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Its only a matter of time before VNUE gets the attention it deserves
Haven't posted much but I'm still long here, 15 more days and my first lots gonna qualify for long term tax
Notes finished, first round of financing coming, trip 3s will only be a memory soon
Nice bids coming in mikey, somebodys catching on..
We should see a nice recovery now that notes are done
Looking good Matt!
Ticketmaster partnership will be huge, a ticket bundled with an instant collector's copy of the concert, brilliant! Say what you want about matchbox twenty but this is ENORMOUS. They're performing at the same pavilions I saw Foo Fighters at in Houston and Dallas.
I agree wolverine, I think 2020 will be a good year for vnue's long shareholders
Same. Hope Zach is still alive
Wait till they start dropping these bombs ... "We will introduce people, brand ambassadors and sports celebrities as we can."
Lets keep em locked up folks! Bids and volume coming in. I know for a FACT we have a ton of shares locked up here! If you couldn't tell by L2 :)
It sounds like Vnue is about to have full blown operations in Australia and the UK.
"The company has partnered with Second Gear Productions, based in Brisbane, to establish an Australian fulfillment center for physical product delivery. Additionally, DiscLive has launched a relationship with Gold Coast-based Dorsey Productions to bring on more Australian and other touring acts into the company’s roster of “instant live” recordings. Dorsey Productions will also be assisting with futher business development in the UK."
#DorseyProductions - an all service boutique entertainment agency
#ArtistManagement #ConcertPromotion #TalentAgent #ArtistDevelopment #RecordProduction #Distribution
#VenueManagement #HologramCreator
www.dorseyproductions.net
#EltonJohn #MichaelBolton #PaulaAbdul #JerryHall #RodStewart #SmokeyRobinson #MichaelBuble #Rodrigues #LisaMariePresley
Record Production
Duration varies • Price varies
Producer and executive producer on a number of tracks by artists including:
#CarlosSantana #RobThomas #WillieNelson #EltonJohn #Slash #Fergie and #ManyMore!
Artist Management
Duration varies • Price varies
With over 30 years of experience working with some of todays international superstars and making friendships and developing strong business ties around the globe
$220 thousand market cap on an up and coming company, doesnt get much cheaper than that.
Interesting, got a pre-market hit already, with bid/ask rising.
VNUE Company Overview
VNUE, Inc. (OTC: VNUE) is a publicly traded music technology company, that offers a suite of products and services that monetize and monitor music for artists, labels, performing rights organizations, publishers, writers, radio stations, venues, restaurants, bars, and other stakeholders in music. The company’s Set.fm™ consumer app platform allows fans to purchase the concert they just experienced instantly on their mobile device, and “instant” physical collectible products are recorded and sold at shows and online through the company’s exclusive partner DiscLive Network™,the 15-year pioneer in “instant live” recording. The company’s Soundstr™, technology is a comprehensive music identification and rights management Cloud platform that, when fully deployed, will accurately track and audit public performances of music, creating a more transparent ecosystem for general music licensing and associated royalty payments, and will help to ensure the correct stakeholders are paid through the use of our “big data” collection.
DISCLIVE/SET.FM
DiscLive and set.fm provide fans with “instant” experiential content, so that they may walk out of a concert and take home their experience. The concert never ends with DiscLive and Set.fm.
Physical products consist of double CD sets, handsomely packaged in high-quality digipaks, and mixed and mastered “on the fly,” where fans walk out with the product. Set.fm allows fans to receive the same content directly on their mobile device. All of this happens within minutes after a show.
What We do
Teams follow tours and record major artists and release high quality products instantly via set.fm mobile app and DiscLive physical products (online and onsite), capturing the emotion of the moment and translating that to sales. Set.fm also offers “indie” artists a free “Set.fm Studio” app to record themselves and sell their music on our platform. DiscLive is the pioneer, and VNUE’s CEO helmed that company since 2004, as well as EMI/Capitol Records version (2009-2012), called “Abbey Road Live”. Thousands of shows have been recorded all over the world and tens of thousands of products sold. Major artist clients (past and current) include Rob Thomas, Peter Frampton, King’s X, Bad Company, Slash, Seether, Devo, Blondie, and many others.
Size of the Market
According to Statistica, the global music business is currently valued at $51.5 billion. Within that market, live music revenue is projected to be over $31 billion by 2022, according to Pricewaterhouse Coopers. With sufficient capital, we expect our experiential products to capture between $50-$100 million of that annual market within three years.
