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Hailing from a predominantly Music background and the founder of a successful Independent Record label in the 90's,Mr Brown went on to form a ground breaking streaming video company called Vidnet,with the vision that the Internet would eventually have a major position in the Music and Film distribution market. Vidnet became one of the top entertainment sites on the web, streaming over 5 million videos monthly and providing content to such companies as British Telecom, Microsoft, Disney, Lycos, Alta Vista and many more, along with industry alliances such as entertainment giants, Sony Music, Warner Bros and EMI Capital. Vidnet had one of the world's largest collection of music videos on line. Mr Brown built the company from 5 to over 100 employees; and also took the company public on the NASDAQ, reaching a market cap of over $500M. Mr Brown is an independent Film, Music and TV Producer.
- IMDb Mini Biography By: Industry
WDRFF changed to AMEFF:
https://otce.finra.org/otce/dailyList?viewType=Symbol%2FName%20Changes
Appreciated Media to Resume Quotation on the OTCQB
https://finance.yahoo.com/amphtml/news/appreciated-media-resume-quotation-otcqb-224100226.html
QB rated now, Appreciated Media is now fully reporting.
https://www.otcmarkets.com/stock/WDRFF/overview
Great run today on Appreciated Media news. (WDRFF OTC, AMH.V)
The VR platform for the Entertainment Industry is a smart move.
https://www.appreciatedmedia.com/
That’s huge news!!
VirBELA Joins Forces with Appreciated Media to Build Virtual Film Studio
Pinnacle Virtual Film Studios will revolutionize the way the entertainment industry operates
La Jolla, California and Vancouver, British Columbia--(Newsfile Corp. - May 20, 2020) - VirBELA, an immersive technology platform for business, events and education, and Appreciated Media Holdings Inc. (TSXV: AMH) (OTC Pink: WDRFF), a multi-faceted entertainment company, today announced a partnership to build a customizable virtual film studio, Pinnacle Virtual Film Studios. Through this partnership, VirBELA and Appreciated Media are working together to develop a platform that will transform the traditional film studio back lot and make Pinnacle Virtual Film Studios a premier location for delivering content without the need for travel or physical contact.
Big gains today, great shareholders call. It looks like the new CEO is moving the Company in the right direction. I am bullish on this Company.
BokehRebl, I wont be able to dial in and if you be any chance do I will be pleased if you can tell us what was said.
Thanks
You are right about that, definitely needs time upfront.
TODAY!!! Appreciated Media is also issuing the dial in information for the April 15th Shareholders conference call at 1:00 PM PST.
All attendees will need to register prior to the meeting at:
https://us04web.zoom.us/meeting/register/upYkcuuppz8uO_GJG0DG4iZgl8acGdDDzA
I would expect they would need to wait, but planning, scouting, casting, locking in a director... could commence asap.
That sounds promising but will they have to wait till after lockdown/social distancing etc. is lifted? I cannot see them making movies under the present restrictions in place. Not so?
Their going to be producing a Naked Gun 4 - Pink Heat! With an A-list Actress.
Hopefully she can fill the very large shoes that Lesley Nielsen once did.
Effective April 2,2020 The Wonderfilm Media Corporation will change to Appreciated Media Holdings Inc.:
https://otce.finra.org/otce/dailyList?viewType=Symbol%2FName%20Changes
Has anyone been able to get any info or news on Wonderfilm? They’ve gone silent.
So I searched won-gil choe...of ttch fame...korean dude....and this "stock" message board was the return......
Is his progeny living in his $2.5mm house and looking to rip off "investors" as his daddy did?
$WDRFF Tier_Change: OTCQB to Pink Current
OTCM Link
https://www.otcmarkets.com/stock/WDRFF/disclosure
Filmmakers Poised for Big Gains in Hollywood’s ‘Streaming Wars’
NetworkNewsWire Editorial Coverage: While big streaming companies battle it out for supremacy, the real winners of an epic battled dubbed the “streaming wars” may have already emerged: the production companies that stand to profit in a big way from the exploding demand for SVoD content.
