a new version of the Lucent Perceptual Audio Coder™ (PAC™) developed by Bell Labs, the research and development arm of Lucent Technologies. PAC is an audio compression algorithm with the highest-quality audio at the lowest bit rates. At 128 kilobits per second, ePAC offers CD-transparent stereo sound.
ePAC uses psychoacoustic modeling - that is, a representation of how humans hear sound - to compress music in a way that is not noticeable to the ear. Music is compressed at a rate of 11 to 1, thus reducing the transmission time/bandwidth and storage by the same ratio, while still retaining its fidelity.
Several recent improvements in ePAC have pushed its performance levels to new heights, including: ePAC's improved quantization and coding, allowing higher quality audio at lower bit rates, and ePAC's improved psychoacoustic modeling from Bell Labs research, which provides CD-transparent sound at 128 kbps.
ePAC's variable bit rates and superior audio quality allow the coder to be used in multiple bandwidth applications.
Lucent Technologies' famed research and development arm, Bell Labs, has been at the forefront of technology for the music industry for decades, with the introduction of sound for motion pictures in 1926; the invention of stereo recording in 1933; the invention of the transistor in 1947; the introduction of computer-synthesized music in the 1950s; the introduction of psychoacoustics in the 1960s; sub-band coding of audio in the 1970s; the introduction of linear predictive coding in the 1980s, and the Perceptual Audio Coder in the 1990s.
Preview Systems' technology solutions enable global e-commerce networks for electronically distributing and licensing digital goods. Its systems provide an internet-based infrastructure to connect publishers of software, music and other digital products, simultaneously to any of their distribution channels. Distribution rights, branding, licensing transactions and reports, worldwide eletronic fulfillment to end-users and control of their usage rights are securely managed in real-time. Dr. Pluvinage began his career researching sound processing techniques at Bell Laboratories, the research and development arm for Lucent Technologies. Preview is publicly traded on Nasdaq under the symbol PRVW.
Lucent Technologies, headquartered in Murray Hill, N.J., designs, builds and delivers a wide range of public and private networks, communications systems and software, data networking systems, business telephone systems and microelectronic components. Bell Labs is the research and development arm for the company. For more information on Lucent Technologies, visit the company's Web site at http://www.lucent.com.
wm wallace- re edig + rnwk-- that 10q reference I believe relates way back to e.digital's compatibility with rnwk's G2 streaming media player and real jukebox
* RealNetworks launches Jukebox
CNET News.com, 3/5/98 - RealNetworks today introduced a new digital music
architecture and a new device for downloading music in MP3 and other digital
music formats.
RealSystem MP, based on the company's RealSystem G2 streaming media player,
is an open digital music platform providing the music industry and consumers
with a secure and convenient method for recording, playing, organizing, and
acquiring music from the Internet, the company said.
As reported earlier, RealJukebox, also announced today, is a client-side
application that converts, or "rips," compact discs and translates them into
a digital file format, the company said. The product also automatically
enters information such as song title and artist into a manageable database
for music downloaded from the Internet or CDs.
The beta release of RealJukebox is available for a free download from its
Web site.
Jukebox is being launched in response to the explosive growth of MP3 (MPEG
1, Audio Layer 3), a compression format that allows for easy downloading of
music files onto a PC hard drive or portable MP3 player. Although the format
itself is legal, it lacks copyright protections, and the music industry has
cracked down on sites offering illegally copied music. But thousands of
amateur artists and several high-profile professionals have embraced the
technology to distribute their music on the Net.
By default, the RealNetworks software will not allow users to send
unauthorized copies of recorded music online, but it would be easy for users
to change that setting, said Dave Richards, vice president of RealNetworks'
consumer products division.
He said the company fully supports the Secure Digital Music Initiative, the
music industry's attempt to protect copyrighted material on the Net, and he
said future versions of the software will add digital "watermarks" to
copies.
"We're very focused on maintaining the rights of copyright holders,"
Richards told Reuters. "We know that's necessary to move the business
forward."
The company says RealSystem MP is a simple way to create and manage a
personal music library on a PC with high-quality digital audio. For content
providers, RealSystem MP helps to protect against unauthorized use or
reproduction of copyrighted materials. For hardware and software developers,
RealSystem MP music platform can be used to enhance RealJukebox
functionality.
RealSystem MP provides a set of software interfaces that enables integration
with a range of Internet services, the company said. At the heart of
RealSystem MP is the music database and a powerful set of interfaces that
allow for a wide range of products, services, and hardware devices to be
easily supported.
Although MP3 is considered by many to already be a de facto standard for
music downloads, RealNetworks' user base of roughly 60 million will give
MP3--and online music delivery in general--a significant boost. Analysts
have said that music downloads must be simple and readily available to the
mass market before the Net will become a viable medium for music delivery,
and RealNetworks is clearly aiming to bridge that gap.
"It's a foot in the direction of moving the consumer toward future music
products that won't be delivered on a piece of plastic," Mark Hardie, senior
analyst at Forrester Research, told Reuters.
"The Jukebox has the potential to do to digital audio what Windows did for
DOS-based computing," Jae Kim of Paul Kagan Associates told Reuters. "It
creates a more intuitive, user-friendly system of management."
Today's announcements come in the wake of Yahoo's proposed acquisition of
Broadcast.com, which brought the strategy of RealNetworks and other
Webcasters into the spotlight. In addition to keeping up with the MP3 craze,
Jukebox is Real's latest effort to compete in the Internet audio space.
Microsoft, which is struggling to chip away at Real's 85 percent market
share in streaming media, earlier this month released an updated version of
its Windows Media Technologies.
RealNetworks said more than 50 companies have announced support for the new
device and architecture, including Amazon.com, MP3.com, MusicSpot.com,
Gateway, and Intel.
* RealNetworks Unveils Web Download Player
NEW YORK (Reuters, 4/5/99) — In a move that speeds the pace of the emerging
market for distributing music over the Web, RealNetworks Inc. Monday
launched a new platform for downloading and managing digital recorded music.
RealNetworks, the Seattle-based Internet media powerhouse, unveiled
RealJukebox, a free digital music software product that allows users to
retrieve CD-quality music from the Web and save it on a PC for consumption
at any time.
Enthusiasts can also record music from CDs they already own onto a PC's hard
drive, where the songs can be rearranged into a desirable order or exported
to a digital music player.
Rob Glaser, chief executive and chairman of RealNetworks, sees the software
package as a great step in music consumption because of its ease of use, low
cost and sound quality.
"We think RealJukebox...is the best way to experience music, bar none,'' he
said at a news conference in New York.
RealJukebox is available as an upgrade to RealAudio G2, which over 60
million registered users already have on their computers. As such, millions
of consumers will get access to easy-to-use music-compression technology
that, until now, has been limited largely to professionals and hobbyists.
Using the software, they can keep the music on a hard drive, or record or
"burn'' a disk on their own. G2 allowed users to consume only "streamed''
audio and video content once.
The new product is compatible with the three competing technology platforms
for compressing and downloading music, including AT&T Corp.'s a2b music,
Liquid Audio and the leading but controversial platform, MP3.
Using these platforms, Web surfers can download free songs, or preview tunes
from a favorite artist and then purchase a disk, delivered through the mail
or digitally.
