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End of discussion. Thanks.
NTEK Dividends Forecasted April '14. Buybacks begin July '14.
21 trading days in March. Plan on DAILY Reg Sho Threshold flags in March too. This behavior will be short lived however.
April will be here before we know it and then rut-roh! Dividends!!
MM's: "you mean, we, we, actually have to deliver on NTEK shorts?"......
Any big things forecasted for NTEK in March, before the dividends? hee hee hee..
oh yeah!! NTEK!!!!! tic toc
Not the answer I was looking for, I do know where to look except I only have my phone right now. Could do it but just don't want to on my tiny screen. Neeeeeext!!! Neumann!....
Can you remind us of when the dividends and buy backs begin? :)
Should I be aware of your reputation? Please do enlighten the newbies sir..
I don't know but it sure is funny!
The manipulation down here is ridiculous. Cannot wait for the dividends and uplisting here. MM's will do it as long as they are allowed to, which unfortunately could mean for the foreseeable future. In a week the SEC will release the Reg Sho Threshold listing for February - which almost seems pointless as it means nothing apparently in terms of curbing this type of activity. January was dreadful, I'm expecting the same in February. If NTEK popped up once every 3-4 days on the list I'd say that wasn't bad for down here, but daily flags?! It's pps manipulation at it's finest. Precision work. Will correct when/if we get big volume trading days. If NTEK doesn't advertise and relies solely on word of mouth from having their product on box store shelves, the pps uptick will take time to sustain new support levels apart from dividends, uplisting or mass product following.
Well then congrats to you...bud.
Pretty easy to see you're correct as recent history confirms. The current low 9's support level has been strong, if it breaks you may get your wish. I think you'll be competing with a lot of folks at those levels. The stronger possibility is that we'll never get that low before this takes off and you'll be chasing. GL.
Nothing IMO.
.127, nice slap action, danka.
The Co-Founder of Netflix, Mitch Lowe, has a Facebook and twitter account? NICE!!!!
You mean Mitch Lowe, Co-Founder of Netflix right? Nice dot connecting, that would seem like an extremely plausible scenario. Why wouldn't Netflix want one of their Co-Founder's to continue to advise them as well? NTEK in position to become an A-List playah!!!
SonicPool Gaming Credits include:
Call of Duty titles
Skylanders Giants
Assassins Creed
Spiderman
etc.
wow.
http://www.sonicpool.com/#clients
Listing of SonicPool Clientele:
Paramount_Showtime_Viacom
AE_Oxygen_Dreamworks
20thcenturyfox_Bravo_Lifetime
UMG_FX_Comedy-Central
Apple_Encore_CNBC
Discovery_Natgeo_TLC
Disney_Univision_CBS
ABC_HGTV_Spike
ESPN_BET_Syfy
Fox_Cinemax_DIY
GSN_BBC_Own
Hallmark_Netflix_TNT
HDNet_Nick_Twitter
Hulu_ABCFamily_History
IFC_HUB_Soap
MGM_Style_VH1
MTV_TBS_Sundance
NBC_HBO_LOGO
Reelz_Starz_NFL
USA_Sony_Telemundo
NEWS:
Hollywood-Based 4K Ultra HD Scanning Facilities and New Content Partnership Highlights Expansion
HOLLYWOOD, Calif.--(BUSINESS WIRE)-- NanoTech Entertainment (OTCPINK: NTEK), a leader in the deployment and delivery of 4K Ultra HD content and technology announced the expansion of its 4K Studios into a new facility in Hollywood, California. Sharing space with content partners, SonicPool Post Production, NanoTech is excited about its expanding 4K Ultra HD business. 4K Studios will expand its Hollywood-based operations and add a 4K Ultra HD scanner to the new facilities and will enhance its ability to provide local content services to the Hollywood business office. As a result, this will increase the volume of 4K Ultra HD content produced by 4K Studios.
Moving from its existing location, NanoTech Entertainment's new 4K Studios Hollywood facility is registered with the Motion Picture Association of America (MPAA), which means it meets all of the stringent criteria required to be affiliated with the major motion picture association. Located in the Lexington Avenue facilities, NanoTech will be working closely with SonicPool who has done post-production work on Academy Award nominated films and the soon-to-be-released movie "Left Behind" starring Nicholas Cage. By locating the 4K Studios Hollywood operations in the same facilities as SonicPool, the workflow and time frame from raw film to final digital product will be dramatically reduced.