As digital streaming steadily eclipses all other forms of in-home entertainment delivery, an entertainment war has erupted among leading subscription video on demand (SVoD) providers. These streaming wars have opened the gate for newer production companies to step up and cash in by funneling fresh content to hungry SVoDs. The battle has already resulted in some big winners, including film-production companies, such as Wonderfilm Media Corporation (TSX.V: WNDR) (OTCQB: WDRFF) (WDRFF profile), that are lining up to satisfy the voracious content appetite of these SVoD giants. As on-demand media streaming continues to rival — and in some cases supplant — every other form of entertainment delivery, major streaming service providers such as Apple Inc. (NASDAQ: AAPL), Netflix Inc. (NASDAQ: NFLX), The Walt Disney Company (NYSE: DIS) and Amazon.com Inc. (NASDAQ: AMZN) are also duking it out for dominance.
- Leading streaming service providers are spending billions on content annually.
- With approximately 100 films already streaming on the Netflix platform, Wonderfilm is well-positioned to profit upon the cash-strewn battlefield of the streaming wars.
- WNDR differentiates itself by eliminating the downside risk of filmmaking through setting up each film as a single-purpose entity packaged for upfront sale.
To view an infographic of this editorial, click here.
Another Entertainment Revolution
The widespread advent of the VCR in the 1970s gave birth to a revolutionary concept: Consumers could take control over their entertainment and watch what they wanted, when they wanted, within the comfort of their own homes. It wasn’t long before millions of households in the United States possessed these high-tech devices.
Fast forward more than 40 years, and VCRs have now become the antiquated stuff of garage sales and thrift shops. But that concept of controlling one’s own entertainment is alive and thriving — and fueling this major entertainment conflict the media has dubbed the streaming wars. The dominance of content streaming and the race to capture — and keep — VOD consumers unquestionably marks the entertainment revolution of this generation.
Younger Ponies Are Joining the Race
To pull ahead of the herd, the biggest SVoD providers are laying out big bucks to forge exclusive content deals, by both commissioning new content and securing existing content. These providers are also striving to bring leading producers and filmmakers into their paddocks. The demand for content in this streaming race is far exceeding the supply, which has given newer players such as Wonderfilm Media Corporation (TSX.V: WNDR) (OTCQB: WDRFF) a prime opportunity to step in and claim their share of the field.
Wonderfilm is a leading publicly traded entertainment company backed by four Hollywood producers who have, collectively, generated more than $1 billion in revenues from hit films. Wonderfilm’s primary business is the production of high-quality feature films and episodic television, and the company provides a continuous annual production slate of approximately $58 million in projects to ensure continuing deployment of capital and specialized industry expertise throughout the packaging, production and collection phases.
With approximately 100 of the 250 films it owns already streaming on the Netflix platform, Wonderfilm is well-positioned to profit upon the cash-strewn battlefield of the streaming wars. In 2019, Wonderfilm also entered into an agreement with one of the largest streaming platforms in the world to add its entire catalogue to the platform during the latter half of 2019.
In addition to offering up its existing film library for streaming on major platforms, Wonderfilm is also primed to produce original content commissioned by SVoDs.
Outside-the-Box Business Model
Wonderfilm was formed to bring together top filmmakers to produce major motion pictures using a unique risk-averse business model. The company differentiates itself by eliminating the downside risk of filmmaking through setting up each film as a single-purpose entity packaged for upfront sale before any money is spent. Productions are structured to minimize risk by matching budget to available funds. Films are sold based on script, writer and cast for each separate production, and once a film is sold, the company uses the proceeds as one of its tools to finance production. Additionally, Wonderfilm capitalizes on tax credits provided by the chosen state in which a film is shot, and these credits are used as an asset to bank against for an upfront loan to complete the financing.
This unique production structure enables Wonderfilm to start generating a return virtually the moment the camera begins rolling. Producer-fee line items ranging from $50,000 to $500,000, depending on total budget, are incorporated into each production budget and are typically paid to Wonderfilm on day one of principle photography.
Through Wonderfilm Global, a film, television and media foreign sales/distribution joint venture launched at the 2019 Cannes Film Festival, and in which Wonderfilm has 51% ownership, Wonderfilm is able to keep distribution margins in-house that formerly went to other companies.
Within each production budget, Wonderfilm Global charges fees for sales and distribution to cover presale costs. Unsold presale territories (countries or territories left off of a film’s presale list either strategically or because the broadcaster/distributor is waiting for film completion) become major outside-of-the-budget distribution sales opportunities for Wonderfilm.