How We Make Money
Based on our team’s 14+ years of operations (through DiscLive, Abbey Road Live when aligned with EMI, and Set.fm), thousands of shows recorded around the world, and our data collection, our average sales conversion is 15%, with product prices averaging $25. This means at a show of 1000 people attending, 150 of those people would purchase one of our products. With just ten tours of 20 tour dates each, and an audience of only 2500 per show, revenue potential is $1.875 million. We also market our products worldwide through our e-Commerce websites and through effective use of social networks.
Plans for Growth
This is a model that is scaled through the use of technology, software and hardware that we have specifically assembled to address our proprietary business practices which have been honed over the years, staffed with readily available contract personnel that we train specifically for our model. This does not age out. It is very much the “Ray Kroc” model, translated to music services, where the processes are repeatable, and we have an unbeatable product and service line. Since the business is primarily built on relationships, our ability to scale is only limited by access to capital. Scaling the opportunity is as straightforward as accessing the capital to acquire the equipment and contract resource to cover more tours.
SOUNDSTR™
VNUE acquired the Soundstr technology in mid-2018. Soundstr is a patent-pending hardware/cloud-based Music Recognition Technology (MRT) platform that some have compared to the app “Shazam,” but which is focused on businesses such as radio stations, bars, restaurants, and other real-world scenarios that involve the public performance of music.
What We Do
Anywhere that music is played in public, such as radio stations, bars, restaurants, and other businesses, it must be licensed. Organizations called “Performing Rights Organizations,” a.k.a. PROs, are responsible for assessing and collecting royalties. Unfortunately, there has previously been no technology to accurately track and audit exactly what music is being played, and consequently licensees have to agree to “blanket” agreements, which are usually expensive, and whereby any music that a PRO is responsible for would be licensed, whether or not it is actually played. The problem with this scenario is that due to the lack of tracking technology, there is inherent inaccuracy in which stakeholders (usually writers and artists) are paid, and further to that, in some cases, only a fraction of that PROs catalog is actually played. Soundstr has been created to address this, streamline it, and eliminate errors in royalty allocation. Soundstr listens to music, records it, and uploads it to the Cloud, where it is processed for identification via artificial intelligence (AI) and other means. Once the music is identified, several industry-leading databases are accessed to assemble deep metadata, and further processing is accomplished to build our own deep, authoritative database so that VNUE can create an accurate audit record of what has actually been played, and help to ensure the correct stakeholders are paid – while at the same time encouraging unlicensed venues to become licensed, and through the use of data, giving businesses the ability to negotiate more competitive licensing fees. Eventually, our system will support direct licensing. This creates a win for everyone involved – writers, publishers, artists, PROs, venues, and the other stakeholders.
Size of the Market
There are more than 15,000 radio stations in the USA, and 44,000 worldwide. There are over 700,000 bars, taverns and restaurants in the US, and millions globally. Between the combined segments there is more than $500 million potential in recurring revenue per year. There are even more opportunities in various other verticals.
How We Make Money
Soundstr is primarily a subscription model, and currently is about 80% complete (hardware is already 100% complete). Further development is required for additional automation. For radio stations, the unit is deployed at a cost of (confidential) per install to each station, and a recommended monthly rate of (confidential) depending upon the scope of the market. In addition to the subscription amount, we will also charge a percentage of the net savings from being able to reduce the licensing fees radio stations pay to PROs. For bars, restaurants, and other similar “brick and mortar” businesses, the charge is (confidential) per month. Soundstr also has a built-in “beacon” technology to allow VNUE to push targeted advertising using geo-centric mobile applications, which will be deployed at a later date. That revenue offsets the cost to the business owner and adds additional revenue to VNUE’s profit center.
Plans for Growth
Initially Soundstr will be rolled out to radio, and then to brick and mortar establishments. This is because there is more opportunity to scale quickly in radio, with large consolidated radio groups having single decision makers, rather than thousands upon thousands of individual business owners. For radio stations and other “professional” clients, VNUE will install the Soundstr devices and provide fee-based services. Soundstr is planned to be a self-installed item for brick and mortar establishments, which will be fulfilled via Amazon, allowing for greater scale and lower cost. Our plan is to have 450 devices deployed within 12 months. These units will get us to approximately $1.21 million in revenue, deployed almost exclusively in radio stations. Assuming we are able to build and deploy 10,000 units, revenues should hit $36 million annually, not taking into account additional revenues from anticipated reduction in fees charged to clients by the PROs.