SonicPool CEO John Frost said, "Partnering with NanoTech's 4K Studios and leveraging their 4K services with our post-production services to provide state-of-the-art world-class quality digital films will allow our combined customers to receive a greater final product with improved turnaround times. We are excited to work with the NanoTech team as they build out content for their UltraFlix 4K Ultra HD channel."
NanoTech Entertainment Vice President of Development Alex "Lx" Rudis is excited about the new location noting, "This new business opportunity will allow us the opportunity to work closely with our partners to produce world-class 4K Ultra HD digital content." Rudis continued, "SonicPool has an amazing team of artists and world-class facilities including a 4K Post Production work flow and THX Certified Theater providing the best digital output in the industry."
About SonicPool Post Production
SonicPool is an independently owned and operated, full-service post Production Company headquartered in the heart of Hollywood. Since its founding in 2001, SonicPool has delivered on its simple mission to provide quality, creative services that are on-time and on-budget. With multiple locations in Los Angeles and New Orleans to serve you, SonicPool offers a comprehensive line of services, rentals and products.
Our purpose is to assist and provide producers with creative and technical choices to maximize the presentation of their vision to best impact a viewing audience. Throughout this process, customer care is job one and our team of expert operators combines creative juices with great technical know-how that enable them to do just that.
SonicPool has been providing expert services, high-end solutions and innovative technologies for more than 50,000 projects for over a dozen years.
About NanoTech Entertainment
Headquartered in San Jose, CA, NanoTech Entertainment is a technology company that focuses on all aspects of the entertainment industry. With six technology business units, focusing on 3D, Gaming, Media & IPTV, Mobile Apps, and Manufacturing, the company has a unique business model and a diverse portfolio of products and technology. NanoTech Gaming Labs operates as a virtual manufacturer, developing its technology and games, and licensing them to third parties for manufacturing and distribution in order to keep its overhead extremely low and operations efficient in the new global manufacturing economy. NanoTech Media develops proprietary technology which it licenses to publishers for use in their products as well as creating and publishing unique content. NanoTech Media Technology includes the world's first 4K Ultra HD streaming solution. NanoTech Communications develops and sells proprietary apps and technology in the Mobile and Consumer space. Clear Memories is the global leader in 3D ice carving and manufacturing technology. 4K Studios creates digital 4K Ultra HD content using both licensed materials as well as original productions. NanoTech is redefining the role of developers and manufacturers in the global market. More information about NanoTech Entertainment and its products can be found on the web at www.NTEK.com.
"Safe Harbor" Statement: Under The Private Securities Litigation Reform Act of 1995: The statements in the press release that relate to the company's expectations with regard to the future impact on the company's results from new products in development are forward-looking statements, within the meaning of the Private Securities Litigation Reform Act of 1995. Since this information may contain statements that involve risk and uncertainties and are subject to change at any time, the company's actual results may differ materially from expected results.
The NanoTech Entertainment logo, UltraFlix, NanoFlix, NanoTales, NanoBooks, Nuvola NP-1, Nuvola NP-C, Nuvola GP-1, Nuvola RF-10, Nuvola NP-H1, Nuvola SC-1, Nuvola TV-U1are trademarks of NanoTech Entertainment, "The Future of Television" and "The Future of Entertainment" are service marks of NanoTech Entertainment, Inc. 11Giraffes is a Registered Trademark of 11Giraffes. All Rights Reserved. All other marks are the property of their respective owners.
<img alt="" src="http://cts.businesswire.com/ct/CT?id=bwnews&sty=20140226006344r1&sid=acqr7&distro=nx" />
CONTACT: NanoTech Entertainment Agency Contact:
Danielle Blevins, 443-440-7629
dblevins@macstrategies.com
or
NanoTech Entertainment Investor Contact:
Christian Hansen, 858-381-4677
chhansen@nanotechent.com
Source: NanoTech Entertainment
Copyright 2014, Business Wire News Provided by Acquire Media Corporation
Until we get those dividends, this pps is in need of large-buying-volume to get us out of the .09-.12 channel. No news, more of the same. Any significant "big" news we head to new 52wk highs. It appears that NTEK is being flagged daily based on the Jan. reg sho threshold list. I'd love to see the Feb. SEC data to see how long the behavior continues as we get closer to the impending news-bombs and the fact that the NP-1's will be sitting on the shelves of box stores nationwide. Those who have significantly failed to deliver when the pps spikes 20-40% on consecutive days will have a little dilemma on their hands. Can't say I'll feel bad for them.