Music industry leaders, in the form of the Secure Digital Music Initiative
(SEMI), are crafting a technology standard to ensure that royalties are
being paid for music delivered online. They hope to unveil the standard by
this year.
RealNetworks says it is committed to working with the music industry to
ensure their software is used only for making legal copies for personal or
promotional use.
Cristine Banfield, a Group Products manager with RealNetworks, noted that,
while the release of RealJukebox may jar the recording industry, the company
has kept the industry aware of the security features it will employ.
"Although they are probably nervous, they also respect the measures that we
have put into the product to help curb piracy,'' she said.
She noted that the software can easily be upgraded to include the SEMI
standard as soon as an agreement is reached.
Scores of retailing, hardware and Internet technology companies, including
Amazon.com Inc., Intel Corp. and upstart content provider MP3.com voiced
support for RealJukebox Monday.
Preliminary versions of RealJukebox are now available and the final version
of the product will be unveiled later this year. As with G2, an enhanced
version of RealJukebox, with higher quality sound and extra features, will
sell for about $29.
RioPort Sees 'Portability' Pacts With 5 Major Music Labels
By Dick Kelsey, Newsbytes
SAN JOSE, CALIFORNIA, U.S.A,
28 Jan 2002, 12:02 PM CST
In the first of what it promises will be a series of similar agreements, digital audio firm RioPort has sealed a music subscription deal with the major label BMG that will allow uploading of songs to portable devices, the companies said today.
Claiming to be the first to nail down a major-label music subscription license that includes portability, RioPort said it plans to launch the service – PulseOne – with the Bertelsmann-owned BMG by the end of March.
RioPort also expects to introduce subscription distribution agreements with the other four major recording companies in a matter of weeks, Jim Long, president and CEO of RioPort, told Newsbytes.
"It makes no sense to launch a user service that doesn't include portability," he said. "The agreement with Bertelsmann reflects what we think makes sense for consumers. A big part of that is portability, and we believe all the labels believe that as well."
The company is working out final details of agreements with the other labels, Long said.
The feature gives subscribers the power to transfer songs to portable players, cellular phones, set-top boxes, car stereos and other devices.
"We made a decision early on that we wouldn't launch our online subscription service until we had all of these critical components in place," Long said, because non-portability makes music subscriptions far less attractive to consumers.
"I sort of liken it to buying a sports car but you can only drive it within two blocks of your house," he said.
More than 22,000 BMG tracks are expected to be available through the service at launch, RioPort said, and more will be added later.
RioPort said its direct-to-device (d2d) technology enables play of downloaded subscription songs on portable devices while sticking by content usage rules. Music subscriptions limit the number of downloads, count how many times songs are played and cuts off access when usage privileges expire.
Portability is considered a factor in the slow take-off music subscription services, Jupiter Research digital entertainment analyst Aram Sinnreich told Newsbytes earlier this month.
The big obstacles, however, were the slow economy and delayed launches of subscription services, Jupiter said Jan. 15 when it pulled back its prediction for online music sales.
The research company now foresees $5.5 billion in online music sales by 2006, up from $900 million last year and $650 million in 2000, but considerably less than the $6.2 billion it forecast in July 2001.
The launch dates of Pressplay and MusicNet - both backed by the major labels - were originally set for last fall but did not debut until December. Though Pressplay allows the burning of a limited number of songs to CD, neither allows songs to be uploaded to portable players.
Sinnreich also cited slower broadband adoption, lower overall purchase value by online shoppers, and a "contracting" music industry for lowering its sales outlook.
Still, Sinnreich said, digital music subscriptions could be the saving grace for a stumbling recording industry.
"The key to unlocking this market will be remixing the distribution chain," a Jupiter statement said, "taking advantage of digital media's fluidity to allow labels, music sellers and technology companies to focus on what they do best."
Newsbytes reporter Kevin Featherly contributed to this story.
RioPort is on the Web at http://www.rioport.com
Reported by Newsbytes.com, http://www.newsbytes.com
Music industry keen to fill Napster void
Two record-industry ventures are ready to find out if there is money to b
e
made from online music. Christopher Grimes reports - Aug 29 2001 00:00:00
Ever since Napster burst on to the scene, record labels have been wonderi
ng
about the potential profits to be made from the demand created almost
overnight by the free online service. Their response is now ready. In wha
t
is undoubtedly the industry's most ambitious foray online, two subscripti
on
services backed by the big record companies are poised to launch in a mat
ter
of weeks.
Pressplay, owned jointly by Universal and Sony, is due to launch on
Microsoft's MSN, Yahoo and MP3.com by mid-September. It will offer
subscribers a selection of somewhere between 70,000 and 100,000 songs.
Its rival, MusicNet, is a joint venture between RealNetworks, the Seattle
software group, and several record labels: Warner Bros, EMI, Bertelsmann
Music Group and Zomba.
Pressplay will seek to establish itself as a brand direct with consumers.
MusicNet will operate as a business-to-business venture, selling both
technology and its music catalogue to online retailers. So far, AOL,
RealNetworks and Napster itself have agreed to license MusicNet's service.
Meanwhile, Napster, having been forced to suspend its free file-swapping
service under threat of court action for piracy, is planning to reinvent
itself as a paid service, with a launch due by the end of the year.
Bertelsmann, part of the MusicNet grouping, also has a stake in Napster.
The entry of two record-label backed ventures promises a battle fought fo
r
high stakes. The online music market is potentially huge: at its peak,
Napster's free service had 80m users, who swapped as many as 15bn music
files. Just as impressive, these volumes were reached fewer than 30 month
s
after its launch.
Moreover, the formation of Pressplay and MusicNet marks an intensificatio
n
of the contest being fought between Real-Networks and Microsoft for
supremacy in the technology of recording and transmitting digital audio a
nd
video.
While the music industry is keen to fill the void felt by former Napster
users - many of whom have flocked to the dozens of copycat sites now
online - both label-backed services stress that they are not simply a cop
y
of Napster. In particular, neither expects to emulate Napster's overnight
success.
"We're completely focused on two to five years out, not the number of
subscriptions in the first 12 months," says Richard Wolpert, an adviser t
o
MusicNet. "It's not going to be millions of people, for sure. [Napster] i
s a
completely unfair comparison. A more fair comparison is America Online,
which took seven or eight years to get to 1m subscribers."
Many analysts believe that even these limited ambitions may prove
challenging, however.
First, the launch of two competing services hardly works in the consumer'
s
favour. A fan of both Eminem, who records on Universal's Interscope label
,
and Madonna, a Warner Music artist, would have to join both services. Tha
t
would mean paying as much as $20 a month - more than most people spend on
compact discs. Analysts fear that this is likely to delay the adoption of
either service.
Second, one of the reasons people enjoy downloading music from the intern
et
is that they can "burn" songs on to CDs, which is much easier than the ol
d
practice of recording on to cassette tapes. There are also portable MP3
players with built-in storage media, allowing users to copy songs directl
y
on to their devices.
But the MP3 compression format, which allowed the transfer of billions of
songs through Napster, is not considered secure by the record labels. So
their services will - at the outset, at least - use different compression
technologies to shrink the music files, and the security software they us
e
will keep the song corralled within the PC.