The company largely produces relatively low-risk, easy-to-sell films that feature desirable cast and genre. Once upon a time, third-party distribution companies were earning roughly 10%, plus expenses, on the company’s films with zero level of risk. Now, however, Wonderfilm is generating revenue through presales of its own projects and, at times, third-party films.
The average Wonder?lm picture is pre-sold for $5 million, resulting in a commission that is between $500,000 and $750,000 per sale. Now, rather than going to a third party, these commissions remain in-house with Wonder?lm Global. The company anticipates it will sell between 10 and 12 third-party films by fall 2020, which will generate approximately $6 million in commissions for the company.
In addition, the company’s film library continues to grow with each new production, which adds to future sales revenue. Exploitation rights for future worldwide sales return to Wonderfilm four or seven years after delivery, depending on the agreement. As of October 2019, the growing library of Wonderfilm-produced movies comprised 18 titles for future exploitation.
Exciting Projects – Both in the Can and on the Horizon
Wonderfilm has several potential breakout films currently on its development/production roster.
The company takes pride in working with some of Hollywood’s best talents to create unforgettable films while providing exponential future value for shareholders. Wonderfilm’s slate of 2019 films boasts some of Hollywood’s biggest names in the starring roles, including Nicolas Cage and John Travolta. Cage has starred in two Wonderfilm productions since 2018 and is slated to begin filming a third Wonderfilm picture in 2020.
While Wonderfilm focuses on high-ROI low-budget films — the sort that are ideally suited for direct-to-streaming release — the company also produces a handful of large-budget films each year that are designed to generate home-run potential.
Seventeen new Wonderfilm features are currently greenlit for shooting, representing $58 million in production budgets. Most notable among these are the horror film “Amityville 1974,” which is slated for theatrical release in October 2020, and the action film “Inside Game,” starring Tyrese Gibson, which will hit theaters in fall 2020.
Wonderfilm is also actively developing various other new IP projects, among which is a dramatic biopic about the life of Steve McQueen, a screen adaptation of bestselling novel “Merchant of Death,” and a TV series helmed by “CSI: Crime Scene Investigation” creator Anthony Zuiker.
Big Opportunities
In the current fight among SVoD providers to offer the most plentiful and alluring content to hook consumers, up-and-coming production companies such as Wonderfilm are in a prime position to strike lucrative deals, both with providers looking to acquire existing content and those seeking to solicit new, proprietary shows.
Newly launched by Apple Inc. (NASDAQ: AAPL) on Nov. 1, 2019, Apple TV+ has already made history as the first streaming platform to earn Golden Globe nominations during its launch year, bringing in nods for its original drama “The Morning Show.” Apple has touted its service as the first all-original video subscription service, thus setting a high bar for itself right out of the gate to continue delivering content that is both all original and award caliber. This is, no doubt, a strong motivating force behind Apple’s efforts to lure hot-commodity filmmaking talents away from established TV networks and movie studios.
Veteran streaming platform Netflix Inc. (NASDAQ: NFLX) has spent a reported $12 billion this year on programming alone to satiate the content appetites of its 166 million global subscribers. Netflix is also one of the production pirates that has been seducing writer-producers from studios and networks with jaw-dropping compensation packages.
Amazon.com Inc. (NASDAQ: AMZN) has done the same, luring creative minds from established networks and studios with big payoffs. The company spent $1.7 billion on streaming content (both video and music) in Q1 of 2019 alone. Across the film industry, big money is being tossed out in an effort to acquire talents, scripts and ideas, and it’s happening at a level Hollywood has never seen before.
The Walt Disney Company (NYSE: DIS) is another big-hitter that is spending big bucks for streaming content to fill out the offerings on its new Disney Plus platform, which was also just launched in November. Disney has announced plans to spend over $1 billion for original content during fiscal year 2020 and projects it will reach upwards of $2.5 billion in expenditures for Disney Plus programming by 2024.
Hollywood’s streaming wars could last for years as these and other big players with deep pockets wheel and deal, watch and wait. But regardless how long the battle lasts, production companies can claim victories right now as they step in to serve up the plentiful entertainment offerings these SVoD providers — and their patrons — are clamoring for.