http://www.sec.gov/foia/docs/failsdata.htm
Fails to Deliver Data 2nd Half of January 2014:
http://www.sec.gov/foia/docs/failsdata.htm
(Quantity listed before Company Name)
Thursday - 20140116|63009Y104|NTEK|902|NANOTECH ENTERTAINMENT, INC.|0.12
Friday - 20140117|63009Y104|NTEK|4500|NANOTECH ENTERTAINMENT, INC.|0.12
Wednesday - 20140122|63009Y104|NTEK|155031|NANOTECH ENTERTAINMENT, INC.|0.11
Thursday - 20140123|63009Y104|NTEK|19169|NANOTECH ENTERTAINMENT, INC.|0.10
Friday - 20140124|63009Y104|NTEK|78400|NANOTECH ENTERTAINMENT, INC.|0.11
Mon - 20140127|63009Y104|NTEK|15389|NANOTECH ENTERTAINMENT, INC.|0.11
Tues - 20140128|63009Y104|NTEK|3500|NANOTECH ENTERTAINMENT, INC.|0.09
Wed - 20140129|63009Y104|NTEK|27391|NANOTECH ENTERTAINMENT, INC.|0.10
Thurs - 20140130|63009Y104|NTEK|31311|NANOTECH ENTERTAINMENT, INC.|0.10
Fri - 20140131|63009Y104|NTEK|10000|NANOTECH ENTERTAINMENT, INC.|0.10
Does anyone know why otc reg sho threshold flag data only goes back to 1/8/14?
http://www.otcmarkets.com/stock/NTEK/short-sales
Mr. LX Rudis goes on the record 2/25:
http://forums.digitalmedianet.com/articles/viewarticle.jsp?id=3081356
Getting It There
Largest Content Provider in Dubai Closes the Gap Between 4K Content Generation and Distribution
By Miles Weston
Global New Age Media (GNAM(r)), the largest content provider in Dubai, recently entered into an agreement with 4K Studios(tm), a subsidiary of NanoTech Entertainment with facilities in San Francisco and Hollywood, California, for the conversion of its sci-fi thriller, "Mantera," to 4K Ultra HD. NanoTech will also be distributing the film with UltraFlix(tm), its streaming 4K Ultra HD service.
NanoTech Senior Vice President of Product Development, Alex "LX" Rudis emphasized that the growing demand for 4K content will not be met if we rely solely on the development of new ultra HD entertainment.
Fortunately, with recent technology advancements, we are no longer limited to just creating new 4K content to meet this growing demand. Content owners such as broadcasters and movie studios have vast libraries of content that can be economically converted to pristine 4K and offered to consumers while providing added ROI on their investments. The freemium versions (with embedded ads) can also be quickly turned into very high-quality 4K VOD content that can be used to generate incremental income.
Alex "Lx" Rudis - Senior Vice President, Product Development, NanoTech Entertainment, 4K Studios Director
Lx has more than 25 years of industry experience and has worked with gaming and entertainment giants such as Atari, Komani, Sega and Sony on wide range of leading video products. His strong understanding of start-up relationships with large multi-national corporations enables Lx to oversee development for internal and external teams. Among his other responsibilities at NanoTech Entertainment, Lx is also responsible for the rapidly growing 4K Studios located in San Francisco and Hollywood. 4K Studios is a major player in converting films, television shows and other content into 4K-ready content to be viewed in the homes. Lx is a regular speaker on the technology behind 4K, computer gaming software and hardware, IPTV and the future of the content industry.
Tell us a bit about Global New Age Media and some of the films it has produced in the past.
Headquartered in Dubai, Global New Age Media (GNAM) is the largest independent, non government affiliated, youth broadcaster, with three channels in MENA (Middle East/North Africa) and additional channels in India, Korea, Indonesia and Russia. GNAM's channel brand is known throughout Europe and Asia as Spacetoon Channels. The company has a large production facility in Kuala Lumpur where its animated series is produced for worldwide distribution. GNAM has represented the merchandising and licensing rights of major studios and prominent independent companies for the MENA region and has its own retail outlet. GNAM is the holding company and investment group for a large, diverse group of media companies now expanding into North America. (see www.gna-media.com)
What is significant about the film "Mantera?"