By the end of year three, we hope to have a combination of radio stations and brick and mortar establishments generating $166 million in revenue, not including additional opportunities such as advertising revenue, and sales of big data, etc.
LEADERSHIP
VNUE is led by a team of music and technology veterans, with both large company and startup experience, all of whom possess deep relationships and multiple successes, including exits.
Zach Bair, Chief Executive Officer & Chairman of the Board - Founder & Former CEO of Voyence; Founder & former CEO of Immediatek (IMKI), CEO of DiscLive; former president Abbey Road Live Americas (EMI Music); founder owner of multiple music venues; 30+ years of experience in technology and the music business; lifelong musician, visionary, and inventor with multiple patents to his credit.
Lou Mann Executive Vice President and Board Member - Former Exec VP and General Manager of Capitol Records; former president of Media Properties for House of Blues; former executive with MCA records. 30+ years in music.
Jim King, Chief Technology Officer - Former SVP Technology, BMI; former “C” level roles at McGraw-Hill, Brightpoint, PR Newswire and others; president and founder of CoreRights and multiple startups; expertise in blockchain technology and music rights management.
Jock Weaver - Former president of Hard Rock Café International, who took that company public on the London and American stock exchanges simultaneously; founded TBA Entertainment and grew it into one of the larger live event companies in the nation at the time, before selling it to a group including Whitney Capital, Irving Azoff and Bob Geddes; he brings strong finance and live music industry knowledge to VNUE.
Tony Cardenas-Montana, Chief Content Officer and VP Artist Relations & Board Member - Founder and former president DiskFaktory; platinum-selling musician and writer; Longtime tour coordinator with DiscLive.
Nan and Bob Kingsley, Advisor - Legendary Country Music DJ Bob Kingsley and his wife/business manager Nan Kingsley are an important part of VNUE’s radio strategy, as well as our strategy in country music. With over 40 years in radio, and with a syndicated show on over 300 stations, the Kingsleys bring a vast amount of value and experience to VNUE, and our strategy with Soundstr.
Nick Lippman, Advisor - Nick is one-half of the father/son duo of Lippman Entertainment, an artist management firm representing such artists as Matchbox Twenty, Rob Thomas, Ryan Cabrera, and in the past managed artists like David Bowie, George Michael, and many others. Nick has spearheaded many technical innovations with his clients, including holographic videos and “instant live” downloads with VNUE’s set.fm.
VNUE is all about passionate, experienced people, creating new revenue streams for artists, labels, venues, publishers, writers, and more, and importantly, protecting the rights of the stakeholders. VNUE is poised to introduce a paradigm shift in the way the music business has been conducted for over 100 years.
maxm has been on and off of the ask and bid for a few months but never very active (so far) The MMs that have had plenty of shares to sell alps, paul and cfgn are all gone.
L2 is looking better than it has all year. we've dropped Paul, cfgn and alps in the past few weeks.
Why not.. what's one more tick lol
Looks like they're ramping up for some more tours, hopefully we hear some big names. Found this on twitter yesterday
https://www.entertainmentcareers.net/vnue-inc/live-music-touring-staff/job/301173/?utm_source=ecn_rss&utm_medium=rss&utm_content=119
VNUE Company Overview
VNUE, Inc. (OTC: VNUE) is a publicly traded music technology company, that offers a suite of products and services that monetize and monitor music for artists, labels, performing rights organizations, publishers, writers, radio stations, venues, restaurants, bars, and other stakeholders in music. The company’s Set.fm™ consumer app platform allows fans to purchase the concert they just experienced instantly on their mobile device, and “instant” physical collectible products are recorded and sold at shows and online through the company’s exclusive partner DiscLive Network™,the 15-year pioneer in “instant live” recording. The company’s Soundstr™, technology is a comprehensive music identification and rights management Cloud platform that, when fully deployed, will accurately track and audit public performances of music, creating a more transparent ecosystem for general music licensing and associated royalty payments, and will help to ensure the correct stakeholders are paid through the use of our “big data” collection.
DISCLIVE/SET.FM
DiscLive and set.fm provide fans with “instant” experiential content, so that they may walk out of a concert and take home their experience. The concert never ends with DiscLive and Set.fm.
Physical products consist of double CD sets, handsomely packaged in high-quality digipaks, and mixed and mastered “on the fly,” where fans walk out with the product. Set.fm allows fans to receive the same content directly on their mobile device. All of this happens within minutes after a show.