This means that neither MusicNet nor Pressplay will allow their subscribe
rs
to "burn" the songs they download on to CDs or transfer them to portable
devices. Both services acknowledge that consumers are anxious to take the
ir
music with them and say they are working on technology that will allow th
is.
But neither will offer these features at launch.{cksla comment: yadda, yadda, yadda}
"Easy access, the ability to burn CDs and affordable prices: that's the
standard against which these new services will be held," argues Mr Wolf.
"They have to provide extra value, such as [song] recommendations and way
s
for you to be able to have access from a multitude of devices."
Andy Schuon, chief executive of Pressplay, stresses that his company is
close to developing technology that is flexible enough to allow transfer
on
to devices while remaining secure: "The technology is just about there an
d
will be available within months of launch." MusicNet, too, says it is
working on a solution.
Both ventures also play down the differences in their technologies and de
ny
being drawn into the war between RealNetworks and Microsoft. "Hopefully,
a
year from now we'll use a number of different technologies," says Mr Schu
on.
"We're not tied to any one technology."
Until then, however, consumers will be forced to use a hodgepodge of
different media players to listen to music with their computers - a
situation they are probably already accustomed to if they watch video or
listen to radio over the internet.
Although the services will not be perfect in the beginning, analysts say,
patient consumers will discover things that they like about them. "The go
od
news is, they will offer a much more high-quality service than Napster,"
says Aram Sinnreich, an analyst at Jupiter, the web research group. "The
music files will be guaranteed to be good quality and they will transfer
[through the internet] easily without hitches. And if it doesn't work,
consumers will have someone to complain to."
But not everyone is convinced that the two ventures are working with
consumers' best interests in mind. Hanging over the launch of MusicNet an
d
Press-play is the threat of action by antitrust regulators into what appe
ars
to some to be a cosy duopoly.
Although a formal inquiry has not been launched in the US, independent
record labels, music retailers and others have complained to regulatory
authorities about the control MusicNet and Pressplay would have over the
customer relationship and establishing prices. Pressplay, which, unlike
MusicNet, reserves the sole right to set prices, has angered retailers in
particular.
While it is not clear how serious the threat of an inquiry is, it is clea
r
that antitrust authorities in the US and in Europe have been looking hard
at
the big music companies. Last year, the US Supreme Court ordered the reco
rd
labels to change their incentive programmes with retailers. And the Europ
ean
Union stymied proposed mergers between EMI and Time Warner and EMI and
Bertelsmann.
Mr Wolpert of MusicNet will not comment on possible investigations by the
regulatory agencies but indicates that the threat of antitrust inquiry wo
uld
not prevent MusicNet from seeking a content agreement with Pressplay. "We
're
trying to do anything we can with potential other partners," he says. "We
've
been saying for six months that ultimately we need to offer consumers all
the content we can."
Mr Wolpert and others who are designing the subscription services like to
compare what they are doing now with the early days of cable or satellite
television. In the US satellite television market, there were competing
standards and a relatively small audience. Over time the standards issues
smoothed out and today there are about 20m satellite TV subscribers.
Webnoize, a research company specialising in online music, estimates that
internet music services will have 11m paying customers by 2003. That is a
far cry from the 80m that Napster attracted when it offered songs for fre
e.
But for the record labels desperate to find their way on the internet, it
would be a start.
But with a subscription, music enthusiasts will be able to choose from among
thousands of songs offered by Universal and Sony -- which account for 47
percent of all music sold worldwide -- and compile personalized playlists. But
they will only be able to share them with other Duet members. The Duet service,
expected to launch this summer, will at first only offer streaming and then
will offer downloading capability shortly later. Eventually, subscribers will
be able to transfer songs from their personal computers to portable devices,
Duet said.
re edig and subscription services:
but the bottomline question for me is who will be willing to rent their music? teenagers today who won't listen to a song after 30 or 60 days?
Real Networks'MEDIA COMMERCE SUITE
THE FIRST COMPLETE, FLEXIBLE END-TO-END COMMERCE SOLUTION FOR SECURE DIGITAL MEDIA
What is the Media Commerce Suite
The RealSystem Media Commerce Suite is the first secure delivery platform capable of letting rights holders utilize multiple back-end systems, rights security and rights management solutions while still protecting their content.
RealSystem Media Commerce Suite includes a set of products and services enabling business models through secure rights managed distribution of movies, music and other digital content to more than 235 million RealPlayer users worldwide.
It empowers rights holders to create a range of robust business models for distributing rich media to the broadest worldwide audience, and will create many new ways for consumers to access and enjoy digital media.
What the Media Commerce Suite can do
The RealSystem Media Commerce Suite provides secure media packaging, license generation and high-quality content delivery to a trusted media player base across all major platforms. Built on RealSystem iQ, it extends the RealSystem and RealPlayer open architecture to accommodate the incorporation of a wide range of rights management systems. It easily integrates into all types of existing infrastructures and back-end systems, supporting a broad set of business models including purchase, rental, video on-demand, and subscription services.
Who is using and supporting the Media Commerce Suite
The RealSystem Media Commerce Suite launches with support from an array of major media companies and rights holders. The RealSystem Media Commerce Suite will provide the security for MusicNet, the online music subscription service from AOL Time Warner, Bertelsmann, EMI and RealNetworks scheduled for release later this year.
FEATURES
Working together, these components form a complete, secure media delivery system with the following key features:
Supports Multiple Business Models — Companies have the ability to set parameters around duration of playback, date window of playback and number of plays for each media file.
Supports Multiple Content Distribution Models — some examples include: Rental, Subscription, Syndication, Purchase, Promotion, Pay-Per-View and Video on demand.
Supports Multiple Content Delivery Modes — Companies can distribute content in a which include streaming, downloads and physical distribution.
Unsurpassed Security — From packaging, through delivery to playback, Media Commerce Suite offers end-to-end protection of your media assets.
Built in flexibility — with the Media Commerce suite, your content is separate from your rights. This means you can change the business rules associated with your content without re-encoding or re-packaging.
Back-end systems interoperability — MCS was built to easily integrate with existing systems such as clearinghouses, payment systems, retail storefronts, databases, customer relationship management software, and other essential commerce systems.
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from Sinkman's recent post:
After RioPort's announcement today, I thought I'd go back and listen to the SHM again. Jim Collier, near the very end of his talk, said the following:
'And then, subscription services technology. Okay. Think about it. Streaming data services; audio, video, any number of downloads. We are...at the forefront of developing a system that will enable subscription services technologies that will work in all of our portable players. I can't go into too much of it, but suffice to say that's going to be one of our major initiatives going forward.'
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RioPort Secures Distribution License From BMG for Upcoming Music Subscription
Service That is First to Include Portability to Devices
SAN JOSE, Calif.--(BUSINESS WIRE)--Jan. 28, 2002--
-- Leading Music ASP Overcomes Significant Barrier to Consumer
Acceptance of Commercial Online Music Subscriptions --
In a music industry first, RioPort, Inc., the leading music application
service provider (ASP), today announced that it has secured an online music
subscription distribution agreement with BMG that includes the right to
transfer subscription tracks to secure portable devices and other consumer
electronics products. To date, RioPort is the only company that has announced
technology that allows for the secure playback of subscription music
downloads on music devices (e.g., portable players, music-phones, digital
stereos, set-top boxes, etc.) and the only company to secure a major label
music subscription license that includes this critical component. RioPort
intends to launch its PulseOne(TM) music subscription service with
portability in late Q1 2002 through e-tailers, broadband and wireless service
providers and consumer electronics companies.