For more information on Wonderfilm Media Corporation, visit Wonderfilm Media Corporation (TSX.V: WNDR) (OTCQB: WDRFF)
About NetworkNewsWire
NetworkNewsWire (NNW) is a financial news and content distribution company that provides (1) access to a network of wire services via NetworkWire to reach all target markets, industries and demographics in the most effective manner possible, (2) article and editorial syndication to 5,000+ news outlets (3), enhanced press release services to ensure maximum impact, (4) social media distribution via the Investor Brand Network (IBN) to nearly 2 million followers, (5) a full array of corporate communications solutions, and (6) a total news coverage solution with NNW Prime. As a multifaceted organization with an extensive team of contributing journalists and writers, NNW is uniquely positioned to best serve private and public companies that desire to reach a wide audience of investors, consumers, journalists and the general public. By cutting through the overload of information in today’s market, NNW brings its clients unparalleled visibility, recognition and brand awareness. NNW is where news, content and information converge.
For more information, please visit https://www.NetworkNewsWire.com
NetworkNewsWire (NNW)
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www.NetworkNewsWire.com
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DISCLAIMER: NetworkNewsWire (NNW) is the source of the Article and content set forth above. References to any issuer other than the profiled issuer are intended solely to identify industry participants and do not constitute an endorsement of any issuer and do not constitute a comparison to the profiled issuer. The commentary, views and opinions expressed in this release by NNW are solely those of NNW. Readers of this Article and content agree that they cannot and will not seek to hold liable NNW for any investment decisions by their readers or subscribers. NNW is a news dissemination and financial marketing solutions provider and are NOT registered broker-dealers/analysts/investment advisers, hold no investment licenses and may NOT sell, offer to sell or offer to buy any security.
The Article and content related to the profiled company represent the personal and subjective views of the Author, and are subject to change at any time without notice. The information provided in the Article and the content has been obtained from sources which the Author believes to be reliable. However, the Author has not independently verified or otherwise investigated all such information. None of the Author, NNW, or any of their respective affiliates, guarantee the accuracy or completeness of any such information. This Article and content are not, and should not be regarded as investment advice or as a recommendation regarding any particular security or course of action; readers are strongly urged to speak with their own investment advisor and review all of the profiled issuer’s filings made with the Securities and Exchange Commission before making any investment decisions and should understand the risks associated with an investment in the profiled issuer’s securities, including, but not limited to, the complete loss of your investment.
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Grapevine Logic may be the one of the more valuable pieces of this puzzle that site seems to have a greater utility for consumer brands and who they select as social media marketers it could also be used by social media marketers to prove what they are worth and establish pricing for themselves
Connections to Bruno Wu the Chinese billionaire and B+ & A- actors like nick cage, John Travolta, and Tyrese Gibson always helps
As for their box office performance the movies should have been presold to markets before release so most investment downside was likely not experienced by Wonderfilm. And let’s not forget the film “primal” was filmed in Puerto Rico (where production companies get a 30% tax credit)—> these tax credits are not recorded as revenues but they are built into the production budget .
I think there is a lot of hidden value here
Next catalyst is in about 10 days or so when we here about their next movie release in the theaters. Unfortunately, their 3 last films recently released didn't have favorable reviews overall.
Still, the longer term picture looks encouraging as they're bound to have some big hits next year and if/when they start streaming them on demand, that's when their revenues can really stack up.
Until then, I'll just keep nibbling in for the long haul.
about to start compiling together some DD for this company so that it can be consolidated for this board... starting to like what I am uncovering
I also took out a small position at .10 this week
GLTA
I'll take a small gamble here. OS is just over 38 million. I've seen it slowly rise when they make acquisitions in exchange for shares. Since they already have millions in deferred revenue and a new debt facility in place for creating the productions that they pre-sell, my hope/guess is that the OS might max out around 45-50 million. But since they estimate revenue to be $20 million this next fiscal year, $60-$70 million in 2020 and over $100 million in 2021, I think the OS can handle it!
Entertainment Businesses Adopt New Approaches for Streaming Age
NetworkNewsWire Editorial Coverage: As video streaming grows to dominate media consumption, companies are on the lookout for new ways to profit from the burgeoning trend.
Wonderfilm Media Corporation (TSXV: WNDR) (OTCQB: WDRFF) (WDRFF Profile) has developed a low-risk approach to content production by providing original works with top Hollywood talent. Apple Inc. (NASDAQ: AAPL) is launching its new TV+ service with a slew of big-name stars and big-budget productions. Netflix Inc. (NASDAQ: NFLX) continues to be a dominant player, with a strong mix of original and established content. The Walt Disney Company (NYSE: DIS) is using its range of high-profile entertainment brands to carve out its own place in the market. Lions Gate Entertainment Corporation (NYSE: LGF.A), which has produced content for other streamers, now has its own Latinx platform in the successful Pantaya.