"Mantera" is the first major motion picture financed through Global New Age Media. Produced with a $9 million USD budget, the sci-fi thriller tells the story of a brave young man who saves Mantera (Man Transformable Exo-Robotic Armour) from falling into the wrong hands. The film was released theatrically in Asia and sold throughout the world. The film will be on Netflix this year (2014). (Check imdb.com for further info.)
What is the connection of the film with Dubai? Was Dubai one of the locations?
"Mantera" is an Arabic, Russian and Malaysian co-production that was shot in Dubai, Moscow and Kuala Lumpur.
Why have they now decided to convert the film to 4K?
In announcing the agreement with NanoTech, Mr. Fayez Sabbagh, Chairman of GNAM, said, "It is important for all of our content to be converted to 4K because we want to provide a new, more exciting entertainment experience. When we saw a preview of the film that was converted to 4K, the results were amazing. There's just no comparison between CGI HD and CGI Ultra HD. We would have shot the film in 4K if there was a 4K camera available at that time. Yes, 4K conversion is the key for all of our HD content at this point in time. In the future, all GNAM productions will be produced in 4K."
Image Source - 4K Studios
High-Quality, Low Cost - Independent studios and videographers have found they can still have optimum creative control without going deeply in debt. Economic 4K cameras, minimalistic sets and PC-based post-production software can enable people to deliver outstanding theater quality.
What was the film originally produced with? What cameras and what format?
Originally shot in HD, the film combined CGI (computer-generated imagery) HD and live action.
What is NanoTech's streaming 4K Ultra HD service?
UltraFlix, NanoTech's all 4K Over-the-Top (OTT) streaming service will deliver 4K ultra HD content on a variety of TVs and devices, including NanoTech's Nuvola NP-1 consumer 4K streaming media players which comes pre-installed with UltraFlix.
The Nuvola's 4K streaming capabilities provide distinct advantages over players that only download content. With streaming, there is no loss in quality and users don't have to wait for downloads or use up their drive's capacity storing large files. Using advanced video compression techniques, UltraFlix can easily stream a visually lossless 4k video stream at an average of 10Mbs, which is now commom amoung NA and EU internet subscribers.
.
Image Source - NanoTech
Don't Force It - A one-hour compressed 4K film is about 160GB and would take 7-1/2 hours to download on a 50 mbit/s connection. However, by processing using multiple codecs and advanced post methods, videos can be flawlessly streamed--even over 6 mbit/s pipes.
How will it be available? On VOD? On what platform and for whom to view?
UltraFlix will initially only be available on NanoTech Nuvola 4K streaming media players. Additional 4k TV and STB platform integration will follow later this year. UltraFlix will offer a variety of titles ranging from Hollywood movies to Indie films, documentaries, concerts, travel and special interest entertainment-all as 4K content.
Please discuss the technicalities of how footage can be changed to 4K, how some of the challenges of noise and grain can be addressed and why perhaps, this is a unique area.
4K Studios has invested over $750k in 4K film scanning and post processing equipment. The equipment enables us to efficiently and effectively scan 16mm and 35mm film using proprietary multi-scans per frame at a variety of Color and Light-Levels to capture a highly optimized Wide Dynamic Range (WDR) 4K digital scan of each frame. We also apply a dynamic and optimized de-noise filter and color correction process to efficiently produce a pristine 4K raw master file. As a final step, we scan through each frame of the film and manually remove scratches and any remaining artifacts. . The end result is a near-perfect 4K scan which is a raw mezzanine master file awaiting final encoding for streaming OTT delivery.
Color Correction - 4K's Christoper Davis, senior colorist, works with the company's indy directors in the creation of high-quality 4K digital masters for their films. He also deals with the majority of the issues related to which codecs are used for the projects to determine what happens over a range of compression levels to ensure viewers get the highest-quality content possible.
What are some of the trends around 4K, some of the challenges in this area and why NanoTech's technologies are perhaps different.
The 4K trends we're seeing are a clear significant push for 4K from the TV manufacturers; we need content for them and everyone else involved in the 4K industry. Natively shot 4K movies and videos will find their way onto these 4K sets first, soon to be followed by the scanned and re-mastered videos from 4K Studios and other similar service providers. Also, more and more consumers will be producing their own 4K content with the advent of low-cost 4K cameras like Blackmagic, Sony and JVC; and then there will be the massively adopted 4K cameras from GoPro and forthcoming SmartPhones from Sony, HTC, LG and Samsung with their embedded 4K cameras.