"RioPort launched its music subscription initiative with the goal of building
a service that's easy to use, offers the widest selection of music, blends
with the ability to own downloads and includes all the playback features that
people must have -- including portability and remote access. We made a
decision early on that we wouldn't launch our online subscription service
until we had all of these critical components in place," said Jim Long,
president and CEO of RioPort, Inc. "Our ground-breaking agreement with BMG is
a major step forward in achieving this goal."
"BMG is pleased to make our music available through RioPort's PulseOne(TM)
service," said Bob Jamieson, president and CEO of BMG North America. "This
license agreement further demonstrates BMG's commitment to creating a digital
connection between our artists and their fans in a convenient,
consumer-friendly way."
BMG is home to top musical artists including Alabama, Christina Aquilera,
Toni Braxton, David Gray and Pink, among others. At launch, RioPort expects
to offer approximately 22,000 tracks from BMG with additional tracks released
over time. RioPort expects to announce music subscription distribution
agreements with other major record labels shortly; RioPort already has
commercial download distribution agreements with all five major labels.
The backbone of RioPort's subscription portability initiative is its
ground-breaking d2d(TM) (Direct-to-Device) technology, which makes it
possible for rental/subscription music downloads to be played on consumer
electronics products while ensuring that content usage rules, such as
termination by play count, cumulative play time or time-based expiration, are
enforced. RioPort's d2d technology, which has already been demonstrated by
Samsung, Sanyo, SONICblue and Texas Instruments, can be implemented in
portable playback devices, cell phones, Web-based home stereos, set-top boxes
or car stereos.
The ability to transfer online music subscription downloads to portable
devices has been noted by industry analysts as a critical sticking point to
mass consumer adoption of commercial online subscription models. IDC
estimates sales of MP3-compatible devices will reach 18 million by 2005.
RioPort's upcoming music subscription service, featuring the ability to
transfer music subscription tracks to portable devices and other consumer
electronics products, will be the newest music e-commerce feature offered as
part of the company's PulseOne Service. The PulseOne Service provides
RioPort's etailer partners with the basic functions and music content needed,
so they can create for their customers "try it, rent it and buy it, anywhere"
options for easily accessing, sampling and purchasing digital music tracks
and albums over the Internet.
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Pressplay To Launch Online Music Subscription Service; Offer Fans Streaming, Downloading And CD-Burning.
New York, USA - 20 December, 2001 (PRN):Pressplay, the online music company, announced it plans to launch its Internet-based music subscription service in the United States. The service will be available to the first several thousand consumers through MSN Music, Roxio and Yahoo!, and will soon be offered through MP3.com and other affiliates. Pressplay plans to widen the availability of its service after the New Year.
Pressplay will offer subscribers access to a broad catalog of music through streaming and downloading, and allow portability through CD-burning. The service will give fans access to a vast online library including music from the world's largest record companies - Sony Music Entertainment, Universal Music Group and EMI Recorded Music - as well as numerous independent labels, featuring an array of rock, pop, jazz, country, hip-hop and R&B songs. Pressplay will enable subscribers to stream music, as well as build expansive, personalized music collections by continually adding downloaded tracks each month. Pressplay will also allow its members to create personal CDs by burning a limited amount of songs from their downloaded tracks.
"For people passionate about music, today marks a new way to experience the world's most popular music that is easy-to-use, reliable, and secure," said Pressplay President and CEO Andy Schuon. "We have worked hard to create a compelling online music experience, with unique programming, a broad selection of the world's most popular music and the freedom of portability."
Pressplay will offer four pricing plans, allowing customers to stream, download and burn a certain number of tracks each month depending on the plan selected. Additionally, for a limited time only, Pressplay will offer consumers a 14-day free trial that allows both streaming and downloading.
Following are details on each monthly pricing plan:
14-day Free Trial: 200 streams, 20 downloads (for a limited time only)
Basic Plan - $9.95: 300 streams, 30 downloads
Silver Plan - $14.95: 500 streams, 50 downloads, 10 burns
Gold Plan - $19.95: 750 streams, 75 downloads, 15 burns
Platinum Plan - $24.95: 1000 streams, 100 downloads, 20 burns
As a special limited offer at launch, Pressplay will offer the "silver" plan at the "basic" plan price of $9.95. The special price will last for the first 90 days of the member's paid subscription.
Pressplay Features and Benefits
Leveraging extensive consumer research, as well as the programming experience and knowledge of its executive team, Pressplay has developed many unique, consumer-focused features to provide users with the highest-quality online music listening experience. After completing a simple registration process to subscribe, members will be able to enjoy the following features:
* Stream, download and burn music tracks
Members have three different ways to experience and store their online music collections through Pressplay.
Members can listen to tracks on-demand by streaming music using Windows Media Player. As part of Pressplay's commitment to offer streaming as a way to sample music, members can stream a song for 30 seconds before it counts against their allotted monthly number of streams. Subscribers can also select tracks to download to their own computers to enjoy offline for as long as a subscriber remains a Pressplay member. Finally, subscribers can "burn" select tracks onto a CD, giving them the opportunity to take their music anywhere through portable CD players or home and car stereos.
To securely deliver the music in its online catalog, Pressplay is utilizing trusted, industry-leading methods, including Microsoft's Windows Media digital rights management technology and Roxio's CD-burning technology. In addition to being the provider of CD-burning functionality within the Pressplay service, Roxio is also a Pressplay affiliate, promoting the Pressplay music service from its website (www.roxio.com) and marketing the service in connection with its advertising campaigns and retail product, Easy CD Creator.
* Create and add to music collections/Access collections from other computers
Recognizing music fans' desire to build a library of music, Pressplay allows its members to continually add tracks to their collections each month. Those downloaded songs remain part of a subscriber's music collection as long as they continue to subscribe to the service.
* Access to a wide online catalog of music
In addition to music from Sony Music Entertainment, Universal Music Group and EMI Recorded Music, subscribers will have access to tracks from independent labels including, Madacy, Matador, Navarre, OWIE, Razor & Tie, Roadrunner, Rounder and Sanctuary.
* Browse music by genre, artist, track or popularity
Pressplay is organized to help members find their favorite music fast and in a variety of ways. Members can search the extensive music catalog by artist, track title or album by simply typing in a search term, or browse the songs in the library by musical category.
About Pressplay
Launched in December 2001, Pressplay is an equally held joint venture between Sony Music Entertainment and Universal Music Group (a unit of Vivendi Universal), and has offices in New York City and Los Angeles. Music companies, including EMI Recorded Music, Sony Music Entertainment, Universal Music Group, Madacy, Matador, Navarre, OWIE, Razor & Tie, Roadrunner, Rounder and Sanctuary separately provide their music to Pressplay on a non-exclusive basis. Pressplay is marketed to consumers through relationships with MSN Music, Roxio and Yahoo!, and will soon be offered through MP3.com and other affiliates. An independent executive team with deep music, programming, and technology and business experience leads the company. Pressplay plans to roll out its service internationally in the coming year.
For more information, visit http://www.pressplay.com
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Yahoo joins Internet music chorus
Yahoo jumped into the online music fray Thursday, announcing an online music
subscription service with Duet, a joint venture of music giants Universal Music
Group and Sony Music Entertainment.