- Leading streaming services are now valued in the billions of dollars.
- Original content is critical to success, creating opportunities for new production companies to gain entry into streaming markets.
- A variety of channels are targeting different niches and business models.
To view an infographic of this editorial, click here.
Streaming Services Explode
This month sees a dramatic moment in the growth of streaming services, with Apple and Disney each kicking off their own platforms. The market for streaming video on demand is now worth $36 billion per year, an extraordinary figure for such a young industry. As viewers shift away from the schedules of broadcast media to a format where they can watch what they want when they want, the $2 trillion media and entertainment industry is facing serious upheaval.
The performance of the most-profitable streaming services, especially Netflix and Amazon, has drawn the attention of other companies. Apple’s background in technology and media distribution makes it a natural player in this arena. Older media firms are also leaping in, as they try to avoid hemorrhaging profits to upstart firms. The question now is which strategies will lead to success.
The Video-Streaming Revolution
This period of upheaval has created opportunities not just for established players but for newer companies such as Wonderfilm Media Corporation (TSX.V: WNDR) (OTCQB: WDRFF). Backed by four Hollywood producers with a billion dollars’ worth of movie revenues between them, Wonderfilm aims to use its collective expertise to tap into investment in streaming services, quickly financing and flexibly producing films for the streaming market.
Wonderfilm is up against some big players. Apple+, launched on November 1, sees one of the pioneers of downloadable content make a move into video streaming. Even before the channel launched, a Morgan Stanley report assessed the service’s future value at $9 billion a year by 2025. With its devices already in so many people’s hands, Apple has a head start in reaching a big audience.
The other new entrant in the video-streaming game is relying on its reputation for content rather than technology to draw viewers in. While Wonderfilm focuses on creating new content, Disney+ will rely on established properties. Alongside its host of animated princesses and kid-friendly TV, Disney owns the rights to the Star Wars and Marvel superhero franchises. New shows such as The Mandalorian will draw in fans eager to see more of their favorite fictional worlds, while the streaming of some of the biggest cinematic blockbusters will be concentrated in this one channel.
Wonderfilm has discussed plans to launch its own streaming channel, but for now the company is focused on creating films for other distributors, both cinematic and online. The boom in streaming services isn’t just good for the companies running those services, it’s also a potential windfall for content creators such as Wonderfilm, as streamers launch a content gold rush.
The Appeal of Original Content
The boom in streaming services has led to what some have called a “golden age of spending” on TV content. The success of high-profile Netflix original shows such as “House of Cards” and “Daredevil” has inspired others to follow suit. Amazon has shifted from a pure distributor model to a leading content creator, while Disney intends to draw in audiences with new material set in its established worlds.
Media companies are expected to spend $107 billion over 2019 on content creation, with 22% of that coming from Disney alone. Do that math, and that equals hundreds of millions of dollars every day going to companies producing films and TV shows. Audiences have shown that they want more than just repeats on their streaming services, and that original content draws attention, awards, and most importantly subscription fees. With more companies going into streaming, the demand for new content is expected to escalate, fueling interest in and success from companies such as Wonderfilm.
A company that can quickly pull together mass amounts of appealing original content is likely to thrive in this environment, and Wonderfilm has the leadership to make that happen. The company was created by Kirk Shaw, the second-most prolific filmmaker in America. A hardworking producer, Shaw has 230 films and seven TV shows under his belt. He founded Insight Film Studios, Canada’s largest independent film studio, and played a part in crafting award-winning blockbusters such as The Hurt Locker.
Shaw’s experience, skills and contacts put Wonderfilm in a strong position to provide streaming services the content they crave. But in such a busy market, having the right business model is going to be critical, and it’s on this that companies in the streaming arena could rise and fall.
Business Models for Streaming Entertainment
The basis of the Disney+ model is clear. As one of the largest entertainment providers in the world and owner of many of the most popular characters and properties, the company is relying on the appeal of its existing creations. While Disney plans some original content, the company’s offerings audiences will likely see known characters and situations in new arrangements, such as shows featuring characters from the Marvel cinematic universe.