What We do
Teams follow tours and record major artists and release high quality products instantly via set.fm mobile app and DiscLive physical products (online and onsite), capturing the emotion of the moment and translating that to sales. Set.fm also offers “indie” artists a free “Set.fm Studio” app to record themselves and sell their music on our platform. DiscLive is the pioneer, and VNUE’s CEO helmed that company since 2004, as well as EMI/Capitol Records version (2009-2012), called “Abbey Road Live”. Thousands of shows have been recorded all over the world and tens of thousands of products sold. Major artist clients (past and current) include Rob Thomas, Peter Frampton, King’s X, Bad Company, Slash, Seether, Devo, Blondie, and many others.
Size of the Market
According to Statistica, the global music business is currently valued at $51.5 billion. Within that market, live music revenue is projected to be over $31 billion by 2022, according to Pricewaterhouse Coopers. With sufficient capital, we expect our experiential products to capture between $50-$100 million of that annual market within three years.
How We Make Money
Based on our team’s 14+ years of operations (through DiscLive, Abbey Road Live when aligned with EMI, and Set.fm), thousands of shows recorded around the world, and our data collection, our average sales conversion is 15%, with product prices averaging $25. This means at a show of 1000 people attending, 150 of those people would purchase one of our products. With just ten tours of 20 tour dates each, and an audience of only 2500 per show, revenue potential is $1.875 million. We also market our products worldwide through our e-Commerce websites and through effective use of social networks.
Plans for Growth
This is a model that is scaled through the use of technology, software and hardware that we have specifically assembled to address our proprietary business practices which have been honed over the years, staffed with readily available contract personnel that we train specifically for our model. This does not age out. It is very much the “Ray Kroc” model, translated to music services, where the processes are repeatable, and we have an unbeatable product and service line. Since the business is primarily built on relationships, our ability to scale is only limited by access to capital. Scaling the opportunity is as straightforward as accessing the capital to acquire the equipment and contract resource to cover more tours.
SOUNDSTR™
VNUE acquired the Soundstr technology in mid-2018. Soundstr is a patent-pending hardware/cloud-based Music Recognition Technology (MRT) platform that some have compared to the app “Shazam,” but which is focused on businesses such as radio stations, bars, restaurants, and other real-world scenarios that involve the public performance of music.
What We Do
Anywhere that music is played in public, such as radio stations, bars, restaurants, and other businesses, it must be licensed. Organizations called “Performing Rights Organizations,” a.k.a. PROs, are responsible for assessing and collecting royalties. Unfortunately, there has previously been no technology to accurately track and audit exactly what music is being played, and consequently licensees have to agree to “blanket” agreements, which are usually expensive, and whereby any music that a PRO is responsible for would be licensed, whether or not it is actually played. The problem with this scenario is that due to the lack of tracking technology, there is inherent inaccuracy in which stakeholders (usually writers and artists) are paid, and further to that, in some cases, only a fraction of that PROs catalog is actually played. Soundstr has been created to address this, streamline it, and eliminate errors in royalty allocation. Soundstr listens to music, records it, and uploads it to the Cloud, where it is processed for identification via artificial intelligence (AI) and other means. Once the music is identified, several industry-leading databases are accessed to assemble deep metadata, and further processing is accomplished to build our own deep, authoritative database so that VNUE can create an accurate audit record of what has actually been played, and help to ensure the correct stakeholders are paid – while at the same time encouraging unlicensed venues to become licensed, and through the use of data, giving businesses the ability to negotiate more competitive licensing fees. Eventually, our system will support direct licensing. This creates a win for everyone involved – writers, publishers, artists, PROs, venues, and the other stakeholders.
Size of the Market
There are more than 15,000 radio stations in the USA, and 44,000 worldwide. There are over 700,000 bars, taverns and restaurants in the US, and millions globally. Between the combined segments there is more than $500 million potential in recurring revenue per year. There are even more opportunities in various other verticals.
How We Make Money
Soundstr is primarily a subscription model, and currently is about 80% complete (hardware is already 100% complete). Further development is required for additional automation. For radio stations, the unit is deployed at a cost of (confidential) per install to each station, and a recommended monthly rate of (confidential) depending upon the scope of the market. In addition to the subscription amount, we will also charge a percentage of the net savings from being able to reduce the licensing fees radio stations pay to PROs. For bars, restaurants, and other similar “brick and mortar” businesses, the charge is (confidential) per month. Soundstr also has a built-in “beacon” technology to allow VNUE to push targeted advertising using geo-centric mobile applications, which will be deployed at a later date. That revenue offsets the cost to the business owner and adds additional revenue to VNUE’s profit center.