The development underscored how quickly the recording industry plans to move to
the Web now that it has triumphed over Napster and its free music-swapping
service.
======================================================
We will establish additional business units for royalty/license/subscription fees, automotive telematics, and fulfillment services throughout this year. We are
also evaluating other business areas that will leverage our growth into new markets. Our company has a wealth of opportunities before us and we are assembling a top notch management team to take full advantage of them."
=================================================
MXP-100 Features:
Superior quality Multi-Codec Digital Music Player for playback of MP3 and Windows Media™ files (field upgradeable for additional codec support and firmware updates)
Digital voice recording and playback capabilities
Easy file search and navigation with VoiceNav™ speech recognition user interface
Robust storage capacity supported by IBM Microdrive™ (340 MB, 512 MB or 1GB), or SanDisk-compatible CompactFlash™ Cards.
Li-Ion battery capable of playing for over 12 hours with a single charge
Universal Fast Charger capable of fully replenishing battery life in under 3 hours
Compact, user-friendly design
Easily connected to home audio system with line-out adjustable setting
Ships with MusicMatch Jukebox Software and e.Digital Music Explorer™ software for voice and music file management
Internal Real-Time clock to time stamp voice messages
Firmware upgradeable to future time bound secure music subscription services
180-day limited warranty*
We will establish additional business units for royalty/license/subscription fees, automotive telematics, and fulfillment services throughout this year. We are
also evaluating other business areas that will leverage our growth into new markets. Our company has a wealth of opportunities before us and we are assembling a top notch management team to take full advantage of them."
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so what does edig mean by its reference bolded above??
some ideas and examples below:
The Internet and Fulfillment
The Internet has changed every industry, but none more then fulfillment. The Internet has provided a way to distribute more products and information to more people than ever before. To take advantage of this opportunity you need new thinking and new technology. The days when providing "Bulk" fulfillment and processing "Bingo Cards" were the key criteria for a fulfillment vendor have given way to the ability to provide user defined access to information and products, offering electronic as well as hardcopy information, flexibility of business rules, real-time transactions and integration with Sales Force Automation, Marketing Automation and Enterprise Resource Planning Systems. It is no longer about how much you can ship, but providing a great customer experience, increasing the effectiveness and personalizing the information and product you do ship.
We are convinced that over the next 3 years every fulfillment system and every fulfillment company will need to either scrap, or redesign their current systems to run on the Web.
===============================================
http://www.espeedfulfillment.com/fulfillment-services.html
================================================
Electronic Marketplace, Inc. offers a full service fulfillment center providing:
Secure On-line Order Forms
800# Order Processing
Credit Card Processing
Invoicing
Product Warehousing
Inventory Control
Pick-Pack Shipping
Experience and state-of-the-art technologies provide our clients with solid, sophisticated solutions to meet their specific needs.
By offering complete fulfillment services as a compliment to an on-line marketing campaign, we are able to achieve our company mission; to satisfy the consumer by providing a safe and convenient environment for purchasing quality products on-line!
EMarket has options to suit all of your fulfillment needs. We listen and we Help.
If you have an existing e-commerce site we offer per order pick-pack-ship services allowing you the flexibility to focus on selling your products.
Should you require a more comprehensive service, we offer high-speed e-commerce solutions with integrated back office support and full time staff management.
Please complete the Project Contact Form below and an e-commerce professional will contact you shortly.
============================================
so does this mean the edig store is to be expanded?? stay tuned
tin/sentinel: a response to my recent inquiry:
Dear XXXX,
Thanks for your interest for our product "Wings". I'm Ms. Hyeyoung Lee and a marketing staff in charge of international sales and marketing of Varo Vision Co., Ltd.
Regarding "Wings", it is waiting for coming DataPlay disc out.
As you know well, DataPlay optical disc 500MB is under evaluation now, we are expected it bring out this 4Q. So Wings with DataPlay will be available Next 1or 2Q
Regarding price, As I told you above, DataPlay optical disc and driver are under evaluation, we don't have exact price but it will cost around USD399.00 for retail price, we hope.
If you have any further questions, Please feel free to contact me.
Thanks.
Best regards,
Hyeyoung Lee
Varo Vision Co., Ltd.
International Marketing Staff
btw, I did not specifically ask if edig involved w/ them.
That should be enough DD for the next 6 months. later...
OT: Walt Disney is rolling over in his grave!
Goofy sex service takes the Mickey out of Disneyland
By Ryann Connell
Staff Writer
Jan. 4, 2002
Tokyo Disneyland is known locally as the Kingdom of Magical Dreams, but it appears as though some of the dreams it's making come true are wet ones.
Changes to the law regulating the adult entertainment industry that came into effect in April proscribed call girls going to service a customer at a place designated by the client. Bordello operators, though, have found a loophole that allows them to set up meetings between women and clients outside of the usual places where such lusty liaisons are consummated.
Shukan Jitsuwa says that one members-only service has chosen to take the mickey, so to speak, out of Tokyo Disneyland, that kingdom for kiddies, by making it the stage for titillating trysts. The men's weekly claims that the service has on its books 40 workers whose ages range from 19 through 49, with shapes spanning from the lithe to the leviathan and bra-cup sizes extending from ironing-board A to seam-busting F.
A reporter for the magazine arranges to meet one of the girls at Disneyland, recognizing her instantly by the Mickey Mouse ears she had promised to wear. He pays the girl 50,000 yen for a four-hour session, three hours of which are spent indulging in the Magic Kingdom's pleasures.
The couple promptly head off to Space Mountain, one of the amusement park's most popular rides, and the action begins. The young, wicked witch tells the reporter he's free to touch her wherever he likes while they're on the ride. Their fun ends with the woman in the process of rousing the reporter's sleeping beauty, but Shukan Jitsuwa doesn't mention whether it's a dumbo or mini.
Following that feisty jaunt, they head off to the Haunted Mansion. The girl informs her customer that after reaching the end of the line, they will ride an elevator that marks the start of the attraction. During the elevator trip, the lady informs her tramp that there will be a moment of darkness which she invites him to use as a chance to have a chip at her dale. Unfortunately for the intrepid reporter, the elevator lights turn on much faster than expected and he is caught with his hands up her dress, much to the bewilderment of a little child standing beside them.
Exploring the Haunted Mansion involves riding on a carriage through a house filled with ghosts. As the couple do so, things between them heat up and the reporter makes the most of his companion's immodesty, using his fingers to trace her shape. However, just as the reporter is about to reach a climactic moment, he notices in a mirror that a ghost is riding with them, a sight that apparently dampens his enthusiasm.
Having completed the ride, the reporter and woman head out to a van in Disneyland's parking lot to seal their deal with what in rhyming slang could be referred to as a Donald Duck. As the reporter describes the goofy antics, Shukan Jitsuwa recommends the service to its readers.
Has anyone seen Judodog lately?
Girls' judo mentor set sights on different type of mat roll
By Ryann Connell
Staff Writer
Jan. 22, 2002
Purists would argue that judo is Japan's national sport. In no other sport have Japanese excelled on the world stage like they have in judo. And nowhere is the judo dojo more sacrosanct than in high schools, where the innocent can take part in the martial art in its purist form.