Upstart companies can’t compete with Disney on the same terms, and so have to find their own niche within the streaming ecosystem. Wonderfilm has identified that sweet spot by focusing on producing plentiful content while minimizing risk through an established three-part strategy.
Two parts of this strategy are relatively obvious. By partnering with established stars, such as Ryan Phillippe in action-thriller The 2nd, the company can increase its potential returns. Add to this its ability to create quality entertainment on relatively low budgets and the company should produce films that will provide plenty of bang for their buck.
But it’s the third part that sets Wonderfilm’s model apart. Once the company secures a script and signs an A-list star, Wonderfilm pre-sells the film before shooting starts. Whether the project is sold to a streaming service or a cinematic distributor, this approach eliminates distribution risks. Not only does this secure much of the finance needed to make a film happen, it also ensures that the project will reach its audience. That allows the company to confidently produce films on a fast, steady production schedule.
Vying for Viewers
Of course, Wonderfilm isn’t the only entertainment company seeing the streaming opportunity.
Apple Inc. (NASDAQ: AAPL) is using its brand recognition, together with convenient connections to its existing software and hardware, to sell a whole new entertainment brand to customers with its streaming service. The business savvy behemoth has shown an awareness of the important of high-profile original content for a streaming service. From day one, Apple TV+ featured original content designed to appeal to a range of viewers. Among its original offerings is The Morning Show, a drama about a newsroom starring Jennifer Aniston, Reese Witherspoon and Steve Carrel, and See, a sci-fi show starring Jason Momoa.
The service that made streaming big, Netflix Inc. (NASDAQ: NFLX) goes from strength to strength with its ongoing combination of established favorites and original content. The appearance of Friends on the service created a renewed surge of interest, as fans of the 1990s sitcom surfed a wave of nostalgia. But it’s Netflix’s new productions that make the company stand out and have gained it over 158 million viewers in 190 countries. Netflix is currently starting production on its first Egyptian show, based on a best-selling novel, and has announced its first French animation, as it seeks to appeal to a truly global audience.
Disney (NYSE: DIS) is also trying to demonstrate the diversity of content on its Disney+ channel. The company recently announced nonfiction content featured on the platform, including a documentary about legendary lyricist Harold Ashman. But it’s Disney’s fan-favorite properties that are creating a buzz. High School Musical: The Musical: The Series has been renewed for a second season just as it’s about to appear on Disney+, while Star Wars fans await The Mandalorian, a much-anticipated offering designed to add live-action TV to one of the world’s greatest film franchises.
Helping to fill the content libraries of these platforms is Lions Gate Entertainment Corporation (NYSE: LGF.A), one of the largest independent television businesses in the world. The company behind Mad Men, Dear White People, and Orange Is the New Black, Lions Gate has entered the streaming market directly through its Latinx content platform, Pantaya. Established two years ago, the service has succeeded by targeting a specific niche, exceeding expectations by acquiring half a million subscribers for its mixture of English, Spanish and bilingual content.
The explosion of streaming services creates great opportunities for creative businesses. From fast, low-risk productions to targeting specific niches, each one will flourish by finding its own unique model.
For more information on Wonderfilm Media Corporation, visit Wonderfilm Media Corporation (TSX.V: WNDR) (OTCQB: WDRFF)
About NetworkNewsWire
NetworkNewsWire (NNW) is a financial news and content distribution company that provides (1) access to a network of wire services via NetworkWire to reach all target markets, industries and demographics in the most effective manner possible, (2) article and editorial syndication to 5,000+ news outlets (3), enhanced press release services to ensure maximum impact, (4) social media distribution via the Investor Brand Network (IBN) to nearly 2 million followers, (5) a full array of corporate communications solutions, and (6) a total news coverage solution with NNW Prime. As a multifaceted organization with an extensive team of contributing journalists and writers, NNW is uniquely positioned to best serve private and public companies that desire to reach a wide audience of investors, consumers, journalists and the general public. By cutting through the overload of information in today’s market, NNW brings its clients unparalleled visibility, recognition and brand awareness. NNW is where news, content and information converge.