The challenges will include robust and efficient 4K editing, sharing and distribution. More powerful PCs and GPUs along with enhanced encoding processes and "show me the beef" bandwidth increases will help alleviate these challenges. NanoTech has an experienced media staff that understands this and will help lead the path to 4K adoption success.
What's the difference between the upscaled content and what NanoTech is providing?
At 4K Studios, the conversion process doesn't just involve up-scaling. Upscaled content is muddy and full of artifacts. It's just not acceptable for consumers who pay for--and expect--the true 4K resolution experience.
Upscaled is just that ... stretching pixels. This process has gotten smarter with advanced interpolation algorithms which we are successfully implementing. Optimized scaling will have a home in the 4K ecosystem as 99+% of all digital content today is >4K and presenting that content in its best light on 4K TVs is important. NanoTech understands and appreciates this. This is one of the reasons we chose the NVidia Tegra-4 for our Android-powered OTT set-top box. The Tegra-4 has an amazing built-in scaler--one of the best we've ever seen. The 2K (1080p) content being delivered from Amazon, M-GO, Vudu, Netflix and YouTube will absolutely look better on a 4K TV when decoded, scaled and output to a 4K TV rather than allowing the TV to do the up-scaling.
Detailed Cleaning - Owen Morris is one of 4K Studio's senior producers who is responsible more much of the firm's extensive and detailed software-based film cleaning and denoising. Using advanced techniques and the firm's proprietary developments, the company can enhance unprezzed content and resolve issues related to pixel and frame doubling which can occur during the repurposing of content.
With that said, NanoTech is a major proponent of true / native 4K. In addition to more native pixels, we also have the inherent benefit of 10-bit color vs. 8-bit, which is used in HD. 8-bit means that for red(R), green(G), and blue(B), the values 0 to 255 can be represented. For 10-bit, the RGB values can be from 0 to 1023. This means that per component, 10-bit is 4 times as detailed as 8-bit. And, if you had a raw image with 10-bit depth, it would have a color palette 64 times as large (4x4x4=64) to represent the image on your screen. In addition to a more accurate representation of color, it also means that deep colors and blacks are presented in much more detail, lending drama and sometimes a 'nearly 3D' depth to the imagery.
NanoTech will be providing both an optimized HD to 4K scaling solution as well as all the benefits native 4K has to offer.
How long does it take to convert a film to 4K?
A 2-hour film cleaning, scanning, optimizing, encoding process takes 3 to 4 days on average. A damaged print with many defects could take many more man hours.
Has Nanotech done this for other films as well?
Yes, our machines are running 24/7.
At the 2013 American Film Market (AFM) and the 2014 Consumer Electronics Show (CES) 4K Studios, successfully demonstrated a turnkey solution that provides everything content owners need to cost-effectively convert their existing media to world-class 4K digital content and stream it through NanoTech Entertainment's Nuvola 4K UltraHD media streaming players.
Industry professionals who viewed the converted films were not only amazed at the incredible detail and sense of depth they were experiencing, they were surprised that the NanoTech technologies are available now.
Beyond Post Production - The image above shows how 4K Studios is able to take even earlier film and production work and repurpose, manipulate and enhance the content to make even older video to look almost as though it was produced in native 4K.
When will the 4K film be released and where?
UltraFlix will be released on Nuvola this Spring. Amazon, Netflix, M-Go and YouTube will offer 4K on our platform later this year.
Pinks move on hype. Hype based on baseless or hopeful speculation and hype based on actual products and revenue. MRIB will explode on the latter in the very near future, a rarity down here. Technicals alone are bullish to say the least. If mrib doesn't scream buy what does? GLTA mrib $$$
Great post, I think you echo the sentiments of most well adjusted human beings, thank you.
Yep, there it is folks.
It didn't work. I understand it takes $ to go to trade shows. Show me the explosion of reviews and non shareholder buzz about the np-1. We are missing something.