Perhaps it was all the purity surrounding the sport that prompted Yoshinori Suzuki to aim for the young girls who took part in high school judo.
Friday (2/1) notes the 51-year-old plasterer from Kashiwa, Chiba Prefecture, took an inordinate interest in the goings on of a local high school girl's judo team, resulting in his arrest for the rape of one of its members, with more indecent attacks believed to have taken place.
Suzuki's interest in the Kashiwa Prefectural High School girl's judo team, national champions for the past three years, began about seven years ago, when he started taking them into his home as boarders.
Opinions remain divided about Suzuki's affect on the team's performance.
"He took good care of the kids. He was so keen, he'd take time off work to go and watch their matches," a friend of Suzuki's tells Friday. The suspect's wife has also pledged to spend the family's entire wealth defending her husband against the charges he claims are made up. Others are less convinced of Suzuki's character, however.
"He's a thug. He goes wild at the drop of a hat," says one neighbor.
"Some claim that he took good care of the kids, but rather than letting them stay at his home, he used to charge them 60,000 yen a month for the privilege. That's higher than market rates for rent. What's more, he used to make them cook their own meals and prepare their own school lunches," adds another neighbor, disdainfully.
Another long-time Suzuki acquaintance says the rape accusation made by one girl on the team is merely the start.
"It's the tip of the iceberg, I think," the acquaintance tells Friday. "That guy used to drag the girls out at 11 or 12 o'clock at night, telling them they had to have special training. He'd make them run laps around a park near his house while he lay down on a bench and watched them. Sometimes he'd even give the girls a massage. He'd often make the slowest girl do another lap and tell the other team members to go home. He was always trying to get into a one-on-one situation. I told him a number of times to cut it out, but he turned on me and told me to mind my own business. Anybody living in his neighborhood knows all about his late-night special training sessions."
Indeed, it seems jogging around the park were not the only late-night exertions Suzuki got into.
"I met his wife a while ago and asked her whether it was tough looking after all the kids in the judo team," a local housewife tells Friday. "She just put on a sad face, sighed and said, 'Some kids run away at nights. Later, when I asked what her husband was like regarding women, she said she couldn't take her eyes off him for a minute or he'd be chasing somebody else. Perhaps she knew the sorts of things that were going on."
OT: The Eagles staying at the Hotel California?:
Unwitting couples copulate over corpse in love hotel
By Mark Schreiber
Contributing Writer
Jan. 8, 2002
There's a famous fairy tale in which a handsome prince in search of a bride succeeds in differentiating a true princess from several pretenders by having each of them spend a night on a mattress under which he has placed a single pea. The impostors sleep through the night without discomfort; the real princess comes down the next morning red-eyed, complaining about how the lumpy mattress kept her awake all night.
Based on such criteria, it's clear that the 12 ladies who frequented a love hotel in Kyoto were definitely not of royal blood: They and their male partners, reports Shukan Jitsuwa, made love on a mattress unaware that the corpse of a dead woman had been placed underneath.
The existence of the body in a room at the hotel, in Kyoto's Higashiyama district, came to light on February 19. The woman, who was completely nude except for pink rubber hairbands around her wrist, was identified as Yukari Inoue, a 28-year-old singer and karaoke instructor.
Inoue bore no signs of violence, but her clothing, handbag and other possessions were missing. According to police, the cause of death from the results of a forensic autopsy was not clear, but she tested negative for drugs. They are investigating the case as a murder.
"The mattress was one of those types that drop into the frame," a member of Kyoto Prefectural Police Headquarters tells Shukan Jitsuwa. "Her corpse made some bumps in the mattress, but none of the couples who used the bed paid much attention. When the maid was changing the sheets, she finally noticed the mattress was bulging, which was caused by bloating of the corpse. She called the hotel manager and he found the body."
Inoue is believed to have been killed during the early morning hours of February 11. Her body had apparently lain under the mattress for several days, and at least 12 couples had made use of the room, and presumably the bed, during that time. Lending, Shukan Jitsuwa suggests, tongue-in-cheek, a completely new meaning to such moans of ecstasy as, "Oh god, I'm coming!"
According to Inoue's father, they had been cut off in the midst of their last telephone conversation on February 7. Concerned when he was unable to reach her after that, he finally went to her apartment on February 22. A keen-earned neighbor in the same building reported hearing a woman enter Inoue's apartment in the very late hours on the night of February 17. The same person left 10 minutes later, apparently wearing a different pair of shoes.
The employee at a nearby convenience store recalled that Inoue often came there to purchase women's magazines, but his description of her mode of dress was different from her neighbors, suggesting that she was changing her clothes somewhere.
Neither Shukan Jitsuwa nor the police have been able to determine Inoue's source of income. A professional karaoke teacher cast doubt on her claims to have been a teacher, noting that at the relatively young age of 28, it's more likely she would have been a student.
Witnesses claimed to have seen a man, around age 30, visit her apartment on several occasions. Telephone records indicate no calls had been made or received from the night of February 10 onwards. After graduation from high school, Inoue worked for an electronics company in Maizuru city, but quit her job after about six weeks. She never remained long at her subsequent jobs. She had been living at her final address for the past four years. In the course of investigating her background, Shukan Jitsuwa also discovered that Inoue had been married --- for only one day. For now, her life remains as much of a mystery as her death.
OT:Supreme Court Justice Thomas reconsiders his position:
Long schlong silvers afraid to let it all hang out
By Ryann Connell
Staff Writer
Tuesday Dec. 18, 2001
For all those guys out there who cringe every time they hear the old children's rhyme "Wee Willie Winky," take heart. It seems that life can also be pretty tough for all them Long Dong Silvers, according to Shukan Taishu (12/31).
"Everyone says it's much better to be big than small, but thanks to my whopper I've been dumped by women I love and still can't get married. I think it'd be much better to be hung like an acorn instead of being hung like a horse," says a lumber importer we'll call Akira Kobayashi.
At his peak, Kobayashi unsheathes a mighty 22 centimeters with a thickness even bigger than "making a ring with your thumb and middle finger."
But instead of boasting about his behemoth, Kobayashi says it's his bane.
"I first learned of its danger when I was 21. I fell for a slightly older woman. But after two unsuccessful attempts at sex because she said I hurt her too much, she called me and ended the relationship. It would have been better if she said I was no good in bed, or something like that, but it was purely a matter of size," the lumberman says of his wood. "I can't do it with any woman I like. I've never been proud of the fact that it's so huge."
Shukan Taishu notes that despite the average Japanese man's old fellar being a humble 12 to 13 centimeters, men like Kobayashi with magnificent members are hardly rare. A 1995 survey of 100 men by Okamoto, Japan's largest condom maker, found that 6 percent boasted the scepter part of their family jewels measured at least 20 centimeters. An identical percentage could lay claim to a diameter of at least 5 centimeters -- findings that prompted Okamoto to produce large-sized condoms.
"Regular and large sizes are both the same 18 centimeter length, but there's a bit more room on the sides in the larger model," a company spokesman says. "Rubber in condoms can stretch up to eight times its original size, so that should be good enough for just about any guy."
As Kobayashi has shown though, being well hung doesn't make for a well-balanced sex life for members of either sex.