For more information, please visit https://www.NetworkNewsWire.com
NetworkNewsWire (NNW)
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www.NetworkNewsWire.com
212.418.1217 Office
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Please see full terms of use and disclaimers on the NetworkNewsWire website applicable to all content provided by NNW, wherever published or re-published: http://NNW.fm/Disclaimer
DISCLAIMER: NetworkNewsWire (NNW) is the source of the Article and content set forth above. References to any issuer other than the profiled issuer are intended solely to identify industry participants and do not constitute an endorsement of any issuer and do not constitute a comparison to the profiled issuer. The commentary, views and opinions expressed in this release by NNW are solely those of NNW. Readers of this Article and content agree that they cannot and will not seek to hold liable NNW for any investment decisions by their readers or subscribers. NNW is a news dissemination and financial marketing solutions provider and are NOT registered broker-dealers/analysts/investment advisers, hold no investment licenses and may NOT sell, offer to sell or offer to buy any security.
The Article and content related to the profiled company represent the personal and subjective views of the Author, and are subject to change at any time without notice. The information provided in the Article and the content has been obtained from sources which the Author believes to be reliable. However, the Author has not independently verified or otherwise investigated all such information. None of the Author, NNW, or any of their respective affiliates, guarantee the accuracy or completeness of any such information. This Article and content are not, and should not be regarded as investment advice or as a recommendation regarding any particular security or course of action; readers are strongly urged to speak with their own investment advisor and review all of the profiled issuer’s filings made with the Securities and Exchange Commission before making any investment decisions and should understand the risks associated with an investment in the profiled issuer’s securities, including, but not limited to, the complete loss of your investment.
NNW HOLDS NO SHARES OF ANY COMPANY NAMED IN THIS RELEASE.
This release contains “forward-looking statements” within the meaning of Section 27A of the Securities Act of 1933, as amended, and Section 21E the Securities Exchange Act of 1934, as amended and such forward-looking statements are made pursuant to the safe harbor provisions of the Private Securities Litigation Reform Act of 1995. “Forward-looking statements” describe future expectations, plans, results, or strategies and are generally preceded by words such as “may”, “future”, “plan” or “planned”, “will” or “should”, “expected,” “anticipates”, “draft”, “eventually” or “projected”. You are cautioned that such statements are subject to a multitude of risks and uncertainties that could cause future circumstances, events, or results to differ materially from those projected in the forward-looking statements, including the risks that actual results may differ materially from those projected in the forward-looking statements as a result of various factors, and other risks identified in a company’s annual report on Form 10-K or 10-KSB and other filings made by such company with the Securities and Exchange Commission. You should consider these factors in evaluating the forward-looking statements included herein, and not place undue reliance on such statements. The forward-looking statements in this release are made as of the date hereof and NNW undertakes no obligation to update such statements.
Another winner . These shares are worth taking a chance on https://pennystocks.news/unusual-activity-trade-alert-stock-triples/
up and away for this one
Hear from #Wonderfilm's Kirk Shaw talk about how Wonderfilm takes the financial risk out of filmmaking by pre-selling the movie before production begins.
snip.ly/z70zsa $WDRFF #otcqb $WNDR
Wonderfilm (WNDR TSXV, WDRFF OTC) to Remake Swedish Hit Film 10,000 Hours
https://finance.yahoo.com/news/wonderfilm-remake-swedish-hit-film-130500836.html?.tsrc=applewf
Wonderfilm Media to Adapt Marshall Terrill's Biography of Hollywood Legend Steve McQueen into a Feature Film
https://finance.yahoo.com/news/wonderfilm-media-adapt-marshall-terrills-131100472.html?.tsrc=applewf
The stock is looking good in Canada, (WNDR TSXV) and the USA (WDRFF)
There has been lots of news lately and anyone that understands this Company and their business model realizes the Company is under valued. www.wonderfilm.com
Wonderfilm Feature, Tammy is Always Dying, Selected to Premiere at TIFF 2019
#News #film #media #TIFF
https://finance.yahoo.com/news/wonderfilm-feature-tammy-always-dying-131400306.html
Wonderfilm Delivers 7 Movies With 13 Going Into Production
WNDR TSXV, WDRFF OTC:QB
#Film #Media #News #producer #sales #movies #invest #investing
https://www.financialbuzz.com/wonderfilm-delivers-7-movies-with-13-going-into-production/
Wonder Film Media Corp. interview with Kirk Shaw, CEO.