Plans for Growth
Initially Soundstr will be rolled out to radio, and then to brick and mortar establishments. This is because there is more opportunity to scale quickly in radio, with large consolidated radio groups having single decision makers, rather than thousands upon thousands of individual business owners. For radio stations and other “professional” clients, VNUE will install the Soundstr devices and provide fee-based services. Soundstr is planned to be a self-installed item for brick and mortar establishments, which will be fulfilled via Amazon, allowing for greater scale and lower cost. Our plan is to have 450 devices deployed within 12 months. These units will get us to approximately $1.21 million in revenue, deployed almost exclusively in radio stations. Assuming we are able to build and deploy 10,000 units, revenues should hit $36 million annually, not taking into account additional revenues from anticipated reduction in fees charged to clients by the PROs.
By the end of year three, we hope to have a combination of radio stations and brick and mortar establishments generating $166 million in revenue, not including additional opportunities such as advertising revenue, and sales of big data, etc.
LEADERSHIP
VNUE is led by a team of music and technology veterans, with both large company and startup experience, all of whom possess deep relationships and multiple successes, including exits.
Zach Bair, Chief Executive Officer & Chairman of the Board - Founder & Former CEO of Voyence; Founder & former CEO of Immediatek (IMKI), CEO of DiscLive; former president Abbey Road Live Americas (EMI Music); founder owner of multiple music venues; 30+ years of experience in technology and the music business; lifelong musician, visionary, and inventor with multiple patents to his credit.
Lou Mann Executive Vice President and Board Member - Former Exec VP and General Manager of Capitol Records; former president of Media Properties for House of Blues; former executive with MCA records. 30+ years in music.
Jim King, Chief Technology Officer - Former SVP Technology, BMI; former “C” level roles at McGraw-Hill, Brightpoint, PR Newswire and others; president and founder of CoreRights and multiple startups; expertise in blockchain technology and music rights management.
Jock Weaver - Former president of Hard Rock Café International, who took that company public on the London and American stock exchanges simultaneously; founded TBA Entertainment and grew it into one of the larger live event companies in the nation at the time, before selling it to a group including Whitney Capital, Irving Azoff and Bob Geddes; he brings strong finance and live music industry knowledge to VNUE.
Tony Cardenas-Montana, Chief Content Officer and VP Artist Relations & Board Member - Founder and former president DiskFaktory; platinum-selling musician and writer; Longtime tour coordinator with DiscLive.
Nan and Bob Kingsley, Advisor - Legendary Country Music DJ Bob Kingsley and his wife/business manager Nan Kingsley are an important part of VNUE’s radio strategy, as well as our strategy in country music. With over 40 years in radio, and with a syndicated show on over 300 stations, the Kingsleys bring a vast amount of value and experience to VNUE, and our strategy with Soundstr.
Nick Lippman, Advisor - Nick is one-half of the father/son duo of Lippman Entertainment, an artist management firm representing such artists as Matchbox Twenty, Rob Thomas, Ryan Cabrera, and in the past managed artists like David Bowie, George Michael, and many others. Nick has spearheaded many technical innovations with his clients, including holographic videos and “instant live” downloads with VNUE’s set.fm.
VNUE is all about passionate, experienced people, creating new revenue streams for artists, labels, venues, publishers, writers, and more, and importantly, protecting the rights of the stakeholders. VNUE is poised to introduce a paradigm shift in the way the music business has been conducted for over 100 years.
I hope we attract the attention of one or 2 more longs to help us continue locking it up while we're under 300k market cap.
Anyone else still here? I checked out L2 earlier today and noticed alps and paul were out of the box. Would be nice for them to piss off for at least a minute.
Yeah I did yesterday
Hey INM, I received one also. I'm not the biggest fan of it either but on the other hand it's ok with me because we need to make room for bigger financing. The real money that a company like this needs. Although we still have some notes to chew through I don't think the a/s increase necessarily means we're going to get dumped to smithereens. I think it's mostly to free up space for the preferred shares (on an as converted basis). If the rest of the preferred shares end up being convertible on the same basis that the series A are then that would take up most of the remaining space. I believe the preferreds will be given in exchange for the $1.5mil and $10mil equity financing that Zach talked about in the investors Q/A. Yeah we will be diluted some but I doubt we see those shares in the float any time soon, if ever. Just my opinion, GLTU
Yeah he is. 1.3 million estimated for this Rob Thomas tour alone. Not trying to downplay our Rob Thomas partnership but can you imagine what this will look like when bigger artists start joining? And why wouldn't they? it's more money, who doesn't like that? Zach said not only is the live recording side of this business scalable similar to McDonalds, but that we have the team to make it happen. He also said at some point this is going to snap like a lynch pin and blow up, and I really believe him.