"I know of a woman who was rushed from a love hotel to a hospital because she was suffering massive abdominal pains and her private parts wouldn't stop bleeding," a gynecologist tells Shukan Taishu. "Her partner's privates were too large and he ruptured her womb. If you're too late, death can result from these cases, so it's nothing to laugh about."
Sex workers agree, saying those with a sizeable schlong often bring tears to their eyes.
"About half a year ago this guy came in and he was just startling. He whipped his pants down and I was shocked," a brothel babe we'll call Mami says. "I mean, it was as wide as my fist and so long it reached up over his belly button. It was as though he had an extra arm between his legs."
Mami notes that despite her most valiant efforts, the client was so gigantic she could only finish him off with some quick handiwork. He brushed off her apologies, saying that the only person he'd ever been able to consummate a relationship with was a 48-year-old Dutch prostitute working from a window in the Netherlands. Mami adds that, despite reputations, lengthy lads can often be short on confidence.
"I've had guys come into the playroom and act really sheepishly. They'll tell me they're a bit big and ask if it's all right," she tells Shukan Taishu. "I suppose they've got a big of a complex about it."
Japanese porn industry's answer to John Holmes, Magnum Hokuto, whose name means Big Dipper, says there're times when he'd rather have had a Junior Burger instead of a Big Mac.
"Sure, in the industry big is better, but it can also be sad. I can't have a private session with an inexperienced woman. Even a woman who's had kids still screams out in pain," Magnum tells Shukan Taishu. "It can be bad for business, too. I was once supposed to perform with an actress known for playing women with a pure heart. As soon as she saw me, she refused to perform, saying that if she took me in she'd never be able to get another pure-hearted role again."
Magnum adds that problems with his sword extend further than simply finding a scabbard.
"I can't wear anything tight, like jeans or Speedos," he says. "I was walking along a beach one day in tight jeans when I came across this lovely young woman wearing a camisole. I immediately popped to attention, but it sprung up near my navel. All the girls around me shrieked and ran away."
Magnum concludes, saying that aside from being an embarrassment, a well-proportioned pecker can be a potential pain in the ass.
"I went to the pool in my bathers one day and this gay guy sidled up to me," Magnum tells Shukan Taishu. "I just couldn't get rid of him."
The little old lady from Pasadena? go granny go
Wheelchair-bound granny turns it on for 300 yen a pop
By Cheryl Chow
Contributing Writer
Jan. 1, 2002
The passing of an anti-gang law 10 years ago has prevented Kobe-based Yamaguchi gumi from getting its hands on 50 billion yen of its own money, chuckles Shukan Taishu (2/4).
Eating roasted sweet potato snacks epitomizes the new trend toward "slob fashion," belches Aera (1/28).
The mother of up-and-coming sumo champion Tochiazuma whines to Yomiuri Weekly (2/3) that her son was a sickly, overprotected runt as a boy.
Kobe's 1997 teenage serial killer is about to be secretly released from detention and make a return to "normal society," shudders Dias (1/31).
Famed pro wrestler Antonio Inoki tells the story of his 20-year bout with diabetes in Shukan Post (2/1).
Shukan Gendai (2/2) sighs that Russia has already returned 5,000 unsold tickets to the upcoming World Cup.
Shukan Asahi (2/1) reports that price deflation has been sending rates for Japan's ryokan and hotel accommodations spiraling downward.
You can learn to speak English after age 30 by harnessing a different part of your brain, cognizes DaCapo (2/6).
Dietmember Toshio Kojima reveals the real inside story behind Foreign Minister Makiko Tanaka's ongoing spat with the bureaucrats in Shukan Bunshun (1/24).
A cop who raped 19 woman is only being charged with "performing obscene acts," flashes an outraged Shukan Jitsuwa (1/31) (Compiled by Masuo Kamiyama)
"I never realized just how much fun sex is when you're not worried about getting pregnant. And I"m lucky to have come here and met such wonderful men."
Although she's over 80 years old, Akiyo Okubo (not her real name) wears makeup and a contented smile on her well-shaped face, as she speaks to the Director of the Special Nursing Home for the Aged.
Twice, Okubo had been discovered in bed with a male resident of the home -- with two different ones, no less. When the staff confronted her with the naked fact, Okubo made no attempt to cover up. "I only charge the men 300 yen a night," she declared.
Enjo kosai -- compensated dating -- in an old folks home? Writing for Bungei Shunju (August), Teruyuki Kobayashi remarks that he's had to revamp the image he held of the elderly as withered people without an appreciable sex drive after touring old folks homes across the nation. He compiled his observations into an 18-page report, "The Gray Sexual Revolution," for which he won the Ooya Award for nonfiction writing.
Although she was confined to a wheelchair, Okubo is one of the more egregious examples of unabashed sexuality. When she entered the home, she instantly attracted attention with her expensive eyeglasses, stylish suits, blouses and accessories, and -- as was discovered come laundry time -- sexy underwear. And her makeup was impeccable.
The men were ecstatic. Not only was Okubo a "beauty," she was talented to boot: She delighted everyone with her beautiful singing voice during karaoke time. Soon, men who had been skipping this event started showing up.
Before long, Bungei Shunju ominously reports, Okubo became intimate with two men, Kenzou Matsukura and Yasuji Tokuzawa (pseudonyms), both wheelchair-bound octogenarians. According to Okubo, they all agreed that sex in their twilight years was far more meaningful and enjoyable than in their younger days. There was genuine concern about their partner's physical well-being, and since each act might be their last, it made sex all the more poignant.
Unfortunately, this story doesn't have a happy ending. The trio got along at first, but soon jealousy reared its ugly head. Matsukura and Tokuzawa wanted Okubo's exclusive attention, and decided to win her affections the old-fashioned way: through a duel. One moonlit night, they wheeled out into the garden and battled it out, with weapons of bamboo broom and umbrella. Tokuzawa, who had practiced kendo in his youth, emerged victorious, leaving Matsukura bleeding and unconscious. It proved to be a Pyrrhic victory. When Matsukura had to be hospitalized for his injuries, the victor and the damsel he fought so valiantly to win were so remorse-stricken that they broke off their relationship completely. And within the year, all three were dead.
Okubo and her gallant lovers are by no means the exception. Attendants at old folks homes say that they've often witnessed elderly couples locked in a naked embrace, hiding out in the bathrooms. And, the attendants gripe, no matter how meticulously they clean the toilets, they always end up covered with semen -- the "signature work" of men without partners.
Yet in Japan today, Bungei Shunju writes, there is a taboo on the open discussion of sex. And when it comes to sexuality and the elderly, there is a great deal of misperception and prejudice.
The magazine concludes, "We need to take a more understanding and magnanimous stance toward the issue of sex among older people in the 21st century."
After all, as Kobayashi points out, the Chinese character for "sex" is comprised of the symbols for "life" and "heart."
I went to the fortune teller to have my fortune read:
Sexy seer says more to fellatio than meets the eye
By Ryan Connell
Staff Writer
Jan. 7, 2002
Fortune-telling has a long and proud history in Japan. Even today, it's common for seers to line busier thoroughfares to snare those anxious about what's to come. Prophets seem to have their own particular method of predicting the future and more than a few oddballs have made their way in the business, such as the breast-reading soothsayer in Osaka and another who augers via mobile phones. But Nagoya has come up with a sex shop worker who doubles as an oral oracle whose readings garnered through performing fellatio not only blow the mind, but something else in the process, according to Shukan Taishu.