Must watch!! (WNDR TSXV, WDRFF OTC:QB)
#film #media #interview #CEO #producer
https://midasletter.com/2019/06/the-wonderfilm-media-corp-cvewndr-low-risk-film-financing/
Wonder Film #News
(WNDR TSXV,WDRFF OTC:QB)
Fast & Furious 9's Tyrese Gibson to Star in Wonderfilm's Thriller, The Inside Game
https://finance.yahoo.com/news/fast-furious-9s-tyrese-gibson-140700922.html?.tsrc=applewf
I agree...this is a solid long term investment.
Wonderfilm is just getting started and with the dip in share price most shareholders cost average is twice the current market level. In my opinion this stocks a buy at this level and much higher. This is a great long term hold. My cost average is .43 CDN.
Wonderfilm Media Strikes Multi-Picture Deal With Voltage Pictures: Action-Thriller The 2nd Starring Ryan Phillippe Launches Partnership
https://www.otcmarkets.com/Stock/WDRFF/news/story?e&id=1401192
took a position, I hope I did not miss the $$$ train.
Record volume the last 3 days. Very active in Canada too WNDR. Eventually this looks like it will pop.
Wonderfilm Media Corp $WDRFF $WNDR
From Ian Ziering and the director of the SHARKNADO movies comes ZOMBIE TIDAL WAVE. I think you can assume what the plot entails. And today we have the movie's wacky trailer to share with you guys. The film is first under the production deal between Ziering’s I.Man Productions and Darby Parker’s Stronghold Entertainment. Ziering says about the film:
https://www.joblo.com/horror-movies/news/trailer-zombie-tidal-wave
Volume picking up, hopefully share price does too. With it being a QB stock now, you’d think we would have some more market makers playing in this one
This stock just keeps getting better. Has to bounce off these levels any day now!!!
Tyrese Gibson To Produce & Star In ‘The Inside Game’ Thriller
https://deadline.com/2019/07/tyrese-gibson-the-inside-game-movie-1202643597/
It’s greatly undervalued - I just don’t think Wonderfilm has enough eye balls on the stock yet. In addition Wonderfilm was just OTC:QB qualified this week and up until then the Company was Pink Sheet listed without audited financials in the USA.
It’s my opinion that it’s a terrific opportunity to accumulate a share position. I don’t think it will take too much news to gain some momentum now that it’s fully reporting in the USA.
Why is this not moving up? I read the update and it sounds amazing, and now they are QB too.
Wonderfilm CEO Kirk Shaw on Low-Risk Film Financing $WNDR $WDRFF
Wonderfilm Media and 101 Films Announce "Wonderfilm Global" a New International Film & Media Distribution Joint Venture
https://finance.yahoo.com/news/wonderfilm-media-101-films-announce-072300732.html?.tsrc=applewf
Wonderfilm Media to Complete Acquisition of WOL and Starbury Sports
https://www.wonderfilm.com/news/2019/wonderfilm-media-to-complete-acquisition-of-wol-and-starbury-sports/
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Newsfile Corp.Mon, August 9, 2021, 5:11 PM·19 min readIn this article:
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https://www.amcomrimedia.com/news/amcomri-launches-reverse-takeover-of-appreciated-media/
Amcomri Media Group, through its subsidiary, Trinity Pictures Distribution Limited (Trinity) has announced a proposed Reverse TakeOver of the TSX-V listed entertainment company, Appreciated Media Inc. (Appreciated).
The proposed transaction, which is subject to the approval of the Shareholders of Appreciated, is an all-share acquisition of Trinity and its subsidiary companies, 101 Films, 101 Films International, Hollywood Classics and Abacus Media Rights and values those operating companies at $50m. Appreciated itself has been largely dormant in recent months.
Following the approval of the shareholders of Appreciated the company will be re-named Amcomri Entertainment Inc. and a number of the management team members of Trinity will join the main board of the listed vehicle. A detailed Circular is to be issued to the shareholders of Appreciated following approval by TSX-V.
Various Amcomri entities have also agreed to convert debts owing to them by Appreciated into equity and Amcomri Holdings Limited will provide a $1,000,000 working capital facility to the group.
“This proposed transaction would represent a massive step forward for Amcomri and for Appreciated as we continue to grow our global distribution networks and our production capabilities in Canada and the US”, commented Paul McGowan, Chairman of Amcomri.
Further details of the transaction can be found in the official announcement at https://www.newsfilecorp.com/release/92574/Appreciated-Announces-Fulfillment-of-Prior-Obligations-Reverse-Takeover-by-Trinity-Pictures-and-Credit-Facility
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