Beats me, I never heard of him before. But that doesn't change anything for me. I'm glad Pro Music Rights appreciates our technology and I hope they sign all kinds of artists. Then hopefully other PROs follow suit.
Naw man I'm saving up for that OG maco tour hahaha
If that was the ETRF seller finally dumping, he SHOULD be out of shares now
Nice! I like how they up-listed and we didn't hear a peep from them. No pump needed here. I also noticed they removed Ketan from the CEO spot to director on otc markets, just an observation. https://www.otcmarkets.com/stock/UBID/profile
New Series A Preferred Stock designation, I bet we get some financing news soon!
Gm all! Remember markets are closed on Monday
That's right
Yep yep, churning perfectly after a run from .0017 to .0044. I took another 1.25 mil today at .0031, and will continue to add dips.
it just means that their quarterly report will be late. no big deal, its very common
Agreed, I REALLY like that my investment here doesnt depend on 1 service/product. Multiple revenue streams, one of which is expected to bring in over 1 million usd just for the Rob Thomas tour that just started AND just added 18 new dates. I expect a lot more artists to come on board. I also liked when the CEO said that its a very scalable business model and that they have the people with the know-how to do so, heck they might end up franchising the live recording business.
Size of the Soundstr™ Market
Based on FCC data, as of 2019 there are 15,330 radio stations in the USA, and over 44,000 worldwide (CIA, 2010). According to Statistics, there are over 700,000 bars, taverns and restaurants in the US, and millions globally. Between the combined segments there is more than $500 million potential in recurring revenue per year. There are even more opportunities in various other verticals.
Growth Potential for Soundstr™
Initially Soundstr™ will be rolled out to radio (we already have one contract), and then to brick and mortar establishments. This is because there is more opportunity to scale quickly in radio, with large consolidated radio groups having single decision makers, rather than thousands upon thousands of individual business owners. For radio stations and other “professional” clients, VNUE will install the Soundstr devices and provide fee-based services. We plan to roll out Soundstr™ as a self-installed item for brick and mortar establishments, which will be fulfilled via Amazon, allowing for greater scale and lower cost. Currently there are 450 Soundstr™ devices already built in China awaiting import pending funding. Our plan is to have those devices into the country and deployed within 12 months, during which time our goal will be to raise additional funds to manufacture 10,000 more units. At that scale, each unit is $21 each. The 450 units will get us to approximately $1.21 million in revenue deployed almost exclusively in radio stations. The deployment and roll out of additional units is dependent upon funding. Assuming we are able to build and deploy 10,000 units, revenues will hit $36 million annually, not taking into account additional revenues from anticipated reduction in fees charged to clients by the PROs. It will take approximately $8-10 million to get us to $36 million in revenue. Our manufacturer has advised us that it is capable of manufacturing 10,000-20,000 units per month. Over time we hope to have both radio stations as well as other brick and mortar establishments and venues. This product also provides potential growth due to advertisement, sales of data etc. We believe that the data we will be collecting could potentially be one of the strongest revenue drivers.
With our upcoming 2019 Rob Thomas tour, we are estimating revenues of $1 million for just that one tour.
Size of the Instant Live Recording Market
According to Statistics , the global music business is currently valued at $51.5 billion. Within that market, live music revenue is projected to be over $31 billion by 2022, according to Pricewaterhouse Coopers . With sufficient capital that will be deployed into sales, marketing and branding resources, we believe that we can capture between $50-$100 million annually within three years with our experiential products.
https://ih.advfn.com/stock-market/USOTC/vnue-inc-VNUE/stock-news/79705447/annual-report-10-k
Are you in Canada?
A lot of money in the music biz.. all it takes is one believer and bam 10% of the co. is locked up. and I mean locked, we won't see those shares again for a long time.
Our market cap here is STILL under 1 milly, there's a ton of room to grow
OMG alps just got b%$ch slapped!! hahaha 5 mil shares