The unusual amount of emails and call volume is ntek's own doing. They created the culture of "transparency" and when there are delays and they don't give answers, large numbers of investors and consumers sit up and take note. Is your product an award winning, first and only of it's kind or not? Are we embarrassed about this or what? If the pps was responsive during this time I'd be less vocal about it but since it's not, I'm still holding my shares but also voicing my opinion here and to friends I see in person who are also shareholders. If the pps remains flatline, there had better be an "aha moment" coming from ntek as to wth has been going on. Prospective investors (which we longs depend on to move the pps) aren't stupid, they see the mass potential, they also see the pps staying static for the past few months, and IMO they are willing to wait and chase the next leg up before buying ntek and watching the pps sit. When it goes we all know its going big one way or another. -or- they are only willing to take a small position for the time being.
I think there are too many experienced individuals leading ntek right now to screw this up if the np-1 is what it's reported to be. But why the lack of marketing? That's all i want to know! (And yes i will be emailing ir - I'm allowed to discuss my opinion) No $ for marketing? I'll say it again, prototypes like the one used at ces should have been sitting on magazine and webzine editors desks before ces and we should have already had dozens of reviews by this time to add to the impending reviews of the production np-1's. Gotta spend money to make money and why they have (from a non insider perspective) done nothing to market their products is mind boggling at this point in the game.
Ntek cannot IMO leave their current status (np-1 rollout) under speculation given their history of transparency and the information we already have about the release of the np-1. If what you've already said doesn't match up with reality, silence is not your best option unless you screwed up and you need time to fix it.
Masses of consumers don't know ntek exists, which is a good thing right now if something is wrong. For investors who actually think about these things, this is aggravating. Lets get this right!!
Agreed, I'd like to know exactly what they're paying their marketing guy to do because it seems like they are relying solely on word of mouth which is ridiculous when you have an award winning product first and only of its kind. WTH. This benefits the company that'd want to buy ntek out because it keeps the value down from where it ought to be. IMO they are doing roku, Sony and others a favor by keeping the np-1 a secret. Wtf?
Not without news today but its coming.
Prob right for this right now, but once licensing is approved don't get want to be on the sidelines chasing, exciting times for mrib.
BOOM!!!!!!!! NTEK!!
Holy Sh*t. Been in Marco Island, out of the loop. Time to add me some more NTEK!
Email response from IR (yesterday):
"Dear xxxxxx:
Please, see our answers below in CAPS:
Hello IR at MSPC!
Thank you for taking the time to answer the following questions:
1. Did you or anybody employed in your company pay for the last stock promotion? -or- was it a private investor looking to liquidate?
THE COMPANY DOES NOT ENGAGED DIRECTLY OR INDIRECTLY IN ANY IR/PROMOTION OF ITS STOCK. THERE MAYBE PRIVATE EQUITY HOLDERS THAT HAVE ENGAGED IN SUCH, WITHOUT DIRECT KNOWLEDGE OF THE COMPANY.
2. What near term (within the next month) achievements do you anticipate for MSPC? ie. contracts, mergers/acqui., project completions, etc.
WE CAN NOT TALK ABOUT NON-PUBLIC INFORMATION. I WOULD ENCOURAGE YOU TO LOOK AT OUR LATEST PRESS RELEASE OF FEB. 2014 WERE THE COMPANY GIVE A COMPLETE UPDATE OF ITS DEALS AND UPCOMING EVENTS.
I’m looking for reasons to stay long or invest more into MSPC, can you give me any? I’m looking for an update. Thanks for your time.
MANAGEMENT TEAM IS FULLY INVESTED IN THE COMPANY AND IS CONVINCED THAT THE COMPANY WILL CREATE SIGNIGICANT SHAREHOLDER VALUE IN THE MID TO LONG TERM.
THANK YOU FOR TAKING AN INTEREST IN OUR COMPANY.
BEST,
IR DEPT.
Sincerely, Xxxxxxx
looks like the q3 fin statement was early 10/16.
Oct 16, 2013 Quarterly Report - FInancial Statements for Quarter Ending September 30, 2013 Sept 30, 2013 Active
It is, I'm just trolling http://www.otcmarkets.com/stock/NTEK/filings to see if their was a time stamp on when they typically post their quarterly fins. The 11/19 submission wasn't it
oops just a quarterly report..
Fins due 45 days after q close. NTEK Q3 Fins closed Sept 30/31, showed up on OTC Nov 19 - 49/50 days after. Does this mean we may not see the fins until next Tues/Wed?
Holy crap that's awesome. Thanks.
What's up girl?!! Mrib gonna be HUUGE-a! Anybody have any good Marani Vodka recipes?