"It depends, I suppose, on what the member feels like when I first put it in my mouth, what shape it takes when it gets hard, the color and what it tastes like when (the client's) finished ... I take all these things into account, then read the fortune," says Kaho, the sexy soothsayer who claims to have read the fortunes of about 1,000 men by performing fellatio on them over the past year.
Kaho gives Shukan Taishu a blow-by-blow description of some of her more notable readings. She tells of how she turned prophet for profit after a disheveled middle-aged man visited her workplace. The man had been laid off, his wife had left him, and he was having trouble getting more work.
"I pulled the skin down and the top started emitting this black light. Once I'd put him in my mouth I could taste the sort of bitterness he'd experienced. I could see his future. And that future was an enormous amount of happiness at a racecourse," Kaho recounts. Sure enough, two days later the down-and-out man reappeared at the cathouse, telling Kaho that he took heed of her prophecy, put everything he owned on a horse and came up a winner.
Another man in his 30s who visited Kaho also appeared to have benefited from her medium ministrations. The man was interested in marrying a woman some 15 years his junior, but wondered whether he'd be able to make the marriage a success. At first, Kaho says she had her doubts.
"He didn't really have much of a presence, and I was telling myself that he wasn't the sort who'd even be able to get married," the sensual seer says. Kaho says her opinion changed as his member, which had appeared to be of average size, continued to grow bigger and harder. She was finally convinced, she says, when she found a mole on his stalk.
"That's a sure sign of good luck that he'll be blessed by women. Without any further thought, I told him to get married," she says.
Shukan Taishu says the man took Kaho's advice and has been happily married for the past six months. Indeed, he still visits the cathouse once a month to report to Kaho on just how well his marriage is progressing, a move that has prompted the oral oracle to encourage him to become a palmist, though of a slightly different sort from those in the fortunetelling business.
"I tell him I can see signs of a divorce now. I'd hate to be the reason behind a divorce," Kaho says. "My advice to him now is to make sure the only illicit partner he has now is his right hand!"
Perhaps Kaho can confirm, with apologies to Shakespeare, that there're more things in heaven and earth, fellatio, than are dreamed of in your philosophies.
Automaker axes ad after "slant-eyed" slipup
By Ryann Connell
Staff Writer
Sunday Dec. 9, 2001
Japanese have often been criticized overseas for taking a racist attitude toward others. Pleas of innocence resulting from ignorance are often derided and the reputation of Japanese suffers further damage.
But the recent actions of automaker Daihatsu Motor Co. suggest the Japanese really may not have had a clue about touchy racial issues after all, if Shukan Shincho (12/13) is anything to go by.
A commercial for Daihatsu's extremely successful Max compact car began airing on Japanese TV in the first week of November. It featured a Japanese woman driving the car through the streets of a typical European town.
Each person the woman drove past -- from an elderly couple to a young woman to a policeman - greeted her by placing their index fingers on the edge of their eyes and pulling them back to show her a "slant-eyes" face.
"When I first saw it, I couldn't believe it," Shukan Shincho hears from a trading company employee with many years of living in Europe under his belt. "Everybody who appears in the commercial was giving her a 'slant-eyes' face. It's an expression whites use to poke fun at Orientals."
He continues, "In Austria, for instance, putting on that face and saying, 'Chink, Chank, Chon' is used to taunt Orientals. Any Japanese who's lived in the West for some length of time has had the unfortunate experience of being subjected to this insult at least once."
Following several complaints about the commercial, Daihatsu was forced to drag it from the airwaves. From the second week of November, TV viewers have been greeted by a similar commercial featuring the same people but without the "slant-eyes" gestures made in the earlier version. Daihatsu officials are apologetic.
"We only ever wanted to use the gestures to emphasis the sleek design of the headlights on the Max," a company spokesman says. "Nobody picked up on this in pre-screening tests we did with viewers. However, we are terribly sorry to have upset some viewers in a manner we never dreamed of."
Some are critical of the lax attitude the Japanese take toward racial issues.
"I don't know whether it's because we grow up on this isolated island, but Japanese are just senseless when it comes to problems like this," a media commentator gripes to Shukan Shincho. "Thank God it was Japanese insulting Japanese. If it had been Jews or even Muslims that were insulted there would have been an uproar."
OT: What's a mother to do?
More moms going down, to ensure grades go up!
By Michael Hoffman
Contributing Writer
Jan. 6, 2002
Dad comes home from an "adult toy store" and hands his wife a chastity belt. She nods and turns to the couple's 15-year-old son. "Let's go," she says. They disappear into the boy's bedroom.
The story begins with Japan's obsessive exam culture. A boy's whole future can depend on the senior high school he gets into. Some mothers will do anything to make sure their junior high school sons pass the all-determining entrance exams.
Anything? Pretty nearly.
Asahi Geino hears the story of (not their real names) Meiko, 38, and her son Haruki from Kanagawa cram school director Yukio Shibagaki, who wrote a book on experiences like theirs.
Every evening at 8:00, Haruki would vanish into his room, ostensibly to study. Meiko was pleased -- until one night she caught a glimpse of him through the slightly open door and realized he was not studying but masturbating. Intrigued, she peeked into his room the following night, and the night after that. The conclusion was inescapable. At the rate he was going, he would not be ready for his tests.
"I'd better have a talk with him," she thought -- and did.
"Mom," he said, shyly but firmly, "I wanna do it with you."
"With me!" What to do? Be shocked and angry, or calm and understanding? "Let's see what your father says."
Father was surprised but kept his head. "No genital sex," he stipulated. "However, if it's just a question of making the boy feel good, I won't say no."
And so every evening Haruki's studying was prefaced by a 15-minute maternal blow job. His concentration improved; his marks soared. Everyone was happy -- except dad, whose doubts grew as time passed. Weren't things going a little too far? The chastity belt, at least, would close the last frontier.
Our first reaction is disbelief, but Shibagaki swears the story is not only true but also fairly typical, and special high school instructor Tadashi Sato, to whom Asahi Geino goes for confirmation, agrees.
"I often hear stories like that," he says. The mother-son relationship has always had rich dramatic potential; the steadily contracting nuclear family can enrich the drama to the point of deviance. "Mothers do want their children to pass those exams," says Sato. "We're not talking about just a few cases."
Nor are we talking only about 15-year-olds. Akiko (as we'll call her) is 28, her son Atsushi 12. He too faces entrance exams -- junior high school ones. The boy seemed to be studying. Why was he floundering? "Why?" Akiko asked him one day. The answer was a seeming non sequitur, but Akiko saw the point. "I want to see a woman naked."
Akiko undressed. "I'll do it again for you if you do well on your next test, OK?" He did very well.
There are endless ramifications to the sex-for-grades business, Asahi Geino discovers. Teachers too get in on the act. Some third-year junior high school teachers are not above capitalizing on the leverage they wield. Some ask for money in return for influential written recommendations. Others ask for sex. Thus Mari, 37-year-old mother of a daughter about to graduate junior high, took to visiting the girl's divorced teacher at his home. One afternoon the teacher's 14-year-old son showed up unexpectedly. "Me too!" he insisted.
And Mari obliged, says Shibagaki.